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Posts Tagged ‘last unicorn’

As we approach Black Friday, Small Business Saturday and Cyber Monday, I have another post about my wares, this time with a big, fat, site-wide discount!

Now Has Come The Time For Silence - © Sarah Allegra - fine art print

Now Has Come The Time For Silence – © Sarah Allegra – fine art print

Enter code MYTHIC2014 to get a whopping 20% off any and all items from my Etsy shop!  This is a huge sale, the biggest I’ve ever created, so take advantage of it while it’s active!  It will be good until January 31st 2015; perfect for buying holiday gifts for yourself and others, as well as spending any Christmas money you might get 🙂

Let me tell you a little bit about my prints.  They are made at an extremely high-quality printer in downtown Los Angeles.  My printer is not at all easy to get to; there is always traffic and I manage to get lost and the entire experience of getting there is terrible, but I wouldn’t change printers for the world.  Even if I moved out of state, I’d keep using them and have them ship me my prints.  The incredible quality of the prints they deliver is just that high.

Aerie - © Sarah Allegra - fine art print

Aerie – © Sarah Allegra – fine art print

Each and every image is carefully calibrated to reveal even the tiniest details.  They somehow manage to keep the highlights high and the lowlights low without a single pixel’s worth of detail loss.  The colors are an exact match for how I intend the images to look.  These are NOT easy things!  I have been through many printers before I found POV Evolving.  And a special shout-out and thank you to Lauren, who always handles my orders!  She is a delightful person and makes sure each and every image created is perfect.

In addition to all that, they only use archival inks and paper, making prints that are museum-quality and which will last for a lifetime!  The paper they use is this thick, luscious paper, almost like watercolor paper; nothing cheap or flimsy.  Every single time I have an image printed, I’m impressed with how amazing it looks, even though I’ve been seeing how great they look for several years!

To The Lost - © Sarah Allegra - fine art print

To The Lost – © Sarah Allegra – fine art print

In addition to the incredible quality of every print, all my images come in limited edition runs.  There are a few exceptions, but generally it looks like this:

12 size small prints at 8″ x 12″

10 size medium prints at 10″ x 15″

7 size large prints at 16″ x 24

That means that there will only ever be 7 prints made of that particular image in that size, in the entire world, ever!

Occasionally, I also have props or wearable art available in my shop as well!  Right now, you can have your own Wind Goddess headdress, which also looks quite wintery, for not very much 🙂

Where Earth Meets The Sky - detail.

Where Earth Meets The Sky – detail.

The Wind Goddess Headdress available on Etsy now!!

The Wind Goddess Headdress available on Etsy now!

I also have a section of my shop dedicated to ME/CFS/fibro-inspired prints from my Enchanted Sleep series!

Each and every print will come signed and numbered along the white border.  If you’d like a short, special message included, I’m happy to add that for you, free of charge!

One more word about my prints; the quality of them was high enough that Peter S. Beagle himself took them along legs of his The Last Unicorn screening tour.

Five of my prints along the left side of this photo (photo not taken by me)

Five of my prints along the left side of this photo (photo not taken by me)

This was extra special because not only was Peter S. Beagle, one of the biggest sources of inspiration to me and one of my two favorite authors (the other being Robin McKinley) had this adorable moment with Game Of Thrones author George RR Martin right in front of my prints:

Peter S. Beagle and George RR Martin with plushies, in front of my prints!

Peter S. Beagle and George RR Martin with plushies, in front of my prints!

I’d like to say quickly that the above photo went a bit viral and I have been credited as the photographer, but I did not take this photo.  I wasn’t even in the same state as they were at the time!  I tweeted about the photo since it’s adorable and also in front of my prints, and then it really took off, but I did not snap the image, and though I have tried to correct news sources, they continue listing me as the photographer.  So, I’m sorry to whoever did take this photo; I have tried to set the record straight!

This Dying Body - © Sarah Allegra

This Dying Body – © Sarah Allegra – fine art print

Take a look around my Etsy shop and don’t forget to use your discount code MYTHIC2014 to get 20% your entire order!  Let me restate that this is the biggest, farthest-reaching sale I have ever had on my prints, so be sure to take advantage of it while it lasts!

If there is a certain image you’d like a print of, or you see an image you like but want it in a different size, just let me know!  Some of my images are under contract and I am unable to sell prints of them for that reason, but the majority of the time, I will be able to accommodate you very easily!

Remember, the discount code is only good until January 31st 2015, so get ready, get set… go!!  Happy shopping!

Katie Jonson being silly and posing with a framed print she modeled in

Katie Jonson being silly and posing with a framed print she modeled in

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Does anyone recognize what movie this blog’s title is from?  A+ to you if you do!

You guys all know about the cross-country screening tour that Peter S. Beagle, his publisher Connor Cochran and a beautifully new, restored version of the 1982 animated classic The Last Unicorn have been on, right?  Where you can see the film huge, in  movie theater, which, if you’re like me, you’d previously never had the chance to do before.  And it’s not merely a screening of the movie, although that would be wonderful enough.  The whole evening is an event, with Q&A sessions with Peter, prizes, costume contests, and Peter stays for hours and hours after each show to sign books and take photos with every single person who would like to do so.  You may remember that I was at their screening in Long Beach last August, when Connor introduced me and my work to Peter’s fans.  I also had the chance, while they were in town, to “borrow” Peter for a couple hours and turn him into DreamWorld’s King; an incredible honor, and something that I will remember for the entire rest of my life.

Aerie - Peter as the DreamWorld King.

Aerie: Peter as the DreamWorld King – one of the five pieces on display at the Modern Fantasy Summit.

And you guys also remember how I’m now contracted with Connor’s publishing company, Conlan Press, right?  There’s a ton of stuff in the works with them that I don’t want to talk about quite yet, except to say that it will be very exciting 🙂  What is very safe to say for now is that the owners of the Jean Cocteau Cinema in Santa Fe, New Mexico, where Peter was going to be screening on January 25th decided to really up the ante at this show.  Not only will you get all the amazing things that happen at every event, but George R.R. Martin, author of the Game of Thrones books, will be there as well.  George R.R. Martin and Peter will be interviewing each other live on stage!  It will be spectacular.

And, as if that weren’t enough, the Jean Cocteau Cinema people decided they needed to have a unicorn fine art show as well 🙂

This Dying Body - one of the five pieces on display at the Modern Fantasy Summit.

This Dying Body – one of the five pieces on display at the Modern Fantasy Summit.

A few days ago, I got a call from Connor asking how quickly I could get prints made from some of my The Last Unicorn-inspired pieces.  Thanks to Lauren, my go-to girl at POV Printing, I was able to get a rush order in and she printed off five huge, gorgeous pieces of my work.  They’re traveling with Peter, Connor and their assistant/wrangler Cat through Arizona and into New Mexico and will be beautifully displayed and for sale at the show!

I really have to take just a moment to say what amazing work POV does.  Every single thing I’ve ever had them print has turned out unbelievably gorgeously.  They use archival inks and thick, museum-quality paper, almost like a watercolor paper.  These are not flimsy, cheap prints.  The work they put into each and every print they make elevates it to another level.  I am so glad to have found them!

To Be So Full - one of the five pieces on display at the Modern Fantasy Summit.

To Be So Full – one of the five pieces on display at the Modern Fantasy Summit.

So if you are at all in the area, I would strongly recommend getting tickets for the Modern Fantasy Summit!  The tickets will get you in to see The Last Unicorn movie, experience two of the greatest fantasy writers interview each other, all the usual perks of a screening, as well as getting to see the art show, featuring my work along with other artists’… which you can also purchase and take home with you 🙂

Now Has Come The Time For Silence - one of the five pieces on display at the Modern Fantasy Summit.

Now Has Come The Time For Silence – one of the five pieces on display at the Modern Fantasy Summit.

I wish I were a little closer myself so I could go to this once-in-a-lifetime event!  Traveling with ME is always a challenge, and I’m still recovering a little from traveling over Christmas, otherwise I’d drop everything and chase after Peter and Connor like Molly Grue after Robin Hood.  If you go, please take some photos and let me know what you thought!  And to satisfy my vanity, I would love it if someone could snap a few photos of my pieces up in the gallery 🙂

I hope you guys can go and let me live vicariously through you!  Thanks to all who turn out!

In The Lilac Wood - one of the five pieces on display at the Modern Fantasy Summit.

In The Lilac Wood – one of the five pieces on display at the Modern Fantasy Summit.

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It’s that time of year when everyone with a blog is required to take a look at the previous year and take stock.  I like this tradition.  It gives you a sense of accomplishment for the things you’ve done and also brings to mind what still needs attention.

So what happened in 2013?  So much!

I signed a contract with Conlan Press, Peter S. Beagle’s publisher.  This has already brought some very exciting things about, and there are many, many more to come!

In The Lilac Wood

In The Lilac Wood

I created what I consider the first “real” DreamWorld piece.  By “real” I mean a full-fledged character was brought to life with costumes and props which took months to create and inventing new ways to bring about my vision on a shoe-string budget.  The inclusion of birds would also prove to be a frequently occurring theme in DreamWorld.

The Court Of The Dryad Queen

The Court Of The Dryad Queen

I got to photograph Lauren Cohen, aka Maggie from AMC’s The Walking Dead.  The image also kicked off a sub-series of DreamWorld portraying the various steps along the Hero’s Journey.

Crossing The First Threshold

Crossing The First Threshold

I also got to photograph Paul Telfer, known for his roles in NCIS, The Vampire Diaries and other roles that require buff-and-handsome men.  He perfectly portrayed the angelic kind of being you would want watching over you while you sleep.

Prayer For The Frail

Prayer For The Frail

This year also brought about a new, ongoing collaboration and friendship with actor/model Katie Johnson.  I could write an entire post about how wonderful it’s been to have Katie in my life, both for artistic reasons and personal ones.  I will leave it at two main points; that she is a spectacular model, equally skilled at following specific, minute directions as well as being let loose while I just try and keep up with her.  Her friendship, strength and grace have been a great boon this year, especially during some notable rough patches.  Thank you, Katie 🙂

Perennial Parasol

Perennial Parasol

One of those notable rough patches was learning about the tragic deaths of the 19 Hotshot firemen in Yarnell, Arizona this summer, and that one of them had been a childhood friend of mine.

To The Lost

To The Lost

In a somewhat similar vein, I took my passion for animal rights to a new level after watching the documentary Blackfish.  This also meant that I finally tackled underwater photography, which I’d been quite nervous about trying.

Concrete Cell

Concrete Cell

I wrote an open letter to Jack Hanna criticizing his continued support of SeaWorld after the Blackfish allegations, which became quite successful and even garnered the attention of celebrities such as British actor Stephen Fry.

Stephen Fry Tweet

Stephen Fry Tweet

Like DreamWorld, the set of Blackfish photos has set in motion a more all-encompassing series addressing animal rights in other areas.  More of that will come in 2014!

A Drop Of Blood

A Drop Of Blood

In championing human causes, I got to be a part of the Kickstarter campaign for the documentary Canary In A Coal Mine, in production, about myalgic encephalomyelitis, aka ME, previously known in the United States as Chronic Fatigue Syndrome/CFS.  The Kickstarter was an INCREDIBLE success, and we can look forward to seeing the film in late 2014 or early 2015!  I’m proud to have been a small part of the movement.  I also got to work a little more on my series on living with ME with the help of model/friend Aly Darling.

Martyrs To A Name

Martyrs To A Name

I visited a sheep farm to take photos of lambs and goats along with friends Katie and Brooke Shaden, to create a very personal portrait of my grandmother.  This particular lamb was appropriately named Too Cute 🙂

The Shepherdess

The Shepherdess

I had the pleasure of being interviewed on The Candid Frame, The Altadena Blog, and having some of my photos appear in the self-portrait how-to book, Shooting Yourself, by Haje Jan Kamps.

SP book all pages

I “celebrated” my 5-year anniversary with ME.  I’ve tried many new therapies this year to combat the ME, but with the exception of ART massage, it has gotten slowly worse and finally forced me to quit my day job.  In some ways this is a good thing, as my day job was doing my body no good at all, and it also means now I can concentrate fulltime on art.  But it’s also a bit frightening; will the ME get a little worse every year?  Will it level off now that I’m not pushing it trying to hold down a job?  There are many unknowns, which can be worse than knowing something bad will happen.  I try and keep a good attitude about things, but it’s also no good trying to simply ignore your fears.  They won’t go away, they’ll simply grow in the dark.

Vanity's Murder

Vanity’s Murder

This TED Talk sums up my fears, hopes and trials beautifully, and I would recommend it to anyone and everyone, especially any who struggle with depression.

I am still mourning Richard Harrow’s death (this was my light-hearted way of dealing with it) and I’m working on a photo to help work through those feelings.

On a happier note, I got to save a litter of opossum babies and was deeply moved by a beautiful new book.

But perhaps very best of all was getting to photograph author Peter S. Beagle, of The Last Unicorn fame, and bring him into DreamWorld as its King.  It was such a tremendous amount of work, but that just makes the resulting photos that much more meaningful.

Beloved Of The Crown

Beloved Of The Crown

A year ago, I never would have thought I’d find myself not only merely talking to Peter, but actually interacting with him, making a costume for him, and casting him as one of the most important characters of DreamWorld.

Aerie

Aerie

If that all happened in 2013, what will 2014 bring?  I am very excited to find out!

Christmas Eve

Here’s to a great new year!

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First of all, happy Thanksgiving to all who celebrated it!  I had planned on a Thanksgiving post, listing what I’m grateful for and whatnot, but I woke up yesterday with a swollen, very unhappy wrist on my dominant hand.  I’m being ginger with it today, and trying to really limit my computer use, but I did want to get this timely post out.

So, the holiday shopping season has officially begun!  I, for one, despise the idea of shopping on Thanksgiving or Black Friday.  Crowds are not my thing in the best situation.  Even a gentle trip to the grocery store on an average day can be too much for me.  This is my hiding out period where I really try to leave the house as little as possible.

A less stressful approach to holiday shopping, in my opinion, is in Small Business Saturday and Cyber Monday.  Now, I may or may not technically qualify as a “small business,” but I think I fit the spirit of it if not the letter 🙂  You don’t get much smaller than buying from a single person!  And Cyber Monday?  Heck yeah, I’ve got that covered!  Everything of mine is available online.

And what, pray tell, are these wondrous wares?  Well, let me give you a little run-down!
I have blank greeting cards available at my Red Bubble shop!

One of the many blank greeting cards I offer.

Personally, I love having a stash of blank greeting cards in a drawer, ready to go at a moment’s notice!  You never know when you might need them.  And I’ll confess, I sometimes buy cards for their sheer beauty, with no intention of giving them away.  Those ones usually end up on my wall somewhere.  Either way, they’re very well-made, handy and inexpensive!  And if there’s an image you’d like but don’t see in my shop, let me know; in almost every case I can add it for you!  Stocking stuffers, anyone?
I also sell 2014 collectable calendars!

Sarah Allegra 2014 Calendar

Sarah Allegra 2014 Calendar

Each year I put out a new calendar with 12 of my most popular recent works.  This year’s batch includes images from my DreamWorld and actor portraits series as well as my CFS/fibro/ME series Enchanted Sleep.  I genuinely love the quality Red Bubble puts into their calendars; they’re printed on gorgeous, thick, heavy paper which is perfect for jotting down as many notes and reminders as you’d like!  Plus, I love the extra magic the calendars sprinkle into every day.  And need I tell you they make excellent gifts?  🙂

On a side note, I keep my Red Bubble prices low so that they’re available to as many people as possible.  I don’t make much from these sales, but it’s important to me that as many people as possible have access to my images.

For those looking for a unique gift, either for themselves or someone they love, my on-line, self-discovery-through-photography course Introspective is an excellent choice!

Introspective

Introspective

Introspective is a fun and truly unique, eight-week experience.  Each week I will guide you through a new concept to explore with photography, such as love, fear, secrets and joy.  What do those subjects mean to you?  And how would you portray them in a photograph?  Let’s find out!  Self portraiture is encouraged (as I think it’s an invaluable way to know yourself better), but by no means is it required.  At the end of the eight weeks, you’ll have gotten to experience yourself in a new way and learned things you never knew before.

This would be perfect for your artsy sibling, the person who has everything or anyone with a desire to have an adventure and come out knowing themselves better!
And of course there are always prints available!

Sarah Allegra Etsy Shop

I sell prints through my Etsy shop, which are printed by an amazing local printer.  They are printed on museum-quality, archival, thick, luscious paper which is not unlike watercolor paper.  All the images are printed in very small, limited edition runs and come individually signed and numbered.  They come in three different sizes and are truly stunning.  These really have to be seen to appreciate how beautiful they are.  The level of detail captured in these prints is spectacular.  And as with the cards, if you would like a print of something and you don’t see it in my shop, just let me know!  In almost every occasion, I can accommodate your request.

Thank you to everyone for supporting my art through your kind comments, well wishes and purchases.  I so appreciate all of them and I hope everyone has an excellent holiday season!  Here’s a lovely DreamWorld image, featuring the gorgeous Katie Johnson!

Faerie Dust

Faerie Dust

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**Before I get into the meat of this post, I am happy to announce that I will soon start holding mythic photography workshops!  We’ll go over techniques for drawing the magical and awe-inspiring out of the ordinary.  Email me at sarah@sarahallegra.com if you’re interested and I’ll keep you up to date!**

Closeups of both finished photos.

Closeups of both finished photos.

Oh my… this is one of those posts where I have so much to say I can hardly figure out where to start!

I think pretty much everyone reading this will already be familiar with my DreamWorld series, right?  The series portraying the characters and landscape of the world we visit in our sleep?   I have become quite obsessed with it, even though the photos usually demand so much more preparation and work than other photos do.  There is something incredibly therapeutic and wonderful about imagining an entire world and breathing life into it one photo at a time.

The very first character I imagined for DreamWorld was its queen (who we will meet in the future) and eventually I thought that if there is a queen, there probably should be a King  too.  And while I imagine that the queen is really the one in charge, the King is the ultimate father figure.  Warm, approachable, unfailingly kind and wise, but still powerful and majestic.  It’s a lot to ask of one person, and I mulled over who could play him for a long time.

While I contemplated that, I thought about what the King’s costume should be like.  I wanted it to be book-inspired, both literally and metaphorically.  Carl Jung’s and Joseph Campbell’s writings have had such a big influence on my life, and on this series in particular, I wanted the King to be an homage to them and their works.  So books, paper and writing would be the main themes of the costume… and as usual, I had no idea how I was going to pull it together.

While all that was happening in my head, I learned that Peter S. Beagle would be in town as part of his world-wide “The Last Unicorn” movie screenings tour (which I HIGHLY recommend!).  I suddenly pictured Peter as the King, and once I’d done that, I couldn’t imagine anyone else doing it.  He was absolutely perfect.  He is the King.  Every single time I’ve met him, he has exuded such warmth, wisdom and kindness that I wished I could adopt him as an uncle.  And given my recent partnership with his publisher, Conlan Press, I thought it would be the mutually beneficial to everyone.   I’m very happy that Connor, Peter’s publisher and manager, agreed and was able to loan me Peter for a few hours while they were in Los Angeles.

So, casting was settled, but that left me only about three weeks to build every prop and costume I’d be using.  Which was not nearly enough time.  I’d begun working on the King’s magic book before I even got a yes and had already spent over 30 hours just building it.  It was going to be an ugly three weeks, but very, very worth it, so I launched into creation mode.

You really have to see the book in person to understand why it took so long to make.  At this stage, it's just many, many subtle layers of paint.

You really have to see the book in person to understand why it took so long to make. At this stage, it’s just many, many subtle layers of paint.

Peter would be wearing long robes that would transition into paper scrolls at his feet, along with a crown made from folded paper.  His collar and cuffs were lace made from tissue paper, with crinkled paper accents.  A buckle portraying a tree of life would hold the robes closed, and the part I was perhaps most excited about was the collar of paper birds taking flight.  That was the end goal… how I’d get there, let alone in three weeks, I had no idea.  But I started with what I knew, making the tunic under his robe, and the fabric part of the robe itself.

sketches

Initial sketches

The tunic and robe themselves were pretty easy, standard pieces of DreamWorld wear, so they came together quickly.  The robe was made mostly from cotton muslin, since it’s inexpensive and takes tea-dying well (which I suspected would be in its future).   The yoke was made from the most beautiful metallic gold jacquard-type fabric (I purchased it as a remnant, so I’m not sure exactly what it is, other than gorgeous).  The first introduction of paper into the robe came by using long sheets of corrugated cardboard in the place of pin-tucked fabric.  I broke a needle on my sewing machine trying to get it on before finally locating my super-heavy-duty-heavier-than-duck-and-denim-together needle, which held up.

The robe with cardboard "pintucking."

The robe with cardboard “pin-tucking.”

I’ve never felt especially adept at sculpting, but I knew I was going to have to do at least some for the King, so I got some silicone clay which could be baked in an oven and a couple molds.  One mold featured different female faces on it, while another had branches, leaves and birds.  Leaves I though I could probably get away with on my own, but with the time I had, I didn’t want to have to try messing with making a beautiful face on my own.  Plus, the molds were on a 40% off sale, so I took it as a sign.  Most of the sculpting ended up on the cover of the book, which became quite symbolic all on its own, incorporating elements of Joseph Campbell, Peter Beagle and myself.

sarahallegra.com

Beginning to sculpt. You can see the shell of the unpainted book in the upper left-hand corner too.

The King’s costume incorporated keys and locks in numerous places, a metaphor for how Peter and Joseph Campbell’s writing had unlocked so much wisdom for me.  Around the large keyhole (obtained from a wonderful architectural salvage yard) I sculpted two pieces which could look like either paths or (bull’s) horns, nods to “The Last Unicorn” and the hero’s journey.  I made my own little cloven-hoof stamp by carving the end of an eraser and covered the “paths” with a smattering of hoof prints.  Between the paths/horns was a woman’s face with long white hair and a horn coming out of her forehead; an obvious reference to “The Last Unicorn,” but also to my own own identification with the story.

For added symbolism and a little more depth, I also crafted two small anatomical hearts, alluding to the “Two Hearts” story Peter wrote as a novella sequel to”The Last Unicorn.”  Though you could never accuse “The Last Unicorn” of being shallow, “Two Hearts” adds such richness and depth to it that I feel it’s really just a continuation of the same story and not two separate ones.

Stamp, hearts, unicorn girl and hoof prints.

Stamp, hearts, unicorn girl and hoof prints.

After the sculpting and baking came many coats of paint.

Painted pieces, along with a key I ended up not using for this photo (but which will be used eventually).

Painted pieces, along with a key I ended up not using for this photo (but which will be used eventually).

The keyhole and clay pieces were glued to the book cover and that prop, at least, was done!

At some point during the three weeks I was making all this, I pictured Peter with two ladies in waiting.  At first, I dismissed the idea since I already had more than enough work to do, but, to my annoyance, once I pictured it that way, I knew it would be lacking without them.  Damn.  I sighed and added two more costumes to my to-do list while I emailed frequent models Dedeker, Aly and Katie to see if they were available.  Unfortunately, Aly’s work schedule prevented her from joining us, but I was glad to have Katie and Dedeker along!

Turning my attention back to Peter’s robes, I used more of the corrugated cardboard t make wide cuffs.  I’d found some beautifully-dyed, crinkly paper, a little thicker than tissue paper, but not by much.  I had some in orange and some in purple, and I used the purple paper to edge the cuffs.  The inside of the cuffs was lined with an untold amount of tissue paper, cut to various widths and run through a paper punch on one side to create a look like lace.  I alternated white tissue paper with some beautiful, metallic silver tissue paper.  The white tissue paper went through the punch well, but the silver paper would utterly clog the punch up after 3-4 presses, no matter how few or how many pieces I put through at a time.  I even tried running it through at the same time as some nice, heavy cardstock, but the paper press just laughed at my attempts and clogged again.  In the end, I used less of the silver paper than I had planned, but was left with more of my sanity intact, so I thought it was a fair trade.

cuffs

Tissue papers, purple crinkle paper and the cuffs coming together.

I used the orange crinkle paper to make a lapel and more of it was used as a belt.  I’d wanted to give the robes a feeling of embroidery, so I used some metallic gold paint to create swirling, organic, art nouveau-like designs on the pin-tucking.

robe

Speaking of the belt, I wanted to have another Campbell reference, so I decided to use one of the most commonly recognized mythology symbols, the tree of life, on the buckle, quite literally bringing everything together.  The backing was made out of clay and painted with several layers of gold, green and bronze paints.  Some pretty green rafia made up the tree itself.  The untwisted ends made very convincing leaves, and the twisted ends made wonderful roots.  In the middle was another keyhole, continuing the motif.

Tree of life buckle.

Tree of life buckle above the paper belt.

Around this time, I started wondering how I would turn the robe ends into paper scrolls.  I spent several nights not sleeping while I contemplated it, and eventually came up with the following.  I sewed six long panels of muslin, each about two feet wide, and of varying lengths.  The sides were sewn with wire in them, and I covered both sides of the panels with torn-up paper mache.  The paper mache was made from countless pieces of tissue paper I had tea-dyed from a barely noticeable off-white to a dark cream.  I used the lightest pieces at the top and let it gradually darken toward the bottom.  I washed the panels with layers of thinned-out white glue (many, MANY thanks to my wonderful neighbor Donna for giving me a huge vat of glue!) until they were suitably stiff.  Applying paper, painting and letting them dry between took the better part of a week.  By the time they were done, it was nearly time to shoot and I didn’t know what I’d do if they didn’t work.  I breathlessly tried rolling one of them up… and it stayed.  It looked like paper!  It looked like a scroll!  I was so relieved!

I attached the panels to the end of the robe with some heavy-duty safety pins and hot glue, then added another layer of tea-dyed tissue paper, creating a gradual transition from a little below the belt of the robe with just a touch of paper, all the way to the bottom of the scrolls where it was thick paper.

scrolls

I’d had a very clear vision of how I wanted the King’s crown to look, formed primarily from folded paper, dotted with keys and old quill nibs, which I found a whole bunch of on Ebay!  While it wasn’t really hard to make, it did take a lot of trial and error.  I am not much for origami, so I ended up just cutting out different shapes and experimenting with what produced the best results.  I used a cream-colored cardstock for this, quite a relief to work with after the filmy, fragile tissue paper.

Trying out different objects as stencils.

Trying out different objects as stencils.

The crown ended up being my favorite part of the whole costume.  Geoff kindly took some BTS photos of me working on it.  The medallion in the middle of it was something I found in the jewelry-making section of the craft store, and it added the perfect finishing touch with the purple gem in the middle of it.

Making the crown.

Making the crown.

Around this time I realized I also needed to make a staff for the King.  I had actually found such a good stick while I was hiking one day that I brought it home, not even having a plan for it, just knowing it would be good for something, eventually.  I spray painted the stick bronze and gold, and used several thin washes of acrylic paint in green and gold tones on a glass Christmas tree ornament (which I have a large stock of for a future project).  A very, very thin spritz with some dazzlingly-silver spray paint finished off the ornament, which I flipped upside down and anchored to the stick with a big old blob of hot glue.  I had wanted to incorporate some more flowers into the costume anyway, and having a cluster of them under the ornament hid the transition beautifully.  A key under the ornament and flowers finished it off!

staff

Things get a little blurry as I think back on the days right before the shoot, and I honestly don’t remember the exact order of events anymore.  But in the last couple days, I sewed some easy, empire-waisted gray chiffon dresses for the girls, with long, matching chiffon sashes.  The dresses were decorated at the bustline with a fan-shaped piece of folded cardstock, tissue paper lace and flowers.

The big project for the girls, which bled over into the last of the King’s costume, were the paper birds.  Those damn, damn paper birds.  I printed untold sheets of cream and white cardstock with chains of birds (which I’d laid together in Photoshop) which then had to be cut out by hand, one by one.  I was so sick of seeing the pile of papers waiting to be cut out by the time I was done.  Days and days of cutting out birds.  So, so many birds of different sizes, shapes, angles and colors.

birds

Sheets of cardstock with birds cut out, a pile of cut birds, the king’s collar being assembled.

Obviously, many of the birds went to making the King’s bird-and-lace collar, but the majority ended up going to the two maiden’s headdresses and arm pieces.  I loved the symbolism of the birds; they were taking off from Peter’s throat (where words take flight as well), they landed and traveled down the girls’ heads, as they take the stories and information in, then they make their way down the girls’ arms to their hands as they put the lessons they have learned to work.  Just remembering it all gives me a headache, but I really loved how it turned out, even though it was nearly midnight the night before the shoot when I glued the last string of birds together, was finally done and went to bed.

Calantha helped whenever she could.

Calantha helped whenever she could.

The morning of the shoot came after not nearly enough sleep, and I knew it was going to be a very long, grueling day, but I was very excited!  Donna and John, my neighbors, had very kindly allowed me to use their dining room to shoot in, which gave me more room to move around.  I started hanging curtains and getting the set constructed while I groggily drank my tea.  Everyone helped me get the set ready, which I was very grateful for; I couldn’t have done it all on my own!  Then my lights decided they didn’t feel like working, and I had to troubleshoot that as it got closer and closer to the time of the shoot… it was quite stressful, but it all came together just in time!

Thank you, Dedeker for these adorable furbaby pics :)

Thank you, Dedeker, for these adorable furbaby pics 🙂  They are a friendly lot!

Connor pulled up and dropped off Peter and his assistant Cat, who was helping them with the tour, and then I had a most surreal moment when Peter Beagle, one of my two very favorite writers, author of “The Last Unicorn,” a story that has profoundly influenced my life, was standing in my living room.  He was just as warm and wonderful as all the other times I’d spoken to him, and he showed excellent taste in admiring Calantha and asking what kind of dog she is.

I caught Connor snuggling Maynard and made him stand there until I got a photo of it.

I caught Connor snuggling Maynard and made him stand there until I got a photo of it.

Peter told me he’d been instructed by Connor to be regal and majestic, which I agreed with, but also highlighted the King’s warmth and kindness.  Peter said, “So I should be regal and majestic, yet warm and approachable?”  I said yes, and he just said, “Got it,” and then he was all that, all at once.  I helped him get into his costume (with the help of Katie, Dedeker and Cat, it was really a several-person task).  I shot a few different setups; since this was not going to be a chance I’d have again, I wanted to cover all my bases.  And everything fit everyone, and it all worked and came together beautifully, and I knew that the last weeks had been more than worth it.  Katie very thoughtfully took some behind-the-scenes photos once her part in the shoot was over, which I’m so happy to have!

Thanks, Katie!  :)

Thanks, Katie! 🙂

Mei Mei photobomb

Mei Mei photobomb

Dedeker and Katie being beautiful.

Dedeker and Katie being beautiful.

Cat took this one for us; thanks, Cat!

Cat took this one for us; thanks, Cat!

My imagination hero.

My imagination hero and me.

After the shoot was over, we all helped Peter out of his costume and then I got to just chat with him and Cat and the girls until Connor got back from the errands he’d been running in preparation for the screening that night.  It was my first time meeting Cat; she was utterly delightful and I was honored to have them lounging in my living room.  Again I was overcome with the surreality of the situation.  Connor got back shortly, and we parted ways for the time being.  We’d all meet up again that night for the screening in Newport Beach.  The shoot was successfully checked on my list!

I have to say, though all my shoots are done on a budget, this was the most expensive one yet.  A lot of the expenses were things like the paper punch and a self-healing cutting mat (for all the damn birds) that I’ll be able to use again.  All in all, I think I spent between $100-$150; an amount that felt absolutely extravagant to me!  The total time I spent on this is really incalculable.  A couple hundred hours on pre-production, but I spent a good six weeks editing it… it’s easy to say that I spent hundreds and hundreds more on post-production.  There were many times I was cursing myself and why couldn’t I just take nice, pretty photos that edit up in an afternoon (not to mention don’t require hundreds of paper birds) but even in those moments I knew it would be worth it… and it was.  🙂

Katie was giving me a ride into Hollywood on her way home, so Geoff and I could meet up and travel in one car, so she helped me dismantle the set.  We got some lunch since we were ravenous after such an exciting morning and she left me with Geoff while she went home for a bit before also heading down to Newport Beach.

I was exhausted, but also completely wound up.  I attempted a nap in Geoff’s office, but it was pretty pointless.  It was going to be a long night though, so I thought I’d better try anyway.  With anxiety over the shoot done, I could now concentrate on being anxious about that evening.  Connor had specifically asked me to come to the Newport Beach showing and bring my portfolio with me so that he could introduce me to Peter’s fans as one of their new featured artists who will be working with them.  Gulp.

Connor under the marquee.

Connor under the marquee.

Geoff and I (and Katie, in her own car) battled the traffic from Los Angeles to Newport Beach and made it just in the nick of time.  I really wasn’t sure what “introducing” me meant, so I had lots of possible meanings to be worried about.  I was heartened when I got to the theater and was greeted as long-lost friends by Connor and Cat (Peter was somewhere else) and then entered the theater to find a bunch of my family there, which I was not expecting!  It was so sweet of them all to come out and support me.

sarahallegra.com

There was a great Q&A session before the movie started.  There were raffles, giveaways, and the mayor of Newport Beach showed up to present Peter with a plaque.  It was really quite an event; I would heartily recommend it, of course to any fan, but just to anyone in general 🙂

The mayor giving Peter his plaque.

The mayor giving Peter his plaque; thanks to my grandmother for taking this photo!

Just before the show started, Connor had some of the vendors who had come with their Unicorn wares stand up and pointed them out, and at the very end of all that, he had me stand up and introduced me to everyone, saying I’d be there after the show with my art.  Whew.  One hurdle down.

Then we all got to watch the movie itself in a theater, which no fans my age and younger have ever been able to do.  It was pretty amazing.  I cried, and not just because of what an emotional day I was having.  Seriously, if you get the chance to see it, GO.

After the movie, Peter was around to sign books, take photos with people and talk to them like they’re actual human beings and not just cattle being herded through a chute.  Cat and Connor set me up behind one of the tables where the wares were spread out, and I set out my portfolio and my cards.  Geoff and Katie both really stepped up and stayed the entire night with me.  It was so good having them both there with me since I’m so intensely uncomfortable a) in crowds, b) around strangers, and c) having attention drawn to me and people looking at me.  Hopefully this is something I will get more used to.  It was great having the two of them there to distract me and make me feel less alone.

Wearing Geoff's jacket over my pretty dress - it got quite cold!

Wearing Geoff’s jacket over my pretty dress – it got quite cold!

Peter was true to his word and stayed until every single fan who wanted to had a chance to say hello and have their book/DVD/whatever signed, then all the theater workers still there got their turn.  I’d told my mom I would have him sign a book for her (“The Rhinoceros Who Quoted Nietzsche And Other Odd Acquaintances,” which contains “Professor Gottesman and the Indian Rhinoceros,” the favorite short story of my mom’s, mine, Cat’s and Peter’s) and Katie and I wanted our own photos with him to cap the day off right.

Getting mom's book signed.

Getting mom’s book signed.

sarahallegra.com

Katie, Peter and me!

And then it was all over!  Months of mental planning, weeks of physical planning, all the crunching and sleepless nights and hard work… it was done.  I was relieved and disappointed, and also knew that it was going to be one of the highlights of my entire career, no matter what else happens.

We didn’t leave Newport Beach until 1:30am, and it was closer to 3 by the time I got home and went to bed.  Luckily I was so exhausted it overcame my nerves and I didn’t have too much trouble getting to sleep.  I knew the next day was going to be ugly, and it was.  You can’t throw that much work and lack of sleep at ME.  Not to mention the very long, emotional day it had been and how late I’d been up.  ME doesn’t let you get away with that kind of shit.  I planned on feeling pretty terrible, and I did.  But it was underscored by a feeling of deep satisfaction, and even more, an overwhelming sense of gratitude for everything that had happened.  I was a bit emotionally fragile by then, and I burst into tears more than once that day, just out of sheer joy and thankfulness.

I am so grateful that I get to partner with Conlan and Peter.  I am so thankful they not only agreed to let me do my photo, but were enthusiastic about it.  I am blown away by what amazing people everyone at Conlan, my friends, models, family and husband are.  They have all been so immensely supportive of me and my art and my journey…especially Geoff as I ignored him night after night in my struggle to complete everything.  I am very lucky to have wonderful neighbors who will let me conduct an entire photo shoot in their home at the drop of a hat,  Everyone who reads this, who emails me, who comments on photos, who encourages me to create, thank you all.

But most of all, thank you to Peter.  Not just for creating the measuring stick by which all other fantasy will always be compared.  Not only for ripping our hearts out with his words, and returning them back to us more whole and healed.  And not just for being willing to play the King, but for being the King.  Peter simply is all those qualities that make me love the King so much.  And I got to capture it forever in two photos in my favorite, most meaningful series.  That is unbelievably wonderful to me.  Thank you for all of it.

And with that, I present to you the DreamWorld King.  Detail shots are below each main image.  Click on them to see them larger!

Beloved Of The Crown

Beloved Of The Crown

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Aerie

Aerie

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

A very quick, thankful, somewhat tear-stained selfie the day after the shoot, wearing my beautiful horn from Firefly Path, which is going to be my every day wear now.  Click here to visit their Facebook page to get your own horn!

A very quick, thankful, somewhat tear-stained selfie the day after the shoot, wearing my beautiful horn from Firefly Path, which is going to be my every day wear now. Click here to visit their Facebook page to get your own horn!

Thank you to every single person who helped make this day happen.  I will never forget it.  🙂

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