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Posts Tagged ‘pink’

Rapeseed's Harvest

This was one of those self portraits that I just HAD to shoot RIGHT THEN or I was going to explode.  It’s actually been a pretty rough couple of months; I’m fighting my way out of another bout of depression that came on for seemingly no reason.  This does happen periodically, so I tried to just give it time and let it pass, it always will eventually… but it’s been clinging like it hasn’t in a long, long time.

As depression progresses, it gets worse, not just additionally, but exponentially.  You can very quickly move from, “Ok, I don’t like this, but I’ll get through it soon,” to “Oh my god, this is going to be the rest of my life, I will never feel joy again ever; what’s even the point of living??” in shockingly short time.

For me, one of the best tools I have against depression and slowly losing my will to live is creating art, especially art that expresses how I’m feeling at the time.  It’s incredibly cathartic.  Working on this self portrait has been a huge help in keeping me sane lately, but the pessimistic side of me wonders if I’ll just be left right where I was before I started it, once I’m totally finished creating it.  I suppose that even if it does, I’ll at least still have a new image in my roster.  It hasn’t helped my depression to know that it’s been so long since I released any new images (there are far too many reasons to get into right now, but it’s been incredibly difficult to find and make time for art lately).

I was thinking about what I would say to accompany this image, which (probably obviously, belongs to both my DreamWorld and Eternal Storms series) and pondering how to explain what long-term clinical depression feels like to those who haven’t experienced it.  It’s not the same as just being sad or upset, it’s a stain on your soul which you can’t ever blot out.  Out, out, damn spot.  A stain which not only looks ugly, but spreads like a cancer and does you actual harm, emotionally, physically and mentally.

Depression, especially when it gets really bad, feels like your brain is beating and gang-raping your soul every day while the rest of the world goes about their business, either not noticing, or at best stopping to take cell phone videos of your torment, but offering no help.  And much like the unjustified stigma and shame victims of abuse feel, people who have trouble with depression and who don’t feel excited about being alive are often subject to the same kinds of judgements.  We must enjoy wallowing in our own emotional filth, or else we’d just get up, dust ourselves off and go be happy, right?  Or, ok, maybe it’s really a chemical imbalance thing; so just take an anti-depressant and let’s all get on with our lives, all right?  And she was wearing a short skirt, so she was asking for it.

I wish it worked like that; I wish it was that easy.  I can’t recall how many medications I’ve tried, not to mention the far, far greater number of alternative healing treatments, supplements, and anything else I could think of.  Some help more than others, but so far nothing has completely cured me.

For anyone wondering, no, I do not believe this bout of depression is really related to the ME.  The ME has been about the same as it has been since my injections kicked in, so there haven’t been any recent changes on that front.  It definitely doesn’t help anything, but I don’t believe it’s the cause.

Depression lays a gray film over your life.  Everything appears bleak and hopeless.  There’s no point to trying, no point to doing anything.  And there’s also the honest, nothing-to-do-with-depression frustration of having to be your own guinea pig as you try different treatments, often with horrible, horrible side effects, which may or may not stop after you discontinue the medication.  It’s been recommended that I add a psychiatrist to my team of doctors (I have a wonderful therapist, but she’s a psychologist, so she can’t prescribe medication) which I’m not looking forward to.  My depressive mind doesn’t want to go through the bother of more appointments, more co-pays, more explaining my symptoms and feeling judged, more trying new medications will probably make everything worse before it even might get better.  My rational mind says I should try it anyway, but I’m not looking forward to it.

So, back to talking about this image.  I chose the title even knowing it might ruffle some feathers, because I honestly don’t feel like there’s a better way to explain it to those who have been fortunate enough to never be so depressed that they feel they can’t go on another day.  It is your mind raping your soul, verbally abusing you, telling you you’re worthless, a horrible person, undeserving of love or bothering another person by asking them for help.  It’s a prison only you can see and feel; a prison you both hate and are afraid to leave, because it’s all you’ve known for so long.  (My first memories of what was clearly depression are from my early teens, but I wonder if the terrible anxiety and nightmares I endured since I was a very young child were a precursor to this.  The first time I gave serious thought to killing myself, I was 17.)  A strange Stockholm-like syndrome can develop where you long to escape, but are afraid to.  However, I hope it’s clear that I am in no way trying to take anything away from the trauma victims of the “regular” kind of rape suffer from.  Though our hells overlap in some ways, they are not identical.

I liked the idea of using “rapeseed” in the title, not only because it catches the ear, but because I feel it works on a metaphoric level.  Rapeseed is a plant which grows beautiful yellow flowers; it belongs to the mustard family from what I’ve read (and apparently the name has to do with the Latin word for root vegetables and nothing to with an act of violence).  Kirsty Mitchel shot part of her Wonderland series in front of a breathtaking field of rapeseed flowers.  It is also, apparently, what canola oil is made from (or at least used to be?  I’m finding mixed info), around which there is some controversy if it’s truly safe for human and animal consumption.  The word at once touches on horrible, horrible acts of violence and abuse, potential danger but still has immense beauty to offer the world.

In this image, I imagined a beautiful, unicorn-like creature, someone that would look completely pure and innocent, someone who looked like that would never have had a single bad day.  And I just poured my emotions into the shoot, letting them all out.  I’ve already said it was cathartic, but I can’t stress just how much it was.  I felt lighter that day than I did in a long time.  Even editing it was therapeutic.  Some images seem to fight you the whole way, kicking and screaming, into what you want them to be; this one felt like it was actively working with me to help me achieve my goal.  It’s one of the most gratifying feelings when art flows like that.

I have been studied makeup application a lot recently (mostly for upcoming images) and this was one of my first times being able to test just a little bit of my new knowledge out.  That was fun, although tiring.  But I’m pretty pleased with my first attempt at being a makeup artist!  I had to search high and low for some cosmetic-grade silver glitter of the right size and color to make the glitter-tears; you really wouldn’t think it would have been so difficult, but it was!  I eventually found some on either eBay or Etsy; I’ve bought some from both and now I don’t remember where this particular one came from.  I already had the silver wig, so I just grayed up my eyebrows to match it better.  I used Nyx’s Jumbo Pencil in Milk for the entire eye/cheekbone area along with a nice matte white eyeshadow from BH Cosmetics pallet, along with two shades of lavender and a darker purple in my crease and as blush.  I contoured with another Nyx product, an eyeshadow in Taupe which is perfect for my pale skin (even paler here, so I used a very light hand).  I highlighted cheekbones, lids and inner corners with Deviant Cosmetics Ghost Violet, which is just about my new favorite thing ever.  It has the most gorgeous flash of purple when the light hits it, and Deviant Cosmetics has four or five colors in their Ghost line; I recommend them all!  (If you’ve been eyeing the Kat Von D Alchemist Palette but don’t have the money, go see Deviant Cosmetics.  Their colors are brighter, more vivid, they carry one more color than comes in KVD’s pallet, and it’s WAY less expensive!  And since it’s mineral makeup, there are no weird or harmful ingredients to worry about.)

After I did my makeup and looked utterly insane in person, I set my camera up and a couple lights.  I actually really hate setting up lights, so I always try and make it as minimal as possible.  Luckily, this shot didn’t call for anything fancy, so I got away with only two.  I taped some white, mesh fabric to the inside of my front door, and it gave me a lovely, neutral whiteish backdrop that wouldn’t distract from the main subject.  I was nearly done shooting when I remembered I’d intended to wear my unicorn horn circlet from Firefly Path!  I quickly shot a few more images with it on, tipping my head at different angels and planning on adding it on to the final image in post, which I did.  (This is not the exact circlet that I have, my horn is silver and the crystals are lavender, but this seems to be the only one in her shop at the moment.)

Unicorns represent a lot of things to me, but innocence and purity are two big ones.  If a human is sad, well, that’s… sad, but normal.  If a unicorn is sad, it’s tragic.  That there could be anything their magic couldn’t overcome underscores the power of whatever is causing them pain.  To me at least, that emphasized the magnitude of the power depression can hold over you.  The working title for this image as I tinkered on it was Sad Unicorn, because that was all I could think of when I needed to save the file for the first time.  It still feels appropriate in a way.

I added the trees and birds on the background, as if perhaps the unicorn girl is longing for her forest home.  I specifically chose to add crows, both because they’re one of my favorite birds (did you know they actually make and use tools and are incredibly smart?) and because Native American legends say they escort one’s soul into the afterlife.  That felt very fitting giving the subject of the image.  She seems like she’s in an alien land, somewhere she doesn’t truly belong, which is how I’ve felt about my time on earth just about every single day since I was born.  I knew this was not my true home.  My true home is where my soul resided before it decided, for whatever insane reason, to incarnate into this life.  In a meditation, months ago now, I actually visited what I consider to be my true home and I sobbed and sobbed, because I was so glad to be back, even for a moment, and also because I knew I couldn’t stay.  That place, that timeless, unchanging Home, is where this ethereal creature belongs too.

Now that I’ve gone on for probably far too long, I’ll finally show you the image.  I felt it was very important to explain my reason for the title I gave it to give people a way in to understand it.  And for anyone concerned about me, thank you, but I’ll be ok.  I’ve been through worse.  And I didn’t even have photography back then.  I have an excellent support system, which I didn’t have nearly as much of before, including my really incredible therapist.  All that said, let’s get on to the first image I’m releasing this year!

Rapeseed's Harvest

Lastly, I don’t enjoy talking about my mental health (or lack thereof) to strangers on the internet, no matter what impression this post gave you.  I speak candidly and openly about it because we NEED to end the stigma around it.  And the only way for that to happen is for those of us who struggle with it to speak about our experiences.  A lot.  In detail.  Repeatedly.  I do think things will change eventually, but it will take a lot of voices speaking honestly, blatantly, about it.  My voice is only one drop in the ocean of voices, but to quote Cloud Atlas, what is the ocean but a multitude of drops?

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New DreamWorld image!!  I’m always happy to have a new installment for this series!

Apprenticeship © Sarah Allegra, model Noemi Regalado - detail

Apprenticeship © Sarah Allegra, model Noemi Regalado – detail

This image is a little bit “out of order,” so to speak.  The Apprentice is, obviously, an apprentice, but to someone you haven’t met yet, although you will.  In an ideal world, I would have shown you the Apprentice’s mistress first so it made more sense why she is out collecting herbs and plants and other ingredients, but you’ll have to just trust me on this for now  🙂  Hopefully I’ll be able to show you her mistress soon, but that’s going to be a pretty complicated shoot.

This image is extra special because it features a new model for me, Noemi Regalado.  Noemi is not someone who actively pursues modeling like most of the other people I work with.  She happened across my work and sent me an email asking if she could be a part of it.  Of course I said yes!  It took us a little while to find a time to shoot (which was all my fault; I think she first wrote me right around the time of my first sinus surgery and we know how that turned out.  And it seems nothing has calmed down since then!) but eventually we got a time set that worked for us both.

In a way, I’m a little glad that we had a few months to email back and forth and get to know each other a little more before the shoot although I’m sure the wait was maddening for Noemi!  (She will probably deny this because she’s very laid-back and easy going, but still.  Waiting sucks.)  In the course of our email exchange I learned that she has had her own health battles despite only being about the same age as I am.  She is a cancer survivor, currently completely in remission, and I suspect that she will stay that way.  She is a gentle soul but I know she fought that cancer out of her body.  She also participates in mud runs, something I probably would never have had the endurance for even before ME, and since her apartment only allows very small dogs, she volunteers regularly at a German Shepherd rescue group.  Every couple weeks she goes down, takes a dog out for a nice walk, socialization and a whole lot of love.  Then she repeats the process several times.  If that’s not one of the best examples of making lemonade from lemons that you’ve heard, I don’t know what to tell you 🙂  Shelter dogs have SO MUCH up against them, even the smallest gesture of love and attention can go a long, long way toward helping that dog find his or her forever home.  And so far she has been directly responsible for at least one Shepherd finding a home with a friend of hers!  I’m sure there will be more.

As you can see, Noemi is a very cool chick!  I wanted to come up with some concepts for her which would fit with her personality and her willingness to get uncomfortable and messy for a photo.  We ended up shooting two concepts; this first one that you’ll see today, as I said, is a DreamWorld image, and the second one, which I have not yet edited, will show off her willingness to do what it takes to get the shot.  And I have to say, she was a great model!  She took direction very well and had a better knack for it than some “actual” models I’ve come across 😉

So, let me tell you a little about making Noemi’s mask/headdress for this shot!  It all started with this lovely purple mask which I found at Rite Aid, of all places, on one of my many, many trips there to pick up prescriptions.  The color really caught my eye, I thought it would compliment Noemi well and I also noticed that it was less expensive than the completely blank, white masks at the craft store!  And no built-in swirls with the blank white masks either.  So that was a pretty easy decision to buy it.

Trying on the mask for research, NOT just because it was fun :)

Trying on the mask for research, NOT just because it was fun 🙂

But of course it can’t just be a basic mask, even if it looked very pretty in its basic form.  The first thing I did was cover it with a layer of lace, which happened to be a remnant cut from my wedding dress (because, surprise!, it was too long ;)).

Mask laceAfter brushing on a layer of fabric glue, I started with a layer of EXTREMELY glittery purple paint.

It doesn't look interesting wet...

It doesn’t look interesting wet…

But it dries into a really stunning color!

But it dries into a really stunning color!

Then I did some trimming on the lace to get the edges to match those of the mask itself.

At this point, I knew I wanted to put some leaves and flowers on it, but I didn’t know much more than that.  So I dragged out my fabric stash (what you’re seeing here is what I’d been able to buy during a HUGE sale!), my glue gun and just started messing around.

mask and loose flowersI knew I wanted to extend the sides of the mask with leaves, so I started there.  Maynard helpfully modeled this part for me.

Maynard is an awesome model, even when he's not facing the camera

Maynard is an awesome model, even when he’s not facing the camera

You can also see that I’d added a bit of black ink around the eye holes, rather like eyeliner.  Just a subtle touch to help draw the viewer’s eye since there was going to be a fair bit going on.

I just played around with different colored flowers and shapes, holding them in place, tweaking things here and there and then suddenly I had a finished mask!  I hadn’t planned on giving it so much vertical volume, that just sort of evolved naturally, but I liked how it looked so I went with it.  Some costumes I have planned out in precise detail before I ever start them, but others are more free-form, like this was.  Always listen to your gut 🙂

mask four small

A mask! Photos from here out are taken in the bathroom to protect it from over-eager cats.

As I looked at it the next day, I felt like it was 95% there but it needed… something.  I didn’t know what.  I mulled it over and when I woke up the next morning I knew it: mercury silver spray paint.

Krylon’s Looking Glass spray paint is no ordinary silver paint.  It has a truly magical quality to it and I end up using it in almost every costume or prop I paint.  Just the slightest mist gives it a mysterious, magical, ethereal touch.  I try to always keep a couple cans on hand because I never know when I’ll suddenly need them.

So that morning I took the mask outside and let the paint gently kiss the mask; just enough to give it that magical feeling without taking away the beautiful colors of the paint and flowers.  In the photos below (which are a little blurry, sorry, they were taken on my phone) the top photos show details of the flowers unpainted and the bottom have had their silver wash.

Flowers with and without Looking Glass paint

Flowers with and without Looking Glass paint

I filled a basket with appropriately magical-looking items and herbs but it didn’t make it into the final image.  Oh well.  You can see just a little of the vial necklace I made full of purple stones and beads and the gorgeous amulet/brooch.  Jewel tones just loved Noemi’s beautiful skin tone!

And now I’ll let you see the completely finished image along with some detail shots!  The show trees had just started blooming in the woods and the wild queen anne’s lace was bountiful.  Both made a beautiful, more neutral backdrop against Noemi’s vividly colored mask and costume.

sarahallegra.com

Apprenticeship © Sarah Allegra, model Noemi Regalado

Apprenticeship © Sarah Allegra, model Noemi Regalado - detail

Apprenticeship © Sarah Allegra, model Noemi Regalado – detail

Apprenticeship © Sarah Allegra, model Noemi Regalado - detail

Apprenticeship © Sarah Allegra, model Noemi Regalado – detail

Thanks to Noemi for being so patient through all this!  I’m very glad to have made a new friend though all this 🙂  And I’m very happy with how this turned out!  You’ll all just have to wait a little while longer to see the image where Noemi really proved her devotion to the finished image 😉

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As so often happens with DreamWorld, the inspiration for this set of images came close to a year ago.

The Pink Mother © Sarah Allegra

The Pink Mother series © Sarah Allegra, model: Dedeker Winston

Last summer, I had recently watched some of the BBC’s episodes of Life, their truly excellent series on all kinds of wildlife.  I was watching it while I edited other images (I rarely watch TV without doing a second activity, unless we’re talking about shows like True Detective, Breaking Bad, Boardwalk Empire, Rectify, etc, which all demand my full attention) but my editing suddenly halted when this segment came on.

I remember backing it up and watching the whole piece again, mesmerized, deeply touched and saddened by such complete, beautiful devotion from any creature to another.  As I watched it a third time, I knew a photo was going to come out of it somehow… it was resonating too deeply with me for anything else to happen.

Now, as to how the medieval elements worked themselves in… I can only give you guesses since I’m not really sure how my brain made the jump myself.  I know that part of it had to do with wanting to give her eight “tentacles” of some kind (which made its way into her hair) and wanting to give her a pouch to carry her eggs in.  For some reason, I thought of a kirtle, a medieval garment which lasted for several centuries.  The kind I was picturing were from, I believe, earlier on in the medieval period and looked more like what we might think of as over-dresses or fancy aprons.

A kirtle from a modern pattern by Burda.

A red kirtle from a modern pattern by Burda.

Researching medieval garments inevitably led to medieval hair… images like these set my brain whirling.

You can see how the braided and wrapped hair, along with beautiful headdresses leaked into my character.

As usual, I wasn’t sure how I was going to do this when I started into it.

I had a longish, dark brown wig which I’d bought very cheaply quite a while ago.  When it arrived, I realized why it had been so cheap; it was already snarled and tangled before I’d even taken it out of the package.  I halfheartedly attempted to work the same wide-tooth comb I use for my own often snarled and tangly hair and quickly realized it was a futile endeavor.  I tossed the wig into the back of the closet and mostly forgot about it.

When this project came up, I remembered it though.  Even though it poofed up like a drying poodle as I combed it, that would work in this case, since I’d be wrapping it up and looping it around.  I spent most of one afternoon just combing it out – not detangling it, mind you; there was never any hope of this wig being tangle-free.  My best hope was to get it to the point where I could separate it into eight segments.  It took all the strength in my arms and they were very unhappy with me for the next few days, but I managed to do it.

The Pink Mother © Sarah Allegra - behind the scenes

The Pink Mother © Sarah Allegra – behind the scenes

In the meantime, I had discovered arm knitting, which I found I could do without a) using much brain power, b) quickly c) without using much muscle power and d) it had very pretty and interesting results.  The resulting squares and shapes I made from the looping yarn had such a beautiful, organic look, almost like a coral reef or some other under-sea plant/creature, that it felt completely at home with an aquatic-inspired creature.

After the combing session, I put the wig away for a day or two.  I brought it out again after my arms had regained a little strength.  Of course this also meant that it had had a couple days left completely on its own without any outside help to start tangling again, so I spent a little time re-combing it to get it back to a manageable state.  I quickly arm-knit a band of yarn which would form the circlet of my headdress and made sure it would fit.

The Pink Mother © Sarah Allegra - behind the scenes

The Pink Mother © Sarah Allegra – behind the scenes

Then I divided it into eight more-or-less equal segments and put a hair band around each one to help keep them from getting into too much trouble.

The Pink Mother © Sarah Allegra - behind the scenes

The Pink Mother © Sarah Allegra – behind the scenes

I put the circlet of yarn back on top of the hair and began crisscrossing the yarn (which was a beautiful, slightly metallic variegated blend of soft pinks, blues,  lavenders and silvers) over the different segments, using liberal help from my glue gun to keep everything in check.  Each segment was attached back up to the main part of the circlet after its crisscrossing was done.

The Pink Mother © Sarah Allegra - behind the scenes

The Pink Mother © Sarah Allegra – behind the scenes

The two front, face-framing sections of hair were left for last.  I added some looping pieces of yarn between the other segments to make it more headdress-like.  The front segments got crisscrossed with their own lengths of yarn and were then attached to the very back of the circlet, forming two large loops on either side of the face, with hair tentacles hanging underneath them.

The Pink Mother © Sarah Allegra - behind the scenes

The Pink Mother © Sarah Allegra – behind the scenes

Then was the fun part: beads!  I raided my bead stash, with an eye toward pieces from a very elaborate headdress I’d made which had recently died, spilling beads all over the floor.  I knew there were some really cool pieces which I’d used for it, so I repurposed them again in this piece.  I didn’t want it to be overwhelmingly be-jeweled and sparkly, just enough bling to make the character look a bit important; perhaps some kind of royalty.

The Pink Mother © Sarah Allegra - behind the scenes

The Pink Mother © Sarah Allegra – behind the scenes

The Pink Mother © Sarah Allegra - behind the scenes

The Pink Mother © Sarah Allegra – behind the scenes

Moving on to her dress, I had a high-necked, sleeveless, pink chiffon dress from Ebay which I’d gotten for little more than a song.  Pink isn’t a color I’m usually drawn to that much, but since the original octopus was pink, my character was going to be pink too.  I kind of eyeballed the general shape of a kirtle from ivory tulle; a lot was going to happen to it and since it was so light and transparent, it didn’t need to be perfectly symmetrical.

I free-styled a yoke for the kirtle with more arm knitting and added some cap sleeves (which are only visible in some of the images unfortunately).  One thing I was finding with the arm knitting was that is is EXTREMELY forgiving.  Arm you within an atom bomb’s range of what you were going for?  Then it will probably work!

To unify the costume and also enhance the organic, oceanic feel, I arm knitted a piece for the bottom of the kirtle, basically a large triangle, and two smaller, upside-down triangles for either side of the egg pouch.  I left several yarn strings loose from the pouch triangles which would be used to tie the kirtle behind the back of the dress, just like a regular apron.

The Pink Mother © Sarah Allegra - behind the scenes

The Pink Mother © Sarah Allegra – behind the scenes

The eggs were leftover from a shoot I did with Paul Telfer as the Sleeper’s Sentinel.  I’d had to buy a dozen of the super-large plastic eggs so I had PLENTY to use for other shoots!  I kept these fairly simple since there would be a lot going on visually in the images; I started with spray-painting a base coat of a semi-metallic light gold color and added flecks of bronze-black to make them look more like real eggs.  Repeat until they look right.  I knew I’d only need five or six eggs, since that was as many as would fit in the pouch I’d made so I didn’t waste any time painting extra eggs.

The Pink Mother © Sarah Allegra - behind the scenes

The Pink Mother © Sarah Allegra – behind the scenes

I did do one thing to just one egg though…  I found a nail and a hammer and while the egg was still in two pieces, I hammered a hole through from the inside out.  Some sharp knives, pliers and more hammering later, I’d created what looked like a fracture in the egg from a chick inside starting to hatch.  Eggs = done!

I’d had my faithful model Dedeker Winston in mind for this character the whole time.  I usually cast characters in the same way I create them, just by what “feels right.”  I had not consciously remembered it, but it turned out there was a really wonderful real-world reason to have Dedeker play the octopus-mother caring for her eggs.  Dedeker has been an egg donor many times to couples who are unable to have children on their own.  In fact, one family has two children, both from Dedeker’s eggs, and they just requested a third!  It’s very unusual for a family to have so many children from the same donor, but I think it’s really lovely that all of their children will be linked in this extra way.  And clearly Dedeker produces really fantastic babies!  🙂  Once I remembered that, it felt truly serendipitous that we were shooting this character together.

I knew that my wig was several shades darker than Dedeker’s hair and I had a couple thoughts on how to deal with it.  I knew she had a dark brown wig of her own which we could layer under mine, or we could totally cover all of her hair with a wig cap.  In the end though, she simply twirled her hair into a low bun, I set the wig on top of her head and since there was so much going on with the hair, it looked completely natural and blended right in.  If you looked closely, you could see that some of the hairs on her forehead were a bit lighter than the rest of her head, but I matched them up in about 30 seconds in Photoshop.  Sometimes the simplest method is the best!

We set out on a morning last summer to capture these shots of the character I’ve dubbed the Pink Mother.  We got started early and the sun was already blazing; it promised to be a miserably hot day but at the moment it was still pleasant.  I started shooting Dedeker in a dryer, dustier, yellower scene and led her along a path which gradually got greener and lusher, mirroring the octopus’ journey to find the perfect environment for her eggs to be born into.  The color pallet moved from warm and vivid to cool and less saturated, especially in regards to the Pink Mother herself.  As she nears death, the paler she becomes until the last shot, where she is very white.

She sacrificed everything she had for her eggs.  She loved them, cared for them, caressed them.  She journeyed over countless miles to find a safe, green place for them to be born.  Though it cost her everything, she never hesitated.  And, it seems, her journey was worth it.  The cracks in the eggs prove her right.  They were brought forth from the deepest love there is, and that can only be the best start to these new beings.

So thank you to Dedeker for being my medieval octopus mother and letting me share your story about your own eggs!  And thank you for trusting my vision even if it seemed questionable at the time 😉  You were the perfect, purest-loving mother to those babies!

And now enjoy the full images, some detail shots and behind-the-scenes captures!

A Journey Into Strange Lands © Sarah Allegra

A Journey Into Strange Lands © Sarah Allegra

A Journey Into Strange Lands © Sarah Allegra - detail

A Journey Into Strange Lands © Sarah Allegra – detail

A Journey Into Strange Lands © Sarah Allegra - detail

A Journey Into Strange Lands © Sarah Allegra – detail

A Journey Into Strange Lands © Sarah Allegra - detail

A Journey Into Strange Lands © Sarah Allegra – detail

 

The Air Of A Quest About Her © Sarah Allegra

The Air Of A Quest About Her © Sarah Allegra

The Air Of A Quest About Her © Sarah Allegra - detail

The Air Of A Quest About Her © Sarah Allegra – detail

The Air Of A Quest About Her © Sarah Allegra - detail

The Air Of A Quest About Her © Sarah Allegra – detail

 

Migration's Imminent End © Sarah Allegra

Migration’s Imminent End © Sarah Allegra

Migration's Imminent End © Sarah Allegra - detail

Migration’s Imminent End © Sarah Allegra – detail

Migration's Imminent End © Sarah Allegra - detail

Migration’s Imminent End © Sarah Allegra – detail

 

Her Last Act Of Devotion © Sarah Allegra

Her Last Act Of Devotion © Sarah Allegra

Her Last Act Of Devotion © Sarah Allegra - detail

Her Last Act Of Devotion © Sarah Allegra – detail

Her Last Act Of Devotion © Sarah Allegra - detail

Her Last Act Of Devotion © Sarah Allegra – detail

Her Last Act Of Devotion © Sarah Allegra - detail

Her Last Act Of Devotion © Sarah Allegra – detail

The Pink Mother © Sarah Allegra

The Pink Mother © Sarah Allegra

The Pink Mother © Sarah Allegra

The Pink Mother © Sarah Allegra

The Pink Mother © Sarah Allegra

The Pink Mother © Sarah Allegra

The Pink Mother © Sarah Allegra

The Pink Mother © Sarah Allegra

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Poor, patient Katie shot this same concept with me three times, spanning almost a solid year from the first take to the last one.  I assured her each time we reshot it that the problem was not her, because it honestly wasn’t.  This was a case of me having a very clear vision in my head of how the image should look, but not taking the time to inspect it closely enough.  Each of the other two tries at this shoot came close, but there was always something just enough wrong with it that I knew I needed to reshoot it to be truly happy with the final images.

Flora Awakens

Flora Awakens

Here they finally are!  Flora is a DreamWorld character I’ve had in my head for a long time; an obvious statement given how many times I’ve tried to capture her visually, but much longer considering all the time I spent conceptualizing her and building her elaborate costume.

Flora was a nature spirit to me, the bringer of spring, renewal and life.  I strongly pictured that wherever she walked, flowers would grow in her footsteps.  I thought this was quite original until I remembered…

When I was young, I watched (over and over and over) an animated version of The Lion, The Witch And The Wardrobe, which remains my favorite film version of the novel to this day (it’s the only version which, in my opinion, gives Aslan a truly “golden” voice as CS Lewis describes it, for one thing).  In this take on the story, when Aslan is resurrected and romps with Lucy and Susan, flowers spring up wherever he steps, leaving a trail of paw-shaped floral clusters.

Ok, so the idea wasn’t exactly mine.  But at least I realized where I’d gotten the idea before I started calling it completely my own!

I started with a beautifully embroidered corset top at a local second-hand store.  I spent a while deciding if I would keep it as part of my personal wardrobe or use it for this costume, and the costume obviously won.  I decided I had enough pretty things that I don’t wear often enough as is, and it really added a lovely depth to the costume with its subtle ornateness.  The other base piece of clothing was a lovely, fluffy aqua-colored skirt made from layers of the lightest, softest netting.  This was another thing I had to seriously debate weather to sacrifice to the costume gods, but in the end, I decided I could always buy another one for myself.

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Over the aqua skirt, I added an airy overskirt of ivory tulle, lifting it in two spots at the front with a small spray of flowers to hold it in place.  I added a layer of tulle around the top of the bodice as well to give flowers more to hold on to and also give it a dropped shoulder.

Creating is usually a messy process.

Creating is usually a messy process.

Next step, as it so often is, was to cover it with flowers!  My handy hot glue gun proved its worth again.  I tried to pick flowers which enhanced the shape I was creating in the clothing.  The wisteria dripping down from the shoulders seemed so perfect to me!

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Once I had the front looking pretty much like how I’d pictured it, I started working on the most exciting part; the train!

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This dress’ train started at the top of the back and went all the way down to the bottom of the skirt; a very old-fashioned and somewhat unusual style of train.  Since I knew I was going to have use my flowers carefully and wisely to make them cover everything I wanted them to, I hemmed and hawed over this part a lot; pinning flowers in place, moving them around, flipping this one and that one… Eventually I just had to start gluing flowers in place and trust that I would figure it out as I went.

The finished train!

The almost-finished train!

 

After I was satisfied with the dress, I started working on the flower footprints.

Fabric feet

Fabric feet

I traced the shape of my feet onto paper and then cut four pairs of feet out of some nice dark green material I had leftover from another project.  Again, the next step was to cover with flowers!

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This gave me a total of eight feet.  I would have liked to have done a few more, but I was running out of flowers, so I had to make due.

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Beware of hot glue drippings.  I still have a faint scar from where this guy landed a year ago.

Beware of hot glue drippings. I still have a faint scar from where this guy landed a year ago.

Apparently I didn’t take any making-of photos of the flower pieces for Katie’s face, hair and hands, which is too bad.  For the pieces in her hair, on her eyebrows and ears, I cut rough shapes from a thin sheet of plastic; I knew the glue would melt the plastic where it came in direct contact, but it would provide just enough of a frame to make my life easier.  They were very free-form creations, which I put together on my foam head to make sure the proportions were at least somewhat reasonable.  I had planned on cutting them slightly to fit Katie’s face when the shooting day came, but they ended up fitting her beautifully!  The pieces in her hair were held on with bobby pins and the ones of her face stayed on with a little help from garment tape.

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Katie being adorable and showing off her new prosthetics.

Her “hand flowers,” as I was calling them, were meant to show life just springing off her, literally dripping from her fingers.  These were only constructed the day before the third shoot, and I loved what they added to the images, so perhaps it’s lucky that the first two takes didn’t turn out 🙂  These were very, very easy to make.  I tied a loop of clear, stretchy cord to slide over Katie’s palms.  From each of these loops I tied three lengths of monofilament thread and randomly glued little petals and blossoms to them so it looked like they were falling.

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At this point Katie and I shot the concept… then we reshot it… and then we finally shot it for a third time, which was the one that stuck.  It goes to show, if something doesn’t go right the first time, just try and use it as a learning experience!  With Katie, we always have a fun time, no matter what we shoot, so when concepts aren’t perfect right away, I haven’t wasted anything.  I had a good time with my friend, and I hopefully learned something about how I don’t want my final image to look!

With that said, allow me to show you the finished trio of images, with detail shots beneath each of them!

Spring's Awakening - detail

Spring’s Awakening – detail

Spring's Awakening - detail

Spring’s Awakening – detail

Spring's Awakening - detail

Spring’s Awakening – detail

Spring's Awakening - detail

Spring’s Awakening – detail

 

Spring's Awakening - detail

Spring’s Awakening – detail

Spring's Awakening - detail

Spring’s Awakening – detail

 

Joy Of Renewal

Joy Of Renewal

Joy Of Renewal - detail

Joy Of Renewal – detail

Joy Of Renewal - detail

Joy Of Renewal – detail

 

Life Eternal

Life Eternal

Life Eternal - detail

Life Eternal – detail

Life Eternal - detail

Life Eternal – detail

 

And here’s a few more detail shots to cover all my bases!

Flora shoot details

Flora shoot details

Flora shoot details

Flora shoot details

Flora shoot details

Flora shoot details

Flora shoot details

Flora shoot details

Flora Shoot detail

Flora Shoot detail

 

If you have a favorite of the three, I’d love to hear your opinion!

 

Lastly, before I go, I’d like to mention the lovely interview I did with the well-respected photography site PhotoFocus!  I was very honored to be their Photographer Of The Week 🙂

Read the interview HERE!

PhotoFocus

Thank you, PhotoFocus!!  And thank you to all my readers and supporters!  And an extra big, special thank you to Katie Johnson for being so patient and willing to keep redoing this one concept with me and knocking it out of the park every time!

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First post of 2014!

How was everyone holiday and new year’s celebration?  Geoff and I had the chance to take a little road trip to see some family, which was really fun!  We got to hit some stops coming and going we’d been wanting to see for a while, so I’ll just get right into it.

First stop was the Arizona Deer Farm!  I visited the deer farm with my family when I was about 4 or 5, and I remember it quite vividly.  I was very excited to realize that not only was the place still around, it was pretty much right on our way!  It’s more of a large petting zoo than a farm per say, and they encourage photographs to be taken.  I have a series coming up which is taking a lot of inspiration from deer, so it was very much a win-win situation for me!  Thanks to Geoff for taking all the photos that have me in them!

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There’s a path for people to walk on, and most of the deer mill about freely inside a large enclosure.   They have plenty of places they can go and hang out or take a nap that are well off the path, so they only are interacting with you if they want to.  And since you get a big cup of feed when you go in, many of them want to 🙂

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Most of the deer are fallow deer; as you can see, they don’t get terribly large, they come in a variety of beautiful colors, and they retain their fawn-like spots into adulthood.

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The price of food: one smooch on the head. This one thought it was a fair trade.

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Checking my hair for edibility; sorry, buck.

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Sadly, my coat is also not edible.

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The males have the most stunning antlers of any deer I’ve seen!  I took lots of photos of this handsome gentleman.

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Once we arrived safely in Kansas, we settled in to the cold weather.  They had an unusual amount of snow for this time of year, which was sighed at by all the locals but I rejoiced in.  We met up with Erick Riedell, a friend of Geoff’s since Junior High, who also got ordained and married us, and who is also a photographer.  In addition to being an all-around great guy, he’s a cancer survivor twice over now.  He had volunteered to be a part of DreamWorld while we were back, and I wanted to find a way to honor his battle and triumphs… hopefully I’ll be able to share the result of that shoot soon!

While we were wandering around a snow-covered wood for the shoot, I was enchanted by the fairy-world sparkle the snow gave all the plants.  I snapped this shot, which reminded me of the fairy tale of The 12 Dancing Princesses and the underground world where all the trees and fruit are made of jewels.

Little Jewels

Little Jewels

On our way back home we stopped at the Wigwam Motel, the epitome of Route 66 kitsch.  We’d stayed there once before, and while the rooms are humble, they are so fun to stay in!  It looks like very little has changed since it opened in 1950.

A cellphone snap of our wigwam.

A cellphone snap of our wigwam.  Those are my gloves on the car trunk, not a wad of used tissues as it appears.

As we made our way home from Arizona, we stopped at The Roadkill Cafe, another historic Route 66 stop.  They had great food (which was not at all made out of roadkill) along with a lovely hand-drawn sign honoring the fallen Hotshot firemen.  I had an unsettling moment when I saw the sign; my heart sank at the reminder of all the brave souls who were lost that day, but I loved that the cafe was honoring their lives and memories.  Regular readers will remember why the loss was hard for me.

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Thank you, Roadkill Cafe, for your very sincere and personal gesture showing your gratitude to the firemen heroes.

So now… on to the first photo of the year!  As much as possible, I feel it’s important to start a year off right with my photos.  Get going on a direction that will determine a positive trajectory.  I wanted my first photo of 2014 to be one I’d look back on proudly.  This photo ended up being quite a bit more work to edit than I’d expected, but I felt waiting a little longer would be worth it.

This concept was actually one I’d shot with Katie at our very first shoot many months ago, but it just didn’t turn out quite like I’d wanted.  The concept was a DreamWorld character; a wind spirit, or perhaps wind goddess would be more appropriate.

I started by making her an art nouveau-inspired headdress.  I remember I’d been looking at one of my books on Alphonse Mucha and had wanted to make a headdress similar to what many of his women are adorned with.

I used my foam head to pin and hot glue sensual, looping ribbons into a headband shape.  The forehead and sides were decorated with masses of little white flowers and small glitter-covered styrofoam balls in a variety of sizes.

front

It was meant to be worn rather low over the forehead, which almost instantly gave it that art nouveau feel.

side

After that, I hot glued long strands of ribbon to the headband and dotted them with a few more of the styrofoam balls which would help show the blowing wind, along with making it feel more magical.

The second shoot went much better than the first one did!

Where Earth Meets The Sky

Where Earth Meets The Sky

Where Earth Meets The Sky - detail.

Where Earth Meets The Sky – detail

Katie always plays ethereal goddess-types so easily!  Her acting chops are so important to the kind of photography I do.  We both would like to see this kind of headdress become fashionable so we could just go around wearing them all day, at, say, the grocery store… so how about it?  Would you like a wind goddess headdress of your own to help start a trend?  🙂

Thanks to Katie for her patient modeling and to all my readers!  I hope your year has been off to a great start!

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“The rhinoceros went on, ‘I was very interested in the comparison you drew between Spinoza and Thomas Hobbes. I would enjoy continuing our discussion.

‘I do not think I can,’ the Professor said at last.  ‘I do not want to talk anymore.

‘In that case, perhaps we should be on our way,’ the rhinoceros said.  ‘I have lived in your house for a long time.  We have talked together, days and nights on end, about ways of being in the world, ways of considering it, ways of imagining it as a part of some greater imagining.  Now has come the time for silence.  Now I think you should come and live with me.’

– excerpt from Professor Gottesman And The Indian Rhinoceros, by Peter S. Beagle.

This short story is one of my favorite from my tied-for-favorite-author-with-Robin-McKinley-author Peter S. Beagle.  His work always has an exceptional balance of sadness and joy; in such a way that the sadness doesn’t counteract the joy, but somehow enhances it and adds a poignant radiance.

This story has quite a range of themes, remarkable considering how short it is, and manages to cover not judging by appearances, accepting wonder and awe, healing and moving on, to name a few.  And with the new year upon us, the healing and moving on feels appropriate to bring up now.

It seems just about every person with a blog is tempted to write an end-of-year summary, and I am not immune to such desires.  The last year was certainly very difficult for many reasons.  It was perhaps the worst health year I’ve had since my body started falling to pieces with ME almost five years ago.  I’ve been tracking my daily fatigue on my wall calendar for the last couple years, to denote how tired I am each day.  A good day is blank, a bad day gets an X.  A day that I’m so tired that I feel I could be a danger to myself or others while driving, or find myself secretly wishing just a little bit that I would get in a car accident, just so I don’t have to do whatever I’m going out to do, that gets a skull an crossbones.  There are a few other designations for when it gets even worse, but you get the idea. This year I’ve had about 20 blank days, most near the beginning of the year, and far more skulls than X’s.  As I said, it’s been a rough year.

But through it, I’ve made progress, and have come to see some new doctors who I feel hopeful about.  And while the struggle was there, there was also overcoming the struggle.  I’ve had wonderful experiences with my friends and loved ones that I hold close to my heart.  I moved into a new home that I absolutely adore, and which is an incredible step up, both for Geoff and I and the animals.  Calantha now has a doggy boyfriend with the Australian kelpie next door… they do lots of snuggling when she isn’t running circles around every living thing.  I’ve had another year to spend with my sweetie, sharing new experiences and growing closer.  I achieved some artistic goals; I had a great gallery show, got on the cover of a book, and I won some contests and awards.  And of course, I took lots and lots and lots of photos.  Through everything, there is always art.  I’ve spoken much about the power and healing found in art, and this year it has been more evident to me than ever.

Speaking of the wearying health year, I will keep this entry on the shorter side.  But I know this new year will bring wonderful new adventures.  There will be more growth and change.  And, I hope, healing.  I would very much like to move on from the part in my life where I am chronically ill.  I don’t know if that will ever happen.  But I can hope.  The story of Professor Gottesman And The Indian Rhinoceros brings me hope.  Healing and moving on is always possible.  Though the body I inhabit, the part of me everyone sees, may often fail me, my spirit is strong.  Even if my body never changes, my soul always can.  Good will come.

I am genuinely bubbling over with excitement over the projects that I have planned for the near future.  A great deal of work needs to be done before they’re ready to be seen, but they are underway… and I can’t wait to unveil them 🙂  These upcoming photos will, on the whole, be the most detailed, labor-intensive works I have yet produced, but I am loving the whole process of creating them.  It makes it all the more meaningful and personal.

What are your hopes and goals for the upcoming year?

I hope you all find this new year to be magical and full of delightful adventures 🙂

Now Has Come The Time For Silence

Now Has Come The Time For Silence

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