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Something you’ll know about me if you follow me anywhere or have read any other blog entries is my deep, abiding love for Peter S. Beagle and all of his creations.  Yes, he is best known for his beloved masterpiece The Last Unicorn (the same story that was made into an animated film and you probably saw as a child, not grasping its full, profound meaning).  The Last Unicorn deserves every bit of praise it gets and more.  It’s the most incredible story, full of wonder and love and great sorrow… and joy, despite, or because of, the sorrow.  What many people don’t know is that Peter is an exceptionally prolific writer, having written more books and short stories than I can count (A Fine and Private Place is a very close second favorite to The Last Unicorn).  And every single one is just as brilliant of a masterpiece as The Last Unicorn.

In The Lilac Wood, a self portrait

In The Lilac Wood, © Sarah Allegra, a self portrait

I actually don’t remember a time when I didn’t know the story of The Last Unicorn.  As in the book, “there has never been a time without unicorns,” so there was never a time for me without The Last Unicorn.  It came out the year before I was born and I grew up knowing it.  My brother and I both loved it, and to this day can still quote nearly the entire thing by heart.  We would make a game out of it, seeing how long we could volley the script back and forth.  As I got a little older, I started reading the book, and each time I did, I discovered new levels, new depths, new nuances that I hadn’t been old enough to understand before.  It’s a common misconception that Unicorn is a children’s story, simply because the movie made from it was animated. There’s nothing wrong with children reading or seeing the movie, but it is a story for grown-ups.  You can’t fully appreciate the skillful, deft writing, the terrible tragedy, the glorious splendor, the tear-inducing sacrifice, the depth of the characters until you’ve experienced more of life yourself.

And Other Secrets, © Sarah Allegra, Model: Anna Wood

And Other Secrets, © Sarah Allegra, model: Anna Wood

It doesn’t surprise me now that I look back and remember that the very first self portrait I ever took, far before I was a “photographer” or a “self portrait artist” was inspired by the book.  The character of the unicorn, magically transformed unwillingly into a human girl for much of the book, taken from immortality into a body she feels dying all around her, resonated so deeply with me.  I probably don’t have to draw you a very detailed map of how it relates to my experience of living in a shitty body possessed by ME.  And yet the unicorn gains something which sets her apart from all the other unicorns in the world by her ordeal.  She learns regret.  She learns to love.  She is made more full for all her suffering.  It’s a hope I cling to for myself, sometimes harder than others, but one I return to again and again.

The Importance Of Mortality, © Sarah Allegra, a self portrait

The Importance Of Mortality, © Sarah Allegra, a self portrait

About two and a half years ago, Peter magically discovered some of my work which had been inspired by his writing (both The Last Unicorn and other stories) and his business manager, Connor Cochran, reached out to me.  There is still much under wraps and it will all be revealed in time, but we began working together, which was more than a dream come true for me.  Bless him, Peter is the antithesis of the saying “never meet your heroes.”  Meeting Peter only me love him and his writing more.  There truly are few more kind, generous and relentlessly creative people on earth.  And he is this generous with everyone.  At The Last Unicorn Screening Tour (which I HIGHLY recommend you attend!!) he will stay until EVERY SINGLE PERSON who would like to meet him, hug him, have him sign their book or take a photo with him is seen.  Despite the often very long lines, he doesn’t make you feel rushed, he takes his time and lets you say whatever you need to say.  In the moment you’re with him, you are the only person in the entire world and you have his full attention.  This does mean the screenings often end in the wee hours of night, and I don’t know how they all do it, those hours would kill me, but it’s just who Peter is.

Salt Wine - © Sarah Allegra, model: Peter Onorati

Salt Wine – © Sarah Allegra, model: Peter Onorati

A little while after I had signed my contract with Conlan Press, Peter’s publishing house run by Connor, I gathered up my nerve and asked Connor if I could borrow Peter and photograph him as DreamWorld‘s King when they were in town for the next screening.  To my joy, Connor gave me the go-ahead.  This led to a nightmarish few weeks when I frantically created Peter’s incredibly elaborate costume made almost entirely out of paper (fully documented here) but the results were worth every tearful, over-tired night I had getting ready for it.  No one could be DreamWorld‘s King better than Peter.

Beloved Of The Crown - Peter as the King, with Dedeker Winston and Katie Johnson as his maids.

Beloved Of The Crown – Peter as the King, with Dedeker Winston and Katie Johnson as his maids.

Aerie - Peter as the DreamWorld King.

Aerie – © Sarah Allegra, Peter as the DreamWorld King.

Why am I telling you all this?  Just to illustrate what an incredibly special and remarkable person Peter truly is, and how wonderful Connor and everyone at Conlan are.  They put their all into every single screening.  They are genuinely all wonderful people, and Peter is everything you would hope he would be and more.  I’ve been fortunate enough to have attended two of them; the first time was the same day that I photographed Peter so I had no energy for dressing up myself for the show, but the second time I went as Amalthea, as seen below (which won the costume contest that night, probably because of my handmade Have A Taco Purse, which I can make for you too!).  Seeing the movie in a theater never fails to bring tears to my eyes.]

At the screening as Amalthea (with purse) and back at home.

At the screening as Amalthea (with purse) and back at home.

Which, in my rambling, round-about way, leads to the main thrust of this post.  The tour had planned on traveling to multiple countries in Europe this year, and while the movie will still be shown and everyone will still have a fabulous time, Peter will be unable to attend due to a non-threatening health issue.  Peter is ok, there’s nothing to worry about, but still… even non-threatening health issues suck.  Peter hopes to be back on the road soon, but I thought that it might cheer him up if we all rallied and showed him some love.  What do you say?  For our beloved author who writes the stories which make us weep simultaneously from sorrow and joy?  He has given SO MUCH to the world, let’s try and give even a fraction of it back to him!

To Be So Full, © Sarah Allegra, model: Dedeker Winston

To Be So Full, © Sarah Allegra, model: Dedeker Winston

What do I mean by that?  Well, feel free to leave a comment here on the blog.  I’ll send them on to Connor who can forward them to Peter.  Feel free to leave kind words of encouragement on his Facebook page or send him an email at contact@conlanpress.com.  I’m sure he will really appreciate everyone’s show of support!

Sleight Of Hand © Sarah Allegra, featuring my neighbor John Harnagel

Sleight Of Hand © Sarah Allegra, featuring my neighbor John Harnagel

And let’s face it; we owe him.  For decades of wonder, joy and poignant insight.  For holding up mirrors full of fantasy which still reflect ourselves back and help us make new discoveries.  For every brilliant word typed, every tear shed and every heart which grew in size because of his writing.  For showing us what heroes are for.  For bringing us unicorns.

Get well soon, Peter.  We all love you 🙂

Now Has Come The Time For Silence -© Sarah Allegra, a self portrait

Now Has Come The Time For Silence – © Sarah Allegra, a self portrait

See all my Peter S. Beagle-inspired images here and buy fun things with these images on them here!

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***Spring Special for pet portraits going on now!!  Read on for details!***

The Lady's Doing © Sarah Allegra - featuring my darling Calantha with me

The Lady’s Doing © Sarah Allegra – featuring my darling Calantha with me

I’m sure you’ve noticed how often I incorporate animals, both pets and wild animals, into my photography.  I do it because I love animals and because their presence in my work gives an extra sense of depth and wonder to my images.

The Court Of The Dryad Queen © Sarah Allegra

The Court Of The Dryad Queen © Sarah Allegra

A surprising and unexpected offshoot of that has been that people started asking me to photograph their pets.  They want to immortalize their furbabies with the same sense of beauty and grandeur I infuse into my fine art photography.  They wanted me to capture their animals like I capture my pets.  It wasn’t something I thought of on my own, but my audience asked for it… and I have really enjoyed it, so I want to extend this idea to everyone!

Where Dreams And Shadows Lie © Sarah Allegra

Where Dreams And Shadows Lie © Sarah Allegra

Having pet parents entrust me with capturing their animal’s own natural beauty is an opportunity I take seriously and treasure.  As someone with two cats and a dog of her own, who are all like my children, I know how deep the animal-human bond can be.

Carried Away By The Wind © Sarah Allegra

Carried Away By The Wind © Sarah Allegra

I also just plain love animals; all animals!  Getting to spend time with them behind my lens is my idea of a good day 🙂

Daisy's Hill © Sarah Allegra

Daisy’s Hill © Sarah Allegra

I’m happy to announce that I am holding a Spring Special on my pet portrait services!  This special will give you a discount on my usual rate starting at $2500, now starting at only $2000!  This investment gives you completely unique, original art of your furbaby and two museum-quality prints which will last a lifetime and more.

sarahallegra.com

Jake © Sarah Allegra

Completely custom art staring your pet and two prints??  It’s an incredible value!

Of Milk And Honey

Of Milk And Honey © Sarah Allegra

Would you like a portrait of your darling?  Or do you want to see your baby featured in my DreamWorld series or another collection?  I’m more than happy to discuss details and concepts (and I offer reduced pricing for animals included in a series)!

Where She Learned About Joy 900

Where She Learned About Joy © Sarah Allegra

Interested in setting up a session?  Email me at sarah@sarahallegra.com!  We can discuss all the different options available!

Where The Brave Shall Live Forever © Sarah Allegra

Where The Brave Shall Live Forever © Sarah Allegra

 

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I have known Erick Reidell for several years, but he and Geoff go way back to high school.  Erick has always been an adventurous, creative, gregarious person, and we found a lot of artistic common ground to talk about when I first met him as Geoff’s new girlfriend a little over five years ago.  Which was a relief to me, since I just wanted Geoff’s friends to like me!

It was a shock to everyone when he was diagnosed with cancer that same year.  Cancer cruelly seems to always pick on the best, most wonderful people.  Erick would not be anyone’s “typical” cancer patient.  He doesn’t smoke, lives healthfully and is always full of optimism and cheer.  That first year Geoff and I were dating, Erick had a seven-pound tumor removed from his abdomen.  There were many breathless months while Erick endured chemo and treatments and recovered from surgery.  I vividly remember the night Erick’s wife called Geoff to tell him that the most recent scan had come back clear, and for the time being at least, Erick was in remission.  Everyone was, of course, extremely relieved.

Since then I’ve gotten the chance to get to know Erick better myself, and I can say he is one hell of a guy.  Hard-working, artistic, funny, a great husband and dad and always ready to face the next challenge his body throws at him.  He is such a lovely man that I suggested he become ordained online so Geoff and I could have him marry us at our wedding, which he did.  The wedding was, of course, a wonderful, beautiful blur of a day, but it will always mean so much more looking back and remembering it was our dear friend, and not some stranger, who performed the ceremony.

Alex/my man of honor, me, Erick, Geoff and Geoff's dad/best man, Larry.

Alex/my man of honor, me, Erick, Geoff and Geoff’s dad/best man, Larry.

Late winter, after several years of being clear, Erick’s cancer once again returned, and once again, he beat it.  Not without great effort from him and his doctors, but he did it.  When we knew we’d be seeing each other over Christmas, Erick asked to be a part of DreamWorld, which I gladly said yes to.  I also felt that a very serious charge had been given to me.  I wanted to make sure I did something special for Erick, something true to DreamWorld, something that spoke of his struggles and also something that would ring true to other cancer sufferers.

Out of these swirling thoughts came the Yellow Knight.  Yellow, since that color is associated with cancer-awareness ribbons, LiveStrong bracelets and the like.  His armor is made out of little bits and swirls of ribbon (or paper, as it ended up, but it looks like ribbon) much like the awareness ribbons.  Though ribbon would seem like a frail and flimsy defense, he defeats the horrible cancer-monster.

I’ll talk briefly about how I made Erick’s costume on, again, a next-to-nothing budget.  His cloak was the same one I’d used in Paul Telfer’s Sleeper’s Sentinel photos, so that was already made.  I wanted to make a chestplate and bracers for Erick’s armor.  Ihough I’d originally planned to use actual ribbon, I was dissatisfied with the ribbon selection both in my ribbon drawer and the craft store, so I decided to use paper instead.  That was also quite a bit less expensive, so double win!

For the chestplate, I stared by gluing two layers of cardstock together to give it a firm, stiff base, and covered one side in muslin for a more “polished” finish.

Matching up cardstock and fabric shapes.

Matching up cardstock and fabric shapes.

Cardstock back of the chestpiece.

Cardstock back of the chestpiece.

And fabric front, with a slight seam down the center to help shape it.

And fabric front, with a slight seam down the center to help shape it.

You can see my black and red suitcase on the floor, which just shows how hurriedly I was trying to put this together before we left for our trip.  I got the bracers made too; fabric shapes with cardstock bones to give them sturdiness.  I was planning on just tying the bracers on with ribbon, and I figured I’d do the same for the chestpiece since you wouldn’t be able to see the back or sides anyway, so the problem of keeping them on was easily solved.

bts4

Bracer with cardstock bones.

At this point, we really had to leave, so I just cut lengths of paper and used my rotary cutter to slice nice, straight even strips into them.  I packed my glue gun and other supplies I might need and we hit the road.

Our time visiting family was short, so we decided to shoot right after Christmas.  I spent one long afternoon of our trip bent over the chestpiece and bracers, hot gluing the ribbon strips to them as quickly as I could.  I alternated the colors, types and thicknesses  the papers frequently to give it more depth, using cardstocks, vellum and tissue paper.  Unfortunately, I was so busy feeling stressed about getting it done before the shoot the next morning, I completely forgot to take photos of the gluing-on process.  But you can probably imagine what a slightly-crazed woman wielding a glue gun in one hand, paper ribbon strips in the other, muttering dark curses under her breath, hunched over fabric/paper constructs and commanding the glue gun to heat up faster and just GLUE looks like.

The morning of the shoot came, and I’d managed to finish the costume (though my lower back was still complaining from having hunched for so many hours).  I knew I’d be doing a lot of work to the cancer-monster in post, so I simply had one black trash bag bunched up into a ball which Erick could punch, and I’d made a very, very rough wire frame for another black trash bag into something that was somewhat wing-shaped.

I scotch-taped the bags as needed to hold their shapes and let Erick pummel the central mass of the creature.  Geoff helped tremendously with flipping the cloak and holding the wings up for me to photograph separately and composite into the final image.  All said, it took perhaps half an hour.  The park we were in was just beautiful and quite deserted given the very cold weather and early hour, and I couldn’t resist taking some snapshots of plants covered in jewel-like snow.  I’ve said it before, but as a California-native, snow is UTTERLY MAGICAL to me whenever I encounter it.

Little Jewels

Little Jewels

Erick looked incredibly noble and at home in his costume, and I’m so glad Geoff reminded me to take a portrait of him not in action.  They’re quite different shots, but I think a lot of Erick’s quiet, inner strength and grace shows through, especially in the second portrait.

After that, we all had a lovely breakfast at a local cafe and warmed up with hot food and coffee.  A successful shoot!

I hope these image can be an inspiration to others fighting their own battles; perhaps simply reminders to not give up quite yet.  If you have had experiences with cancer or other long illnesses yourself, I would love to hear from you!  I hope I can make the cancer community proud.

And with that, let’s see the finished photos!

The Yellow Knight

The Yellow Knight

The Yellow Knight

The Yellow Knight -detail

The Yellow Knight -detail

Ribbon Armor

Ribbon Armor

Ribbon Armor - detail

Ribbon Armor – detail

Thank you, Erick, for coming to play in DreamWorld!  🙂

This is not the time or place to get into it all, but it seems I will be heading into another of my own health battles, of the bureaucratic nature this time, and any well wishes and prayers would be appreciated!

**If you enjoyed this post, you can subscribe to this blog in the upper right-hand corner of the screen and have new posts delivered right to your inbox!**

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Does anyone recognize what movie this blog’s title is from?  A+ to you if you do!

You guys all know about the cross-country screening tour that Peter S. Beagle, his publisher Connor Cochran and a beautifully new, restored version of the 1982 animated classic The Last Unicorn have been on, right?  Where you can see the film huge, in  movie theater, which, if you’re like me, you’d previously never had the chance to do before.  And it’s not merely a screening of the movie, although that would be wonderful enough.  The whole evening is an event, with Q&A sessions with Peter, prizes, costume contests, and Peter stays for hours and hours after each show to sign books and take photos with every single person who would like to do so.  You may remember that I was at their screening in Long Beach last August, when Connor introduced me and my work to Peter’s fans.  I also had the chance, while they were in town, to “borrow” Peter for a couple hours and turn him into DreamWorld’s King; an incredible honor, and something that I will remember for the entire rest of my life.

Aerie - Peter as the DreamWorld King.

Aerie: Peter as the DreamWorld King – one of the five pieces on display at the Modern Fantasy Summit.

And you guys also remember how I’m now contracted with Connor’s publishing company, Conlan Press, right?  There’s a ton of stuff in the works with them that I don’t want to talk about quite yet, except to say that it will be very exciting 🙂  What is very safe to say for now is that the owners of the Jean Cocteau Cinema in Santa Fe, New Mexico, where Peter was going to be screening on January 25th decided to really up the ante at this show.  Not only will you get all the amazing things that happen at every event, but George R.R. Martin, author of the Game of Thrones books, will be there as well.  George R.R. Martin and Peter will be interviewing each other live on stage!  It will be spectacular.

And, as if that weren’t enough, the Jean Cocteau Cinema people decided they needed to have a unicorn fine art show as well 🙂

This Dying Body - one of the five pieces on display at the Modern Fantasy Summit.

This Dying Body – one of the five pieces on display at the Modern Fantasy Summit.

A few days ago, I got a call from Connor asking how quickly I could get prints made from some of my The Last Unicorn-inspired pieces.  Thanks to Lauren, my go-to girl at POV Printing, I was able to get a rush order in and she printed off five huge, gorgeous pieces of my work.  They’re traveling with Peter, Connor and their assistant/wrangler Cat through Arizona and into New Mexico and will be beautifully displayed and for sale at the show!

I really have to take just a moment to say what amazing work POV does.  Every single thing I’ve ever had them print has turned out unbelievably gorgeously.  They use archival inks and thick, museum-quality paper, almost like a watercolor paper.  These are not flimsy, cheap prints.  The work they put into each and every print they make elevates it to another level.  I am so glad to have found them!

To Be So Full - one of the five pieces on display at the Modern Fantasy Summit.

To Be So Full – one of the five pieces on display at the Modern Fantasy Summit.

So if you are at all in the area, I would strongly recommend getting tickets for the Modern Fantasy Summit!  The tickets will get you in to see The Last Unicorn movie, experience two of the greatest fantasy writers interview each other, all the usual perks of a screening, as well as getting to see the art show, featuring my work along with other artists’… which you can also purchase and take home with you 🙂

Now Has Come The Time For Silence - one of the five pieces on display at the Modern Fantasy Summit.

Now Has Come The Time For Silence – one of the five pieces on display at the Modern Fantasy Summit.

I wish I were a little closer myself so I could go to this once-in-a-lifetime event!  Traveling with ME is always a challenge, and I’m still recovering a little from traveling over Christmas, otherwise I’d drop everything and chase after Peter and Connor like Molly Grue after Robin Hood.  If you go, please take some photos and let me know what you thought!  And to satisfy my vanity, I would love it if someone could snap a few photos of my pieces up in the gallery 🙂

I hope you guys can go and let me live vicariously through you!  Thanks to all who turn out!

In The Lilac Wood - one of the five pieces on display at the Modern Fantasy Summit.

In The Lilac Wood – one of the five pieces on display at the Modern Fantasy Summit.

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I was contacted recently by a lovely woman named Jennifer Brea, who told me about the documentary she was making.  A documentary called Canary In A Coal Mine, which is all about ME.  She was getting ready to launch a Kickstarter to fund the project, and asked if I would be willing to donate printing rights as part of the rewards offered.  Of course I said yes 🙂

The campaign only began four days ago, and they are already almost to their base goal of $50,000.  In FOUR DAYS!  Clearly there are a lot of other people who want to see this documentary being made just as much as I do!  If they surpass their initial goal, it will only make the film better and better, so please do consider donating to their very, very worthy cause.  And you can get prints of mine as part of your reward for doing your good deed!

The series of prints in an special run on pearl paper, which gives them all a delicate, magical sheen.  I’d been toying with the idea of pearl paper for some time, and this seemed like the perfect setting to break them out, to make the reward prints even better!

Please visit the Canary In A Coal Mine page, spread the word, and donate whatever is possible for you!  I am really proud to be able to help this project in whatever way I can… it’s going to do so much good for so many who are suffering.  Check out their very moving preview below, and thank you to everyone who has or will contribute to it!

 

 

Martyrs To A Name - a semi self portrait with Aly Darling.

Martyrs To A Name – a semi self portrait with Aly Darling, about the harm caused when the US officially changed the name of our disease from “myalgic encephalomyelitis” to “Chronic Fatigue Syndrome.”

 

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**Before I get into the meat of this post, I am happy to announce that I will soon start holding mythic photography workshops!  We’ll go over techniques for drawing the magical and awe-inspiring out of the ordinary.  Email me at sarah@sarahallegra.com if you’re interested and I’ll keep you up to date!**

Closeups of both finished photos.

Closeups of both finished photos.

Oh my… this is one of those posts where I have so much to say I can hardly figure out where to start!

I think pretty much everyone reading this will already be familiar with my DreamWorld series, right?  The series portraying the characters and landscape of the world we visit in our sleep?   I have become quite obsessed with it, even though the photos usually demand so much more preparation and work than other photos do.  There is something incredibly therapeutic and wonderful about imagining an entire world and breathing life into it one photo at a time.

The very first character I imagined for DreamWorld was its queen (who we will meet in the future) and eventually I thought that if there is a queen, there probably should be a King  too.  And while I imagine that the queen is really the one in charge, the King is the ultimate father figure.  Warm, approachable, unfailingly kind and wise, but still powerful and majestic.  It’s a lot to ask of one person, and I mulled over who could play him for a long time.

While I contemplated that, I thought about what the King’s costume should be like.  I wanted it to be book-inspired, both literally and metaphorically.  Carl Jung’s and Joseph Campbell’s writings have had such a big influence on my life, and on this series in particular, I wanted the King to be an homage to them and their works.  So books, paper and writing would be the main themes of the costume… and as usual, I had no idea how I was going to pull it together.

While all that was happening in my head, I learned that Peter S. Beagle would be in town as part of his world-wide “The Last Unicorn” movie screenings tour (which I HIGHLY recommend!).  I suddenly pictured Peter as the King, and once I’d done that, I couldn’t imagine anyone else doing it.  He was absolutely perfect.  He is the King.  Every single time I’ve met him, he has exuded such warmth, wisdom and kindness that I wished I could adopt him as an uncle.  And given my recent partnership with his publisher, Conlan Press, I thought it would be the mutually beneficial to everyone.   I’m very happy that Connor, Peter’s publisher and manager, agreed and was able to loan me Peter for a few hours while they were in Los Angeles.

So, casting was settled, but that left me only about three weeks to build every prop and costume I’d be using.  Which was not nearly enough time.  I’d begun working on the King’s magic book before I even got a yes and had already spent over 30 hours just building it.  It was going to be an ugly three weeks, but very, very worth it, so I launched into creation mode.

You really have to see the book in person to understand why it took so long to make.  At this stage, it's just many, many subtle layers of paint.

You really have to see the book in person to understand why it took so long to make. At this stage, it’s just many, many subtle layers of paint.

Peter would be wearing long robes that would transition into paper scrolls at his feet, along with a crown made from folded paper.  His collar and cuffs were lace made from tissue paper, with crinkled paper accents.  A buckle portraying a tree of life would hold the robes closed, and the part I was perhaps most excited about was the collar of paper birds taking flight.  That was the end goal… how I’d get there, let alone in three weeks, I had no idea.  But I started with what I knew, making the tunic under his robe, and the fabric part of the robe itself.

sketches

Initial sketches

The tunic and robe themselves were pretty easy, standard pieces of DreamWorld wear, so they came together quickly.  The robe was made mostly from cotton muslin, since it’s inexpensive and takes tea-dying well (which I suspected would be in its future).   The yoke was made from the most beautiful metallic gold jacquard-type fabric (I purchased it as a remnant, so I’m not sure exactly what it is, other than gorgeous).  The first introduction of paper into the robe came by using long sheets of corrugated cardboard in the place of pin-tucked fabric.  I broke a needle on my sewing machine trying to get it on before finally locating my super-heavy-duty-heavier-than-duck-and-denim-together needle, which held up.

The robe with cardboard "pintucking."

The robe with cardboard “pin-tucking.”

I’ve never felt especially adept at sculpting, but I knew I was going to have to do at least some for the King, so I got some silicone clay which could be baked in an oven and a couple molds.  One mold featured different female faces on it, while another had branches, leaves and birds.  Leaves I though I could probably get away with on my own, but with the time I had, I didn’t want to have to try messing with making a beautiful face on my own.  Plus, the molds were on a 40% off sale, so I took it as a sign.  Most of the sculpting ended up on the cover of the book, which became quite symbolic all on its own, incorporating elements of Joseph Campbell, Peter Beagle and myself.

sarahallegra.com

Beginning to sculpt. You can see the shell of the unpainted book in the upper left-hand corner too.

The King’s costume incorporated keys and locks in numerous places, a metaphor for how Peter and Joseph Campbell’s writing had unlocked so much wisdom for me.  Around the large keyhole (obtained from a wonderful architectural salvage yard) I sculpted two pieces which could look like either paths or (bull’s) horns, nods to “The Last Unicorn” and the hero’s journey.  I made my own little cloven-hoof stamp by carving the end of an eraser and covered the “paths” with a smattering of hoof prints.  Between the paths/horns was a woman’s face with long white hair and a horn coming out of her forehead; an obvious reference to “The Last Unicorn,” but also to my own own identification with the story.

For added symbolism and a little more depth, I also crafted two small anatomical hearts, alluding to the “Two Hearts” story Peter wrote as a novella sequel to”The Last Unicorn.”  Though you could never accuse “The Last Unicorn” of being shallow, “Two Hearts” adds such richness and depth to it that I feel it’s really just a continuation of the same story and not two separate ones.

Stamp, hearts, unicorn girl and hoof prints.

Stamp, hearts, unicorn girl and hoof prints.

After the sculpting and baking came many coats of paint.

Painted pieces, along with a key I ended up not using for this photo (but which will be used eventually).

Painted pieces, along with a key I ended up not using for this photo (but which will be used eventually).

The keyhole and clay pieces were glued to the book cover and that prop, at least, was done!

At some point during the three weeks I was making all this, I pictured Peter with two ladies in waiting.  At first, I dismissed the idea since I already had more than enough work to do, but, to my annoyance, once I pictured it that way, I knew it would be lacking without them.  Damn.  I sighed and added two more costumes to my to-do list while I emailed frequent models Dedeker, Aly and Katie to see if they were available.  Unfortunately, Aly’s work schedule prevented her from joining us, but I was glad to have Katie and Dedeker along!

Turning my attention back to Peter’s robes, I used more of the corrugated cardboard t make wide cuffs.  I’d found some beautifully-dyed, crinkly paper, a little thicker than tissue paper, but not by much.  I had some in orange and some in purple, and I used the purple paper to edge the cuffs.  The inside of the cuffs was lined with an untold amount of tissue paper, cut to various widths and run through a paper punch on one side to create a look like lace.  I alternated white tissue paper with some beautiful, metallic silver tissue paper.  The white tissue paper went through the punch well, but the silver paper would utterly clog the punch up after 3-4 presses, no matter how few or how many pieces I put through at a time.  I even tried running it through at the same time as some nice, heavy cardstock, but the paper press just laughed at my attempts and clogged again.  In the end, I used less of the silver paper than I had planned, but was left with more of my sanity intact, so I thought it was a fair trade.

cuffs

Tissue papers, purple crinkle paper and the cuffs coming together.

I used the orange crinkle paper to make a lapel and more of it was used as a belt.  I’d wanted to give the robes a feeling of embroidery, so I used some metallic gold paint to create swirling, organic, art nouveau-like designs on the pin-tucking.

robe

Speaking of the belt, I wanted to have another Campbell reference, so I decided to use one of the most commonly recognized mythology symbols, the tree of life, on the buckle, quite literally bringing everything together.  The backing was made out of clay and painted with several layers of gold, green and bronze paints.  Some pretty green rafia made up the tree itself.  The untwisted ends made very convincing leaves, and the twisted ends made wonderful roots.  In the middle was another keyhole, continuing the motif.

Tree of life buckle.

Tree of life buckle above the paper belt.

Around this time, I started wondering how I would turn the robe ends into paper scrolls.  I spent several nights not sleeping while I contemplated it, and eventually came up with the following.  I sewed six long panels of muslin, each about two feet wide, and of varying lengths.  The sides were sewn with wire in them, and I covered both sides of the panels with torn-up paper mache.  The paper mache was made from countless pieces of tissue paper I had tea-dyed from a barely noticeable off-white to a dark cream.  I used the lightest pieces at the top and let it gradually darken toward the bottom.  I washed the panels with layers of thinned-out white glue (many, MANY thanks to my wonderful neighbor Donna for giving me a huge vat of glue!) until they were suitably stiff.  Applying paper, painting and letting them dry between took the better part of a week.  By the time they were done, it was nearly time to shoot and I didn’t know what I’d do if they didn’t work.  I breathlessly tried rolling one of them up… and it stayed.  It looked like paper!  It looked like a scroll!  I was so relieved!

I attached the panels to the end of the robe with some heavy-duty safety pins and hot glue, then added another layer of tea-dyed tissue paper, creating a gradual transition from a little below the belt of the robe with just a touch of paper, all the way to the bottom of the scrolls where it was thick paper.

scrolls

I’d had a very clear vision of how I wanted the King’s crown to look, formed primarily from folded paper, dotted with keys and old quill nibs, which I found a whole bunch of on Ebay!  While it wasn’t really hard to make, it did take a lot of trial and error.  I am not much for origami, so I ended up just cutting out different shapes and experimenting with what produced the best results.  I used a cream-colored cardstock for this, quite a relief to work with after the filmy, fragile tissue paper.

Trying out different objects as stencils.

Trying out different objects as stencils.

The crown ended up being my favorite part of the whole costume.  Geoff kindly took some BTS photos of me working on it.  The medallion in the middle of it was something I found in the jewelry-making section of the craft store, and it added the perfect finishing touch with the purple gem in the middle of it.

Making the crown.

Making the crown.

Around this time I realized I also needed to make a staff for the King.  I had actually found such a good stick while I was hiking one day that I brought it home, not even having a plan for it, just knowing it would be good for something, eventually.  I spray painted the stick bronze and gold, and used several thin washes of acrylic paint in green and gold tones on a glass Christmas tree ornament (which I have a large stock of for a future project).  A very, very thin spritz with some dazzlingly-silver spray paint finished off the ornament, which I flipped upside down and anchored to the stick with a big old blob of hot glue.  I had wanted to incorporate some more flowers into the costume anyway, and having a cluster of them under the ornament hid the transition beautifully.  A key under the ornament and flowers finished it off!

staff

Things get a little blurry as I think back on the days right before the shoot, and I honestly don’t remember the exact order of events anymore.  But in the last couple days, I sewed some easy, empire-waisted gray chiffon dresses for the girls, with long, matching chiffon sashes.  The dresses were decorated at the bustline with a fan-shaped piece of folded cardstock, tissue paper lace and flowers.

The big project for the girls, which bled over into the last of the King’s costume, were the paper birds.  Those damn, damn paper birds.  I printed untold sheets of cream and white cardstock with chains of birds (which I’d laid together in Photoshop) which then had to be cut out by hand, one by one.  I was so sick of seeing the pile of papers waiting to be cut out by the time I was done.  Days and days of cutting out birds.  So, so many birds of different sizes, shapes, angles and colors.

birds

Sheets of cardstock with birds cut out, a pile of cut birds, the king’s collar being assembled.

Obviously, many of the birds went to making the King’s bird-and-lace collar, but the majority ended up going to the two maiden’s headdresses and arm pieces.  I loved the symbolism of the birds; they were taking off from Peter’s throat (where words take flight as well), they landed and traveled down the girls’ heads, as they take the stories and information in, then they make their way down the girls’ arms to their hands as they put the lessons they have learned to work.  Just remembering it all gives me a headache, but I really loved how it turned out, even though it was nearly midnight the night before the shoot when I glued the last string of birds together, was finally done and went to bed.

Calantha helped whenever she could.

Calantha helped whenever she could.

The morning of the shoot came after not nearly enough sleep, and I knew it was going to be a very long, grueling day, but I was very excited!  Donna and John, my neighbors, had very kindly allowed me to use their dining room to shoot in, which gave me more room to move around.  I started hanging curtains and getting the set constructed while I groggily drank my tea.  Everyone helped me get the set ready, which I was very grateful for; I couldn’t have done it all on my own!  Then my lights decided they didn’t feel like working, and I had to troubleshoot that as it got closer and closer to the time of the shoot… it was quite stressful, but it all came together just in time!

Thank you, Dedeker for these adorable furbaby pics :)

Thank you, Dedeker, for these adorable furbaby pics 🙂  They are a friendly lot!

Connor pulled up and dropped off Peter and his assistant Cat, who was helping them with the tour, and then I had a most surreal moment when Peter Beagle, one of my two very favorite writers, author of “The Last Unicorn,” a story that has profoundly influenced my life, was standing in my living room.  He was just as warm and wonderful as all the other times I’d spoken to him, and he showed excellent taste in admiring Calantha and asking what kind of dog she is.

I caught Connor snuggling Maynard and made him stand there until I got a photo of it.

I caught Connor snuggling Maynard and made him stand there until I got a photo of it.

Peter told me he’d been instructed by Connor to be regal and majestic, which I agreed with, but also highlighted the King’s warmth and kindness.  Peter said, “So I should be regal and majestic, yet warm and approachable?”  I said yes, and he just said, “Got it,” and then he was all that, all at once.  I helped him get into his costume (with the help of Katie, Dedeker and Cat, it was really a several-person task).  I shot a few different setups; since this was not going to be a chance I’d have again, I wanted to cover all my bases.  And everything fit everyone, and it all worked and came together beautifully, and I knew that the last weeks had been more than worth it.  Katie very thoughtfully took some behind-the-scenes photos once her part in the shoot was over, which I’m so happy to have!

Thanks, Katie!  :)

Thanks, Katie! 🙂

Mei Mei photobomb

Mei Mei photobomb

Dedeker and Katie being beautiful.

Dedeker and Katie being beautiful.

Cat took this one for us; thanks, Cat!

Cat took this one for us; thanks, Cat!

My imagination hero.

My imagination hero and me.

After the shoot was over, we all helped Peter out of his costume and then I got to just chat with him and Cat and the girls until Connor got back from the errands he’d been running in preparation for the screening that night.  It was my first time meeting Cat; she was utterly delightful and I was honored to have them lounging in my living room.  Again I was overcome with the surreality of the situation.  Connor got back shortly, and we parted ways for the time being.  We’d all meet up again that night for the screening in Newport Beach.  The shoot was successfully checked on my list!

I have to say, though all my shoots are done on a budget, this was the most expensive one yet.  A lot of the expenses were things like the paper punch and a self-healing cutting mat (for all the damn birds) that I’ll be able to use again.  All in all, I think I spent between $100-$150; an amount that felt absolutely extravagant to me!  The total time I spent on this is really incalculable.  A couple hundred hours on pre-production, but I spent a good six weeks editing it… it’s easy to say that I spent hundreds and hundreds more on post-production.  There were many times I was cursing myself and why couldn’t I just take nice, pretty photos that edit up in an afternoon (not to mention don’t require hundreds of paper birds) but even in those moments I knew it would be worth it… and it was.  🙂

Katie was giving me a ride into Hollywood on her way home, so Geoff and I could meet up and travel in one car, so she helped me dismantle the set.  We got some lunch since we were ravenous after such an exciting morning and she left me with Geoff while she went home for a bit before also heading down to Newport Beach.

I was exhausted, but also completely wound up.  I attempted a nap in Geoff’s office, but it was pretty pointless.  It was going to be a long night though, so I thought I’d better try anyway.  With anxiety over the shoot done, I could now concentrate on being anxious about that evening.  Connor had specifically asked me to come to the Newport Beach showing and bring my portfolio with me so that he could introduce me to Peter’s fans as one of their new featured artists who will be working with them.  Gulp.

Connor under the marquee.

Connor under the marquee.

Geoff and I (and Katie, in her own car) battled the traffic from Los Angeles to Newport Beach and made it just in the nick of time.  I really wasn’t sure what “introducing” me meant, so I had lots of possible meanings to be worried about.  I was heartened when I got to the theater and was greeted as long-lost friends by Connor and Cat (Peter was somewhere else) and then entered the theater to find a bunch of my family there, which I was not expecting!  It was so sweet of them all to come out and support me.

sarahallegra.com

There was a great Q&A session before the movie started.  There were raffles, giveaways, and the mayor of Newport Beach showed up to present Peter with a plaque.  It was really quite an event; I would heartily recommend it, of course to any fan, but just to anyone in general 🙂

The mayor giving Peter his plaque.

The mayor giving Peter his plaque; thanks to my grandmother for taking this photo!

Just before the show started, Connor had some of the vendors who had come with their Unicorn wares stand up and pointed them out, and at the very end of all that, he had me stand up and introduced me to everyone, saying I’d be there after the show with my art.  Whew.  One hurdle down.

Then we all got to watch the movie itself in a theater, which no fans my age and younger have ever been able to do.  It was pretty amazing.  I cried, and not just because of what an emotional day I was having.  Seriously, if you get the chance to see it, GO.

After the movie, Peter was around to sign books, take photos with people and talk to them like they’re actual human beings and not just cattle being herded through a chute.  Cat and Connor set me up behind one of the tables where the wares were spread out, and I set out my portfolio and my cards.  Geoff and Katie both really stepped up and stayed the entire night with me.  It was so good having them both there with me since I’m so intensely uncomfortable a) in crowds, b) around strangers, and c) having attention drawn to me and people looking at me.  Hopefully this is something I will get more used to.  It was great having the two of them there to distract me and make me feel less alone.

Wearing Geoff's jacket over my pretty dress - it got quite cold!

Wearing Geoff’s jacket over my pretty dress – it got quite cold!

Peter was true to his word and stayed until every single fan who wanted to had a chance to say hello and have their book/DVD/whatever signed, then all the theater workers still there got their turn.  I’d told my mom I would have him sign a book for her (“The Rhinoceros Who Quoted Nietzsche And Other Odd Acquaintances,” which contains “Professor Gottesman and the Indian Rhinoceros,” the favorite short story of my mom’s, mine, Cat’s and Peter’s) and Katie and I wanted our own photos with him to cap the day off right.

Getting mom's book signed.

Getting mom’s book signed.

sarahallegra.com

Katie, Peter and me!

And then it was all over!  Months of mental planning, weeks of physical planning, all the crunching and sleepless nights and hard work… it was done.  I was relieved and disappointed, and also knew that it was going to be one of the highlights of my entire career, no matter what else happens.

We didn’t leave Newport Beach until 1:30am, and it was closer to 3 by the time I got home and went to bed.  Luckily I was so exhausted it overcame my nerves and I didn’t have too much trouble getting to sleep.  I knew the next day was going to be ugly, and it was.  You can’t throw that much work and lack of sleep at ME.  Not to mention the very long, emotional day it had been and how late I’d been up.  ME doesn’t let you get away with that kind of shit.  I planned on feeling pretty terrible, and I did.  But it was underscored by a feeling of deep satisfaction, and even more, an overwhelming sense of gratitude for everything that had happened.  I was a bit emotionally fragile by then, and I burst into tears more than once that day, just out of sheer joy and thankfulness.

I am so grateful that I get to partner with Conlan and Peter.  I am so thankful they not only agreed to let me do my photo, but were enthusiastic about it.  I am blown away by what amazing people everyone at Conlan, my friends, models, family and husband are.  They have all been so immensely supportive of me and my art and my journey…especially Geoff as I ignored him night after night in my struggle to complete everything.  I am very lucky to have wonderful neighbors who will let me conduct an entire photo shoot in their home at the drop of a hat,  Everyone who reads this, who emails me, who comments on photos, who encourages me to create, thank you all.

But most of all, thank you to Peter.  Not just for creating the measuring stick by which all other fantasy will always be compared.  Not only for ripping our hearts out with his words, and returning them back to us more whole and healed.  And not just for being willing to play the King, but for being the King.  Peter simply is all those qualities that make me love the King so much.  And I got to capture it forever in two photos in my favorite, most meaningful series.  That is unbelievably wonderful to me.  Thank you for all of it.

And with that, I present to you the DreamWorld King.  Detail shots are below each main image.  Click on them to see them larger!

Beloved Of The Crown

Beloved Of The Crown

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Aerie

Aerie

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

A very quick, thankful, somewhat tear-stained selfie the day after the shoot, wearing my beautiful horn from Firefly Path, which is going to be my every day wear now.  Click here to visit their Facebook page to get your own horn!

A very quick, thankful, somewhat tear-stained selfie the day after the shoot, wearing my beautiful horn from Firefly Path, which is going to be my every day wear now. Click here to visit their Facebook page to get your own horn!

Thank you to every single person who helped make this day happen.  I will never forget it.  🙂

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