Feeds:
Posts
Comments

Posts Tagged ‘diy’

I may have mentioned before that I often have the TV on while I’m editing.  It has to be the right kind of show; something I can mostly listen to and just glance at periodically, it has to be interesting without being too engaging.  I end up watching a lot of documentaries, nature, science and history shows.  I also catch a lot of shows about the paranormal; I love stretching my imagination entertaining the ideas they present whether or not I think they might actually be true.  Often these shows have a benefit beyond simply enhancing my editing time; I learn new things, I expose myself to new ideas.  And sometimes I learn about problems in the world and I want to do something to try and help fix whatever is wrong.

Details from today's images

Details from today’s images

I’ve known for some time about the terrible future the wild lions in Africa are facing.  Poaching and habitat loss have killed off about 80% of their population in the last 20 years.  Sadly, the traits humans find most beautiful about lions are also the things that make them genetically stronger, which means not only are people driving lions to the edge of extinction, but the lions which are left are weaker and less able to survive.

There are approximately 20,000 wild lions left in the world now.  This is a drop in the bucket from 450,000 about 30 years ago.  If nothing changes, lions could become extinct within the next decade.

Can you imagine a world without lions?  The fragile ecosystem which would be thrown into chaos by their loss?  A world where children would grow up never seeing the majestic animals?  Where lions would seem as unreal to them as dinosaurs?  Telling your child that yes, these animals all once roamed the land, but now they are gone forever.

And it is because of humans that lions are teetering on the edge of this chasm.

If people are the cause of their destruction, we have a moral obligation to try and save them.  As my close, personal friend Rustin Cohle would say, we have a debt to pay.

As is my usual first course of action, I decided to address the problem with photography.  As I began building the concept in my head, I realized it would fit in well with DreamWorld.  While most of the land is beautiful and verdant, there are less lush areas and also touches of actual evil.

It was at this time that I came across Travis Weinand.  Travis is a multi-talented transplant from Philadelphia; he models, of course, acts, sings and plays bass in his really great heavy metal band Burden (seriously, I genuinely like their music!  Give it a listen!) illustrates and paints beautiful images, he’s been a tattoo artist and has been competing in the last several seasons of American Ninja Warrior.  Travis has promised to show me how to make my voice sound evil like I’m singing in a metal band and I’m going to show him how to levitate… in a photo at least 🙂  ANW isn’t something I’d seen much of; I quickly discovered it’s really physically demanding; here’s a short video from Travis to impress your socks off:

Travis’s physical strength, size (he’s 6′ 5″, so anybody seeing us walking together must have gotten a chuckle since I am all of 4′ 11″) and blond hair made him feel like a perfect lion-man.  I decided to make a mane headdress, something more symbolic of a mane rather than something that was trying to perfectly replicate what a lion’s mane looked like.  I had some really lovely blue and brown metallic yarn that I’d gotten on sale and wasn’t sure what I was going to do with, which seemed like a good place to start.  Since Travis has brilliantly blue eyes, I decided to work some blue into the mane; this was a metaphoric mane, I decided I could bend the color rules a little.

Various amounts of blue yarn and other colors braided together

Various amounts of blue yarn and other colors braided together

It happened that, of course, I got sick again while I was getting ready for the shoot – I think I’ve told you guys this but apparently my body has decided that it’s going to have a cold every 2-3 weeks until I have sinus surgery to stop its evil plan.  My surgery is November 4th (wish me luck!) and I am so eager to have it done with.  I’m really looking forward to a time when I can go more than a few weeks without getting sick on top of already being chronically sick.

That has, of course, been very draining, but knitting is one of those activities that you can do (if you’re making up your own pattern anyway) without engaging very much of your brain.  It’s also quite soothing, the repetitive motions over and over again, and once I got through the really feverish first couple days of the cold it was a relief to have something I could work on and feel a little bit productive about.  So a lot of braiding and arm-knitting happened while I was well enough to be bored but not well enough to do much of anything else.  Above, you see the braided loops I made with varying amounts of a brighter blue yarn worked into the rest.

The under-mane

The under-mane, loops attached

Lion’s manes are typically darker close to the skin with the hair lightening as it gets longer.  I made the “under-mane” from the original blue and brown yard that had started the whole idea, arm-knitting a general idea of the shape I wanted.  I hand-tacked some of the braided pieces around the bottom to hang down decoratively.

The... main... mane

The… main… mane

The, uh, main mane was also arm-knitted, into a similar shape, but fuller and more expanded toward the bottom.  I love this brand of yarn.  I want to arm-knit everything right now.  It has such a beautifully organic look when it’s finished, even if you’re making it up as you go!

Ruffs

Ruffs

Lion manes are often majestically full right over the center of their chests, so I quickly knit up a couple filler-pieces to give extra fullness to Travis’ mane.  You’ll notice that one is a little bigger than the other.  The official reason is because it’s natural for there to be a slight asymmetry to any kind of animal markings or fur.  The real reason is because I’d run out of yarn and didn’t have money to go buy another skein.  Plus, I didn’t think it would really show in the final images, so I didn’t worry about it too much.

The beginning of a mock-up

The beginning of a mock-up

I’m including this photo because for one, Aly gave me the unicorn-on-a-stick toy so I wanted her to see it is being used and loved, and also because it just really looks ridiculous 🙂  I needed to build up a shape that was going to let me see how the mane would actually be hanging and my regular foam head wouldn’t nearly do the job.  Not only because it’s far too short and becomes unstable if I pile it high on a lot of other objects (I know this from experience) but I needed the mane to spread out so I could really see it.  So this is the unicorn-on-a-stick sandwiched between the end of my bed and the blue dresser at the end of my bed, wrapped up with a very fluffy pink bathrobe which is so long that I use it as a blanket.  In the next photo you’ll see another bathrobe draped over the unicorn’s head to give it more a human-head shape.  There’s a method to all the madness.

And if anyone is wondering, the cardboard box is there for the cats (mostly Maynard) to lay in and the big pile in the background is my Costume/Fabric/Backdrop Pile.  I’m working on a better way to store it all.  There are only so many hours in a day.

First draping

First draping

I’d been planning to braid the mane into Travis’ actual hair, which is cut in a very cool undercut style which makes me think of Jimmy from Boardwalk Empire.  I seem to be leaving a hole in the middle of the mane; that’s on purpose to allow for Travis’ hair.  You can see the under-mane some and I’d started adding extra braided bits which just hung down.

Finsihed!

Finished!

And here it is all done!  Braided loops, hanging braids, front ruffs; it’s all there.  It’s probably hard to picture how it will eventually look, but don’t worry, you’ll see very soon 🙂

I had come across some boulders in one of my walks (my doctor’s suggestion of a safe exercise for me right now, which makes me sad when I think about all the yoga, Pilates and ballet I used to do.  I like to do the walks in nature since that makes it much more interesting and enjoyable).

The plants around it, which had been brilliantly green in spring were now brown and dying, so it felt like the perfect setting for my Last Lion, as I am calling this new DreamWorld character.

I imagine that the Last Lion had a vast kingdom once where his people thrived.  During the Yellow King’s grab for power, his people and land suffered greatly when they stood up against the Yellow King.  They are fighters.  And though the Yellow King is now banished, he did real harm to the land and its people before he left.

They are fighters.  They have been greatly wounded and they could vanish forever and be a mere memory in DreamWorld as the lions could be in our world… but I think they’ll prevail.  They have not been beaten yet.

And if you would like to help our world’s lions, look into the Big Cat Initiative.  They have a really solid plan of how to get the lions back on their feet while still keeping the farmers and cattle in the region safe, promoting harmony between them.  Another very quick, simple yet effective way is to add your name to any or all of the petitions below, all working toward protecting lions from extinction:

http://www.change.org/p/save-african-lions-from-extinction-by-listing-them-as-an-endangered-species

http://www.ifaw.org/united-states/node/92726/

http://www.thepetitionsite.com/1/save-lions-from-extinction/

Harmony between man and nature.  It’s such a common theme in DreamWorld, and one we need more of in this world.

Please enjoy the Last Lion images below and consider signing a couple petitions and joining the Big Cat Initiative!

Lost Pride

Lost Pride © Sarah Allegra

Lost Pride detail © Sarah Allegra

Lost Pride detail © Sarah Allegra

Lost Pride detail © Sarah Allegra

Lost Pride detail © Sarah Allegra

 

Dying Trophies © Sarah Allegra

Dying Trophies © Sarah Allegra

 

Dying Trophies detail © Sarah Allegra

Dying Trophies detail © Sarah Allegra

 

You can look forward to seeing more of Travis soon!  I’m very excited about using his incredible physicality strategically in images; he can do things for real which I’d normally have to rely on Photoshop for.  Should be fun!  Thanks, Travis!  And thanks to all my readers 🙂

Advertisements

Read Full Post »

Lady Death is another DreamWorld character I’ve had in my head for a long time before I had the chance to photograph her.  Sometimes that can be frustrating to postpone your idea for so long, but in this case, I’d imagined the image for so long and in such detail that it made for an extremely easy shoot!  I knew exactly where everything should go, how to light it, the pose I wanted; it was all in my head and I just had to get it shot.

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

Let me tell you a little bit about the inspiration of her character.  Lady Death is, as her name suggests, the incarnation of death within DreamWorld, but I didn’t want her to be the common, dark, grim-reaper version of death we see portrayed frequently.  The concept of how she would appear came from a mix of Deerskin, by Robin McKinley, Come Lady Death, by Peter S. Beagle and a dash of my own attitudes and ideas about death.

I’m going to quote from Robin McKinley’s Deerskin and not give you the context which this passage is happening in, for one because if you get me started talking about Deerskin, it will take up more than this entire post, and also because it’s not incredibly important for my point and I want you to be intrigued to read it for yourself.  I will simply say that this all happens in the first quarter of the book, so it is not the end it sounds like.

“Lissar went on breathing as she looked, because she did not know how to stop; but as time passed she felt the cold upon her [naked] body, feeling it like a soft inquisitive touch, like the feet of tiny animals.  She did not recognize pain as present experience, for such distinction was too subtle for her now; rather it was that was what there was left of her, as screaming had been her existence some time before.  The creeping cold was a change, or further refinement, upon her existence.  But the cold was not content to pat at her skin and then grasp her feet, her hands, her belly and thighs and face.  It wormed its way inside her; but [she could not resit it].  Nor, she found, did she now want to, for the cold brought oblivion, the cessation of pain.

And then she saw its face, and it was not an animal at all, but Death, and then she welcomed it.  Almost she made her split lips work to give it greeting; but her voice had fled away some time before.

I am dying, she thought, in the guttering of consciousness, I am dying, she thought, in the encroaching stillness.  I am dying, and I am glad, for Ash is already dead, and it will all be over soon.”

I will quickly say that while there are some very, very dark moments in Deerskin, it has been one of my two favorite books for well over a decade.  Where there is darkness, the light shines more brightly, as in the case with this book.

Inspiration part 2 came, as I stated, from a short story Peter S. Beagle wrote called Come Lady Death.  In it, the grand Lady Neville, famous for her grand, opulent balls, has grown bored with her own parties.  In looking for a way to up the excitement factor, she decides to invite Death to her next party.  An invitation is sent out… and a positive reply comes quickly.  The guests nervously await Death, wondering what he’ll look like and are surprised when “a lovely young girl in a white dress stepped gracefully into the ballroom doorway and stood there smiling.

She could not have been more than nineteen.  Her hair was yellow, and she wore it long.  It fell thickly upon her bare shoulders that gleamed warmly through it, two limestone islands rising out of a dark golden sea…  She smiled, and Lady Neville tried to smile back, but her mouth seemed stiff.  ‘Welcome,’ she said.  ‘Welcome, my lady Death.’

A sigh rustled among the lords and ladies as the girl took the old woman’s hand and curtsied to her, sinking and rising in one motion, like a wave.  ‘You are Lady Neville,’ she said.  ‘Thank you so much for inviting me.’  Her accent was as faint and almost familiar as her perfume.”

While the two stories don’t seem to have a lot in common on the surface, and especially not in the small fragments you’ve seen here, there were a couple main points I took away from them both.  Death was a being or person who was a) not frightening in appearance b) not male,  as expected, and c) more warm and welcoming than anything else.  This fits in nicely with my own views on death and the afterlife.  Everyone has their own thoughts and views on the subject, which is fine, but I don’t view either as a scary thing, nor the end.  Of course, we grieve when death separates us from those we love, but I know that I will be reunited with them some day.  I suspect that the first batch of “people” I’ll see when I pass the threshold to heaven will be a menagerie of furry, feathered, barking, purring, squeaking, singing creatures I have loved 😉

Drawing from all these sources, Lady Death emerged in my head.  She should be warm, inviting, welcoming, maternal.  She should not be frightening, but soothing.  She should be connected with nature, because death is a natural part of life.  Her clothing would be dark, but there would be no black allowed anywhere in her costume.  And most importantly, when you look into her eyes, you need to know that all is well, all was well, and all would forever be well.  I knew I needed to bring my dear friend and mostly-retired model Aly Darling into this image to embody all these qualities.

What should Lady Death’s clothing look like?  The story Come, Lady Death is set in a slightly unspecific time; several hundred years ago at least.  People throw balls, wear gorgeous gowns, ride in carriages… it brings to mind the 17th-18th century for me, though I have not confirmed this with Peter Beagle to see if that was his intention.  I didn’t want to make her clothing especially period-specific, but it definitely needed to have an old-fashioned feel to it.  How silly would it look if Lady Death was wearing the latest looks from this season’s runways?  I settled on a semi-Victorian feel, which felt both old-fashioned and classic at the same time.

Since I wanted to stay far away from the typical associations with the standard Death figure, black was not allowed anywhere in her costume.  I chose a beautiful purple dress with bell sleeves (purchased on Ebay for a few dollars) and went to work creating a cape for her out of some gorgeous teal satin I found.

I based the construction of the cape off of an actual Victorian cape I own (also purchased through Ebay, but as a wrap at my wedding, not for a costume).

Victorian cape draped over a laundry basket so I could assess its shape and drape.

Victorian cape draped over a laundry basket so I could assess its shape and drape.  Note the multiple layers of ruffles around the collar.

I reverse engineered a pattern from the cape and cut the pieces out of the teal satin.  I gave my cape several ruffled layers of fabric around the collar also, which were then copiously covered in flowers, each one hand-glued in place.  I spent months slowly gathering the appropriately colored flowers in the amount I needed.  Many of these were repurposed from previous DreamWorld costumes, like Perennial Parasol, Efflorescence and In The Lilac Wood, but this will be their final spot.  I love the costume too much to take it apart!  But I have to say, Icertainly got my money’s worth from the flowers!

Lady Death cape from start to finish

Lady Death cape from start to finish, complete with flower-festooned collars

 

Next came construction of Lady Death’s bonnet.  I didn’t want her to have the standard hooded cloak, but I liked the idea of having her face framed in the way a cloak hood would.  Given the Victorian-ish look I was going for, I built a bonnet somewhere in between a Regency bonnet and a Victorian one.  When it’s your world, you get to pick and choose clothing details you like and use them however you want!

The base of the bonnet was some sheets of cardstock glued together into the general shape I wanted.  I tried it on a few times and refined the shape.  Next, I used spray adhesive to glue the teal satin to one side of the bonnet.  This ended up leaving unexpected streaks of glue when dried (see the photo in the lower left corner below) so I quickly decided that side was the inside of the bonnet.  I used a regular glue gun to edge the satin to the other side of the cardstock and the hem on the underside.  I happened to have a small amount of very sparkly purple mesh which I added to the inside of the bonnet.  This had the dual benefit of covering the glue streaks and adding some dimension and light within the darkness of the bonnet’s underside.

Bonnet construction

Bonnet construction

 

Next came the fun and slightly tedious task of decking out the bonnet!  Multiple layers of ribbons, trims and flowers were added to it.  And because someone already asked this, yes, I did glue those teeny tiny individual little flowers to the top and underside of the brim one by one.  I was not excited to do that, but it was well worth it.  You can see Maynard wanting to help in the last couple photos.  A beautiful, wide, dark blue satin ribbon finished the bonnet off and looked beautiful tied under Aly’s chin!

Bonnet decorating

Bonnet decorating – Maynard offering to help

 

I seem to have not taken any images of the staff construction, sorry about that.  I must have been rushed.  I’ll tell you about it though, it was pretty easy.  With the abundance of sticks of all sizes within my yard, I found a good staff-sized one.  I spray painted it a dark brown and kissed it gently with some metallic bronze spray paint.  I already had a string of small, battery-operated LEDs which I’d stuck through the middle of some small flowers.  The LEDs and flowers were taped rather roughly to the staff with masking tape, which I knew I could edit out later.  I knew it would add work in post, but it seemed the best solution at the time.

The bird skeleton is an actual bird skeleton and was incredibly delicate to work with.  I tried to be reverent and ask the bird’s spirit for permission to use it before I did, and so far the house doesn’t seem to be haunted by any bird ghosts, so I’m hoping that means the bird was ok with my use of it.  It was attached using a mixture of masking tape and fine wire.  I made a small wreath for it with the same tiny purple flowers I’d edged the bonnet with to take away a little of the creepy factor of a bird skeleton while also tying it in more directly with the overall costume.

Lady Death

Bird skeleton

Since Aly and I both have health problems and don’t live especially near each other, it took a while for us to find a time when we could actually shoot this image.  Eventually though, the stars aligned and everything went perfectly!  I absolutely loved the images straight out of camera and knew they wouldn’t need much editing.  However, I forgot to take detail shots of the costume while it was on Aly… so Calantha came to the rescue!  She actually enjoys it when I dress her up since she knows it means copious praise and treats.

Calantha modeling Lady Death's cape

Calantha modeling Lady Death’s cape

You can see how little she cares about the cape, she didn’t even move after I draped in on her.  She didn’t like the bonnet when it flopped over her face and couldn’t see, but as long as I kept it adjusted, she was really pretty cool about it.

Such a pretty girl!  She looks right at home in it.

Such a pretty girl! She looks right at home in it.

Calantha models the bonnet

Calantha models the bonnet, showing off the details you can’t see so well in the finished image

After all that, let’s check out the final image!  Scroll down for detail shots 🙂

Lady Death, by Sarah Allegra

Lady Death © Sarah Allegra

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

 

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

That closeup of Lady Death’s face makes the whole image for me.  The gentleness, the kindness, the love shining out of her face shows exactly who the character is.  Thank you very much to Aly for portraying her so perfectly, and to Calantha for modeling the costume after the shoot 🙂

Thanks to you for reading!  What do you guys think about the afterlife?  Would you find it comforting to find Lady Death escorting you to the rest of eternity?

Read Full Post »

I have known Erick Reidell for several years, but he and Geoff go way back to high school.  Erick has always been an adventurous, creative, gregarious person, and we found a lot of artistic common ground to talk about when I first met him as Geoff’s new girlfriend a little over five years ago.  Which was a relief to me, since I just wanted Geoff’s friends to like me!

It was a shock to everyone when he was diagnosed with cancer that same year.  Cancer cruelly seems to always pick on the best, most wonderful people.  Erick would not be anyone’s “typical” cancer patient.  He doesn’t smoke, lives healthfully and is always full of optimism and cheer.  That first year Geoff and I were dating, Erick had a seven-pound tumor removed from his abdomen.  There were many breathless months while Erick endured chemo and treatments and recovered from surgery.  I vividly remember the night Erick’s wife called Geoff to tell him that the most recent scan had come back clear, and for the time being at least, Erick was in remission.  Everyone was, of course, extremely relieved.

Since then I’ve gotten the chance to get to know Erick better myself, and I can say he is one hell of a guy.  Hard-working, artistic, funny, a great husband and dad and always ready to face the next challenge his body throws at him.  He is such a lovely man that I suggested he become ordained online so Geoff and I could have him marry us at our wedding, which he did.  The wedding was, of course, a wonderful, beautiful blur of a day, but it will always mean so much more looking back and remembering it was our dear friend, and not some stranger, who performed the ceremony.

Alex/my man of honor, me, Erick, Geoff and Geoff's dad/best man, Larry.

Alex/my man of honor, me, Erick, Geoff and Geoff’s dad/best man, Larry.

Late winter, after several years of being clear, Erick’s cancer once again returned, and once again, he beat it.  Not without great effort from him and his doctors, but he did it.  When we knew we’d be seeing each other over Christmas, Erick asked to be a part of DreamWorld, which I gladly said yes to.  I also felt that a very serious charge had been given to me.  I wanted to make sure I did something special for Erick, something true to DreamWorld, something that spoke of his struggles and also something that would ring true to other cancer sufferers.

Out of these swirling thoughts came the Yellow Knight.  Yellow, since that color is associated with cancer-awareness ribbons, LiveStrong bracelets and the like.  His armor is made out of little bits and swirls of ribbon (or paper, as it ended up, but it looks like ribbon) much like the awareness ribbons.  Though ribbon would seem like a frail and flimsy defense, he defeats the horrible cancer-monster.

I’ll talk briefly about how I made Erick’s costume on, again, a next-to-nothing budget.  His cloak was the same one I’d used in Paul Telfer’s Sleeper’s Sentinel photos, so that was already made.  I wanted to make a chestplate and bracers for Erick’s armor.  Ihough I’d originally planned to use actual ribbon, I was dissatisfied with the ribbon selection both in my ribbon drawer and the craft store, so I decided to use paper instead.  That was also quite a bit less expensive, so double win!

For the chestplate, I stared by gluing two layers of cardstock together to give it a firm, stiff base, and covered one side in muslin for a more “polished” finish.

Matching up cardstock and fabric shapes.

Matching up cardstock and fabric shapes.

Cardstock back of the chestpiece.

Cardstock back of the chestpiece.

And fabric front, with a slight seam down the center to help shape it.

And fabric front, with a slight seam down the center to help shape it.

You can see my black and red suitcase on the floor, which just shows how hurriedly I was trying to put this together before we left for our trip.  I got the bracers made too; fabric shapes with cardstock bones to give them sturdiness.  I was planning on just tying the bracers on with ribbon, and I figured I’d do the same for the chestpiece since you wouldn’t be able to see the back or sides anyway, so the problem of keeping them on was easily solved.

bts4

Bracer with cardstock bones.

At this point, we really had to leave, so I just cut lengths of paper and used my rotary cutter to slice nice, straight even strips into them.  I packed my glue gun and other supplies I might need and we hit the road.

Our time visiting family was short, so we decided to shoot right after Christmas.  I spent one long afternoon of our trip bent over the chestpiece and bracers, hot gluing the ribbon strips to them as quickly as I could.  I alternated the colors, types and thicknesses  the papers frequently to give it more depth, using cardstocks, vellum and tissue paper.  Unfortunately, I was so busy feeling stressed about getting it done before the shoot the next morning, I completely forgot to take photos of the gluing-on process.  But you can probably imagine what a slightly-crazed woman wielding a glue gun in one hand, paper ribbon strips in the other, muttering dark curses under her breath, hunched over fabric/paper constructs and commanding the glue gun to heat up faster and just GLUE looks like.

The morning of the shoot came, and I’d managed to finish the costume (though my lower back was still complaining from having hunched for so many hours).  I knew I’d be doing a lot of work to the cancer-monster in post, so I simply had one black trash bag bunched up into a ball which Erick could punch, and I’d made a very, very rough wire frame for another black trash bag into something that was somewhat wing-shaped.

I scotch-taped the bags as needed to hold their shapes and let Erick pummel the central mass of the creature.  Geoff helped tremendously with flipping the cloak and holding the wings up for me to photograph separately and composite into the final image.  All said, it took perhaps half an hour.  The park we were in was just beautiful and quite deserted given the very cold weather and early hour, and I couldn’t resist taking some snapshots of plants covered in jewel-like snow.  I’ve said it before, but as a California-native, snow is UTTERLY MAGICAL to me whenever I encounter it.

Little Jewels

Little Jewels

Erick looked incredibly noble and at home in his costume, and I’m so glad Geoff reminded me to take a portrait of him not in action.  They’re quite different shots, but I think a lot of Erick’s quiet, inner strength and grace shows through, especially in the second portrait.

After that, we all had a lovely breakfast at a local cafe and warmed up with hot food and coffee.  A successful shoot!

I hope these image can be an inspiration to others fighting their own battles; perhaps simply reminders to not give up quite yet.  If you have had experiences with cancer or other long illnesses yourself, I would love to hear from you!  I hope I can make the cancer community proud.

And with that, let’s see the finished photos!

The Yellow Knight

The Yellow Knight

The Yellow Knight

The Yellow Knight -detail

The Yellow Knight -detail

Ribbon Armor

Ribbon Armor

Ribbon Armor - detail

Ribbon Armor – detail

Thank you, Erick, for coming to play in DreamWorld!  🙂

This is not the time or place to get into it all, but it seems I will be heading into another of my own health battles, of the bureaucratic nature this time, and any well wishes and prayers would be appreciated!

**If you enjoyed this post, you can subscribe to this blog in the upper right-hand corner of the screen and have new posts delivered right to your inbox!**

Read Full Post »

First post of 2014!

How was everyone holiday and new year’s celebration?  Geoff and I had the chance to take a little road trip to see some family, which was really fun!  We got to hit some stops coming and going we’d been wanting to see for a while, so I’ll just get right into it.

First stop was the Arizona Deer Farm!  I visited the deer farm with my family when I was about 4 or 5, and I remember it quite vividly.  I was very excited to realize that not only was the place still around, it was pretty much right on our way!  It’s more of a large petting zoo than a farm per say, and they encourage photographs to be taken.  I have a series coming up which is taking a lot of inspiration from deer, so it was very much a win-win situation for me!  Thanks to Geoff for taking all the photos that have me in them!

DSC_0353

DSC_0447

DSC_0940

There’s a path for people to walk on, and most of the deer mill about freely inside a large enclosure.   They have plenty of places they can go and hang out or take a nap that are well off the path, so they only are interacting with you if they want to.  And since you get a big cup of feed when you go in, many of them want to 🙂

gIMG_0864

IMG_0873

Most of the deer are fallow deer; as you can see, they don’t get terribly large, they come in a variety of beautiful colors, and they retain their fawn-like spots into adulthood.

DSC_0688

DSC_0656

DSC_0668

gIMG_0879

The price of food: one smooch on the head. This one thought it was a fair trade.

gIMG_0889

Checking my hair for edibility; sorry, buck.

gIMG_0881

Sadly, my coat is also not edible.

IMG_0884

The males have the most stunning antlers of any deer I’ve seen!  I took lots of photos of this handsome gentleman.

DSC_0267

Once we arrived safely in Kansas, we settled in to the cold weather.  They had an unusual amount of snow for this time of year, which was sighed at by all the locals but I rejoiced in.  We met up with Erick Riedell, a friend of Geoff’s since Junior High, who also got ordained and married us, and who is also a photographer.  In addition to being an all-around great guy, he’s a cancer survivor twice over now.  He had volunteered to be a part of DreamWorld while we were back, and I wanted to find a way to honor his battle and triumphs… hopefully I’ll be able to share the result of that shoot soon!

While we were wandering around a snow-covered wood for the shoot, I was enchanted by the fairy-world sparkle the snow gave all the plants.  I snapped this shot, which reminded me of the fairy tale of The 12 Dancing Princesses and the underground world where all the trees and fruit are made of jewels.

Little Jewels

Little Jewels

On our way back home we stopped at the Wigwam Motel, the epitome of Route 66 kitsch.  We’d stayed there once before, and while the rooms are humble, they are so fun to stay in!  It looks like very little has changed since it opened in 1950.

A cellphone snap of our wigwam.

A cellphone snap of our wigwam.  Those are my gloves on the car trunk, not a wad of used tissues as it appears.

As we made our way home from Arizona, we stopped at The Roadkill Cafe, another historic Route 66 stop.  They had great food (which was not at all made out of roadkill) along with a lovely hand-drawn sign honoring the fallen Hotshot firemen.  I had an unsettling moment when I saw the sign; my heart sank at the reminder of all the brave souls who were lost that day, but I loved that the cafe was honoring their lives and memories.  Regular readers will remember why the loss was hard for me.

IMG_20131230_132648

Thank you, Roadkill Cafe, for your very sincere and personal gesture showing your gratitude to the firemen heroes.

So now… on to the first photo of the year!  As much as possible, I feel it’s important to start a year off right with my photos.  Get going on a direction that will determine a positive trajectory.  I wanted my first photo of 2014 to be one I’d look back on proudly.  This photo ended up being quite a bit more work to edit than I’d expected, but I felt waiting a little longer would be worth it.

This concept was actually one I’d shot with Katie at our very first shoot many months ago, but it just didn’t turn out quite like I’d wanted.  The concept was a DreamWorld character; a wind spirit, or perhaps wind goddess would be more appropriate.

I started by making her an art nouveau-inspired headdress.  I remember I’d been looking at one of my books on Alphonse Mucha and had wanted to make a headdress similar to what many of his women are adorned with.

I used my foam head to pin and hot glue sensual, looping ribbons into a headband shape.  The forehead and sides were decorated with masses of little white flowers and small glitter-covered styrofoam balls in a variety of sizes.

front

It was meant to be worn rather low over the forehead, which almost instantly gave it that art nouveau feel.

side

After that, I hot glued long strands of ribbon to the headband and dotted them with a few more of the styrofoam balls which would help show the blowing wind, along with making it feel more magical.

The second shoot went much better than the first one did!

Where Earth Meets The Sky

Where Earth Meets The Sky

Where Earth Meets The Sky - detail.

Where Earth Meets The Sky – detail

Katie always plays ethereal goddess-types so easily!  Her acting chops are so important to the kind of photography I do.  We both would like to see this kind of headdress become fashionable so we could just go around wearing them all day, at, say, the grocery store… so how about it?  Would you like a wind goddess headdress of your own to help start a trend?  🙂

Thanks to Katie for her patient modeling and to all my readers!  I hope your year has been off to a great start!

Read Full Post »

It’s that time of year when everyone with a blog is required to take a look at the previous year and take stock.  I like this tradition.  It gives you a sense of accomplishment for the things you’ve done and also brings to mind what still needs attention.

So what happened in 2013?  So much!

I signed a contract with Conlan Press, Peter S. Beagle’s publisher.  This has already brought some very exciting things about, and there are many, many more to come!

In The Lilac Wood

In The Lilac Wood

I created what I consider the first “real” DreamWorld piece.  By “real” I mean a full-fledged character was brought to life with costumes and props which took months to create and inventing new ways to bring about my vision on a shoe-string budget.  The inclusion of birds would also prove to be a frequently occurring theme in DreamWorld.

The Court Of The Dryad Queen

The Court Of The Dryad Queen

I got to photograph Lauren Cohen, aka Maggie from AMC’s The Walking Dead.  The image also kicked off a sub-series of DreamWorld portraying the various steps along the Hero’s Journey.

Crossing The First Threshold

Crossing The First Threshold

I also got to photograph Paul Telfer, known for his roles in NCIS, The Vampire Diaries and other roles that require buff-and-handsome men.  He perfectly portrayed the angelic kind of being you would want watching over you while you sleep.

Prayer For The Frail

Prayer For The Frail

This year also brought about a new, ongoing collaboration and friendship with actor/model Katie Johnson.  I could write an entire post about how wonderful it’s been to have Katie in my life, both for artistic reasons and personal ones.  I will leave it at two main points; that she is a spectacular model, equally skilled at following specific, minute directions as well as being let loose while I just try and keep up with her.  Her friendship, strength and grace have been a great boon this year, especially during some notable rough patches.  Thank you, Katie 🙂

Perennial Parasol

Perennial Parasol

One of those notable rough patches was learning about the tragic deaths of the 19 Hotshot firemen in Yarnell, Arizona this summer, and that one of them had been a childhood friend of mine.

To The Lost

To The Lost

In a somewhat similar vein, I took my passion for animal rights to a new level after watching the documentary Blackfish.  This also meant that I finally tackled underwater photography, which I’d been quite nervous about trying.

Concrete Cell

Concrete Cell

I wrote an open letter to Jack Hanna criticizing his continued support of SeaWorld after the Blackfish allegations, which became quite successful and even garnered the attention of celebrities such as British actor Stephen Fry.

Stephen Fry Tweet

Stephen Fry Tweet

Like DreamWorld, the set of Blackfish photos has set in motion a more all-encompassing series addressing animal rights in other areas.  More of that will come in 2014!

A Drop Of Blood

A Drop Of Blood

In championing human causes, I got to be a part of the Kickstarter campaign for the documentary Canary In A Coal Mine, in production, about myalgic encephalomyelitis, aka ME, previously known in the United States as Chronic Fatigue Syndrome/CFS.  The Kickstarter was an INCREDIBLE success, and we can look forward to seeing the film in late 2014 or early 2015!  I’m proud to have been a small part of the movement.  I also got to work a little more on my series on living with ME with the help of model/friend Aly Darling.

Martyrs To A Name

Martyrs To A Name

I visited a sheep farm to take photos of lambs and goats along with friends Katie and Brooke Shaden, to create a very personal portrait of my grandmother.  This particular lamb was appropriately named Too Cute 🙂

The Shepherdess

The Shepherdess

I had the pleasure of being interviewed on The Candid Frame, The Altadena Blog, and having some of my photos appear in the self-portrait how-to book, Shooting Yourself, by Haje Jan Kamps.

SP book all pages

I “celebrated” my 5-year anniversary with ME.  I’ve tried many new therapies this year to combat the ME, but with the exception of ART massage, it has gotten slowly worse and finally forced me to quit my day job.  In some ways this is a good thing, as my day job was doing my body no good at all, and it also means now I can concentrate fulltime on art.  But it’s also a bit frightening; will the ME get a little worse every year?  Will it level off now that I’m not pushing it trying to hold down a job?  There are many unknowns, which can be worse than knowing something bad will happen.  I try and keep a good attitude about things, but it’s also no good trying to simply ignore your fears.  They won’t go away, they’ll simply grow in the dark.

Vanity's Murder

Vanity’s Murder

This TED Talk sums up my fears, hopes and trials beautifully, and I would recommend it to anyone and everyone, especially any who struggle with depression.

I am still mourning Richard Harrow’s death (this was my light-hearted way of dealing with it) and I’m working on a photo to help work through those feelings.

On a happier note, I got to save a litter of opossum babies and was deeply moved by a beautiful new book.

But perhaps very best of all was getting to photograph author Peter S. Beagle, of The Last Unicorn fame, and bring him into DreamWorld as its King.  It was such a tremendous amount of work, but that just makes the resulting photos that much more meaningful.

Beloved Of The Crown

Beloved Of The Crown

A year ago, I never would have thought I’d find myself not only merely talking to Peter, but actually interacting with him, making a costume for him, and casting him as one of the most important characters of DreamWorld.

Aerie

Aerie

If that all happened in 2013, what will 2014 bring?  I am very excited to find out!

Christmas Eve

Here’s to a great new year!

Read Full Post »

%d bloggers like this: