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“She twines her spine up slowly

Toward the boiling sun

And when I touched her skin

My fingers ran with blood”

-True Detective’s Theme Song “Far From Any Road,” by The Handsome Family

Toward The Boiling Sun - detail- © Sarah Allegra

Toward The Boiling Sun – detail- © Sarah Allegra

It occurs to me that Cacti and Sinuses sounds like a weird band name 🙂

Here we have another True Detective-inspired image for my Pop Culture set of images.  This one was inspired more directly by the song used in the show’s title sequence, Far From Any Road, by The Handsome Family.  The song’s lyrics tell the story of a cactus which blooms once every thousand years.  Anyone who witnesses the rare event is driven mad by it.  Which, considering how much inspiration the show took from Robert W. Chambers’ The King In Yellow, a short story collection about a fictitious play which will drive any viewers or readers  insane, feels perfectly fitting.  It also is a brilliant pairing in mood and style for the show; the images and beautiful double exposures all work in such harmony… it’s the most beautiful pairing of music and television.

I don’t think my imagination is anywhere near being done inspired by True Detective though!  It’s the show that just keeps giving and giving 🙂

I’d like to clarify that I did not actually force Katie Johnson to sit nude in the middle of a cactus pile.  No models were harmed in the making of this image!  I composited an image I shot of Katie from a high angle with images I shot of my neighbor Donna’s cacti and blended them together in Photoshop.  Thanks to Geoff for steadying the ladder I was on shooting the cacti and helping to make sure I didn’t get stuck by any of their needles!

Changing the subject; at this point, I’ve had eight colds since the end of July, one of one which lasted for 3 weeks, two ear infections with the colds and strep throat another time, so I am having sinus surgery tomorrow.  Apparently my sinuses aren’t draining like they’re supposed to, the germs are never really leaving and they keep taking over my body again and again.  Despite my generally poor health with the fibro and ME, my sinuses haven’t really ever been an issue up till now, so I’m hopeful that the surgery will clear things out and this will stop being an issue.  On average, I’ve only had about two to three weeks between colds for the last three and a half months and I can’t tell you how VERY TIRED I am of having colds.  Lots of acute illnesses of top of chronic illness feels terribly unfair.

The last couple months have been rough health-wise, but I’m very eager to let the doctor clean me out and hopefully set me down headed the right direction!  I’ve been told to expect to feel extra crappy for a while after the surgery, and I was able to get a few simpler images edited before today in case I’m feeling really terrible for a while, so there shouldn’t be any big break in images being posted.  I will also have my wonderful husband Geoff to help me through my recovery; he has had this exact surgery before, which I’m sure will be very handy to help me figure out how to best deal with whatever negative effects I feel from it.  He’ll be with me the whole day of my surgery and the next, and after that I should be ok to be on my own.  But I’ve got my wonderful neighbors right next door in case anything comes up!

I’m chomping at the bit to get the surgery over with so I can start actually feeling better, but of course I’m also a little nervous about it.  So wish me luck; your good thoughts and energy will be very welcome!  I’ll try and update the blog when I’m feeling up to it.

Anyone else here on Instagram?  I just joined recently; let me know if you’re on there!  Also, if you missed it, please see my last post about the near extinction of wild lions, as portrayed through Travis Weinand in DreamWorld; a cause very important to me!

One of the things I love about working with Katie is how her heavy dance background translates so beautifully into her modeling.  She is just always so graceful and effortlessly aware of every part of her body, able to emote even through her fingers and toes.  With that said, please enjoy Katie’s beautiful work in this latest image of her!

Toward The Boiling Sun © Sarah Allegra

Toward The Boiling Sun © Sarah Allegra

Toward The Boiling Sun - detail- © Sarah Allegra

Toward The Boiling Sun – detail- © Sarah Allegra

Toward The Boiling Sun - detail- © Sarah Allegra

Toward The Boiling Sun – detail- © Sarah Allegra

Toward The Boiling Sun - detail- © Sarah Allegra

Toward The Boiling Sun – detail- © Sarah Allegra

Thanks, Katie!  You’re always beautiful!  And thanks to everyone in advance for your well wishes!

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I’ve talked to you guys about Rectify beforeRectify, Sundance Channel’s dreamy, introspective show about Daniel Holden who  was convicted of a crime when he was 18 and spent the last 19 years on death row.  New DNA evidence has emerged which frees him from prison, but he is not exonerated.  He is sent back into the lion’s den of Paulie, Georgia, a fictional small town where everyone has been steeped in this crime for the past two decades and everyone has an opinion on Daniel’s guilt or innocence.

Image copyright of Sundance Channel.

Image copyright of Sundance Channel.

It is an absolutely brilliant show.  I’ve met a lot of other fans online and they are truly some of the most rabid, enthusiastic people you could imagine.  Much of this is due to how original Rectify is.  It moves at its own pace, intentionally slower and more deliberate than most current shows.  It gives its characters time to breathe and allow us to learn much about them in moments which would be smaller in another show; Daniel’s magical wonder at watching and feeling the feathers from his pillow after having not seen or felt a single one in 19 years.  The writing is incredible and uses silence just as loudly and profoundly as the most eloquently-written speech.  The characters are all given fair treatment; there are no black and white “good guys” and “bad guys.”  They are all just people trying to do their best.

And the casting… my god, there are no words.  It is just perfect.  Perfect in every single way.  There are no weak links anywhere.  From the leading roles, Daniel’s family, to what could be considered “small” parts – Chet, the bookstore owner, played by Brian Bremer, or Marcy, the waitress, played by Kim Wall; every single one is a real person and the talent of the actors makes them big.  You wish you could invite these people over for dinner.  Much praise has been heaped upon the lead actors, and every bit of it is well deserved, but even the people you only get glimpses of are perfect.  Bruce McKinnon, playing Daniel’s step-father Ted Sr. reminds me so much of my late grandfather, I wish I could hug him.  Kerwin, played by Johnny Ray Gill, will change your life.  I don’t have enough space here to list every actor and describe how wonderful they are; you’ll have to just watch it for yourself.

Image copyright of Sundance Channel.

Image copyright of Sundance Channel.

Another thing I adore about Rectify is the heavy use of symbolism, metaphor and philosophy.  I talked about this more in my first post about Rectify, so I’ll just touch on the broad strokes.  The first season is six episodes long, with each episode covering one day.  This brings to mind the seven days of creation in the Bible and how God created man on the sixth day.  The mysterious Goat Man… is he representing God wrestling with Jacob or Satan tempting Jesus in the desert?  Or both?  Guilt and innocence, sin and salvation are recurring themes.  As you watch, you pick up more and more tidbits of metaphor, making the story that much richer.

It is a genuinely original and remarkable show, especially compared to everything else on TV right now.  I consider myself a Rectify pusher, as almost everyone I know personally who is a fan of the show started watching it because I insisted they give it a try.  And I will recommend the same thing to you 🙂  Season one is streaming on Netflix.  Season two, given a whole 10 episodes, just finished, but I imagine it will find its way to Netflix soon.  Rectify’s thoughtful pace is seriously ramped up at the end of episode five… I usually recommend to people that they only watch episode five when they can go straight ahead to six, because you will be dying to.

Jayson Warner Smith as Wendall in Rectify. Image copyright of Sundance Channel.

Most of the Rectify cast can be found on Twitter and they have all proven to be extremely friendly and happy to interact with fans (time permitting, of course; they still have lives).  I’ve given them all a standing invitation to come join DreamWorld any time they’d like, which may happen soon to my delight!  Over the course of chatting with some of the lovely actors from the show, I got to know Jayson Warner Smith a bit, who plays Wendall; Daniel’s creepy, sinister neighboring inmate.  At first I was almost afraid to talk to him because Wendall is so… well, Wendall.  But Jayson is just an absolutely lovely person who is nothing like Wendall.  He is an actor, after all 🙂  Here’s a great video highlighting some of Wendall’s best/worst moments from season one.  You’ll also see Daniel Holden, played by Aden Young, and Kerwin Whitman, played by Johnny Ray Gill.

I asked Jayson if he would mind doing an interview for my blog and he was kind enough to say yes and take time out of his schedule to answer my questions!  Jayson is currently living in Atlanta though he lived in Hollywood for two years.  He’s also well-versed in both stage and screen acting, though I haven’t had the chance to watch him perform live yet!  Read on for the interview, then I’ll tell you about my latest image which was Rectify-inspired.

 

*****

 

1. Do you have a favorite role that you’ve played?

Bobby Gould in Speed the Plow on stage in ATL. Love the Mamet language. Oh and Jack in The Weir also on stage in ATL.

2. I was impressed to find out you’re a musician as well as an actor!  Do you have any part in writing the songs?

I wrote the two on my site. Those were recorded with an iPhone at a party. Turned out pretty well. I seem to work best with a deadline it seems. I had to have them done in a month for this party.

3. If a horrible world existed where you could only practice music or acting, assuming they paid the same, which would you pick?

Ha. They both do pay the same right now.

Acting. I’m not disciplined enough to be a musician.

4. What would your dream acting role be?  It can be anything, including parts from movies which already exist.

That depends on so many things. The best experience would be working with super talented collaborative people. To have a role in that setting that the audience completely empathizes with.

Also, Elwood P Dowd in Harvey.

5. Do you have a favorite way to get into character, or does it vary from role to role?

That’s a novel. Sorry.

6. What is one thing you’d like your fans to know about you?

I’m just a regular guy. And I love F1. Go McLaren!

7. What music do you find yourself listening to frequently, and what shows are you sure to never miss?

Pandora has become my soundtrack. It rotates from Lyle Lovett to Rufus Wainright to The Shins to Blitzen Trapper to Radiohead to Avett Brothers to Sigur Ros etc.

TV? Mad Men, Top Gear (UK), Cosmos, Halt and Catch Fire, Downton, Justified.

8. I thought it was great that you participated in the ALS Ice Bucket Challenge (and you were so smart in how you performed it!)  Are there any causes you’re passionate about?

Just the Boy Scouts. I am an Eagle Scout and it made me a better person. It’s a shame that all of this political mess has gotten involved lately. Their organization has been trying to please everyone and as a result the whole program is becoming useless. It’s a real shame.

As Bill Cosby is quoted as saying: “I don’t know the key to success but I do know the key to failure – Trying to please everyone.”

9. Does playing Wendall in Rectify leave a film on your soul or are you able to shake him off quickly once the scene is done?

It’s just acting.

10. What do you like best about living in Atlanta that you wouldn’t have living in Los Angeles?

A house.

Hah- absolutely to answer #10!  Thank you, Jayson, so much for taking the time to do this!  It was a pleasure!  Now if we can just get you out to LA just for a little while… 🙂

Now, on to the photo!

Waiting For Paulie

Waiting For Paulie

The title is a play on the name of the town the show takes place in.  I created this just after season two ended – and ended on a very bad cliffhanger too!  Thankfully, season three has been secured or I just would not have known what to do.

I’d been eagerly counting the days for the second season to start and was enthralled with every new episode.  I’ve watched season one probably a dozen times already (I have it on DVD.  I’d also like to state for the record that I watched the entire season in one day; I REALLY love the show).  Season two, with more episodes, was able to expand upon the groundwork laid in season one, but as the show tends to do, it left us with more questions than answers.  I think I held my breath for the entire last half of the finale, which was a magnificent climax to the season.  After watching it though, I felt so sad that this season was over.  I wouldn’t see anything new from these characters for another year.  And they feel like friends to me, not fictional characters; I truly care about them.

After moping around for most of the morning after the finale, I finally decided to channel my impatience into a self portrait, because that’s what I do.  I set out intending just to use the window and have a couple feathers drifting down, reminiscent of Daniel’s experience with his feathers.  But as I worked, nature kept insisting on making herself known in the image.  Before I knew it, ghostly birds were flying everywhere while vines and smoke crept up from the corners.  I didn’t over-think it as I was creating, but as I thought about it afterward, it felt very true to the show.   Life and death.  Dark and light.  Magical moments between the mundane.  Nature and hope triumphing.  Light illuminating the shadows.  It summed up a lot of my feelings for the show in a way I still can’t really put into words.

There are some detail shots below, but if you only take away one message from this post, take this: go watch Rectify right now.  You will not be sorry 🙂

Waiting For Paulie - detail

Waiting For Paulie – detail

 

Waiting For Paulie - detail

Waiting For Paulie – detail

 

Waiting For Paulie - detail

Waiting For Paulie – detail

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***WARNING: this post will contain spoilers for this season of True Detective.  Turn back now, ye who have not seen it.***

There.  With the formalities out of the way, we can settle in and chat 🙂

I don’t believe I have ever witnessed such a frenzied, overwhelming reaction to a television show in such a short amount of time.  True Detective was only eight episodes long.  I knew, for myself, that I was going to be completely obsessed with it by the second episode; I warned Geoff about it and that I was going to have to buy it on DVD the very moment it came out.  You all probably know by now how I tend to obsess over things.

For anyone unfamiliar with True Detective, it is an eight-episode series which recently ran on HBO.  It tells the story of Woody Harrelson and Matthew McConaughey, two detectives who are partnered together to solve a serial killer murder mystery.  The show jumps around from 1995, when they believe they solved the crime, and 2012, when it rapidly becomes obvious that something is amiss; the killer was not apprehended after all.

What impressed me so much was how strongly the entire internet reacted to the show.  Within those same short, first few weeks the internet exploded with True Detective interest, and by the finale, the fervor was so high that fans streaming the episode through HBO GO crashed the network’s servers.  This is the kind of rabid loyalty that usually takes years to build up, like with Breaking Bad, for example.  Both shows completely deserved the devotion given to them, but it intrigues me that True Detective was able to accomplish this in a mere eight weeks.  What is so different about this show?

Like the very best art, it’s extremely difficult to parse out exactly what makes it so special.  True Detective was pure magic, and I don’t believe it’s something that can be distilled down to a formula and repeated endlessly.  But I’m still going to take a stab at defining what I think people, including myself, are responding to so strongly.

1.  Relateable, real, unique characters.  Marty Hart and Rust Cohle, played by Woody Harrelson and Matthew McConaughey respectively, are fascinating.  They are fully realized, flawed, broken men but they still try to do good and make a difference in the world.  Whether you’re more of a Hart or a Cohle (guess which one I am – HAH), you’ll find someone to identify with.

These men both deserve Emmys and any and all awards given out to television performances for their acting.  To be honest, I’d never really gotten Matthew McConnaughey before.  True Detective completely changed my opinion of him; I was absolutely blown away.  Woody Harrelson is, of course, spectacular as well, but I went in expecting to enjoy his work.  McConnaughey’s jaw-dropping performance in scene after scene was a revelation to me.

2.  A script which treats its audience with respect.  You will not be talked down to here.  There is no spoon-feeding of the audience.  You are expected to pay attention and remember clues dropped in one episode and discovered in another.  Nothing has been dumbed-down and it’s incredibly refreshing.  I want my shows to challenge me, to engage me, to literally take me on a journey.  True Detective does all that and more.

3.  Myth and metaphor.  If you’ve seen any of the series, you’ve probably already read about how much of it was inspired by Robert W. Chambers’ 1895 classic work The King In YellowThe King In Yellow is a collection of short stories about a fictional play within the stories by the same name.  The first act of the made-up play is safe but it lures you into reading the second act.  Anyone who reads even a few words of the second act is shown such horrific truths about the universe that they’re driven insane.  Carcosa, The Yellow King, masks (both literal and metaphoric, masking who you truly are), black stars, the sign of the Yellow King, truth about the world bringing on madness, it all stems from The King In Yellow.  This is the kind of thing that really excites me.  And yes, I did read the entire King In Yellow between episodes just enhance my viewing pleasure.  This is the kind of loyalty the show inspires.  While it is certainly possible to watch the show and enjoy it without having delved into hundred-year-old, obscure literature, you want to for True Detective.

I have always been a proponent of the power of myth and metaphor.  Its something that I try to use as often as possible in my own work.  They are an incredibly strong force, which is rarely drawn on in television; certainly not to this degree.

Take the detectives’ names.  Marty (Martin) Hart and Rust (Rustin) Cohle.  Marty; the warm, personable, passionate, fiery, family-man-with-something-on-the-side.  Martin is derived from Mars, Roman god of war and means “warring.”  “Warring,” whether against the killer he hunts or the banalities of daily life, and “heart” are two perfect words to sum Marty up.   “Rust” and “coal” are perfect expressions of Rustin Cohle; bleak, nihilistic and emotionless.  Rust only occurs on metal, an element which is the perfect metaphor for Rust, cold and strong, but wounded, and we watch him disintegrate a little bit at a time.  Coal… I can think of nothing better to describe Rust’s heart after his young daughter’s death, which sent him down this path of meaninglessness and hopelessness.  But like real coal, there is the potential to change into something utterly different and glitteringly beautiful.

The more you pay attention to the show, the more subtleties you pick up on.  Pay attention to how the color yellow is used, for example.  Scenes that have the most to do with the killer are the most yellow.  When Rust makes Marty view the VHS tape of Marie Fontenot’s murder, not only is the whole screen is saturated in yellow, it’s a clear metaphor for Marty having read the “second act.”  And after you’ve read the second act, there is no going back.  Things can never be the same.

Myth and metaphor are so cleverly and generously used, I could go on for pages about it, but you get the idea.  I think you’ll have more fun if you watch the show and try to pick out the references yourself 🙂

4.  A beautifully shot piece of art.  Not to mention interestingly shot.  Incredibly complicated, gun-fighting, fist-fighting, dozens-of-extras, police-cars-and-helicopters, lifting-the-camera-man-over-a-fence-with-a-crane, six-minute-without-a-cut scene, anyone?

I also love how the show uses classic noir and literature traits, like showing peoples’ reactions to horror instead of the horror itself.  It’s an underused and extremely effective method of story-telling, not to mention underscores the mysterious tone of the entire show.

5. Healing and redemption – and the twist-within-a-twist ending.  You expect, this being a show about two detectives solving a crime, even though by now you know you’ll see something more than that, that the show will end on a climax of Marty and Rust catching the killer.  And they do catch their killer…  who ends up being at once creepier and more ordinary than you had expected the grand Yellow King to be, which feels like a very authentic picture of actual murderers.  Twist one.  Marty and Rust catch their Yellow King about halfway through the last episode, giving them almost another 30 minutes to fill.  Why would they need the extra time, you wonder.  To finish the story.  To really finish the real story.

What’s the real story?  As Rust says, it’s the oldest story, of light verses darkness.  Not just in the grander sense of of Marty and Rust catching their man, but of them facing the darknesses within their own lives.  For Marty, this means seeing the family he destroyed years ago with his multiple affairs.  And while things are far from all forgiven and forgotten, the show makes it clear that the fact that his ex-wife and daughters are even in the same room with him is a huge hurdle to have crossed.  Marty is not ok.  His family is not ok.  But now, finally, things can begin to heal and just maybe, they will be ok some day.

And then there’s Rust.  Rust, who began to withdraw from the world years and years ago when his young daughter was suddenly killed.  Rust, who wants to hurry up and catch their man because his entire life has been “a circle of violence and degradation as long as I can remember” and he wants to end it as soon as his work is done.  You can’t blame him for feeling that way.  I think he expected he would die in the final confrontation with the killer, which very nearly did happen, but he finds himself alive still at the other end, after awakening from the coma his wounds put him in.  What’s left for our nihilistic, philosophical, misanthropic hero?

A lot, it turns out.  Our emotionless, cerebral, steely man, who I can remember smiling only once during the whole series, breaks down sobbing.  In his coma, he had a vision of the afterlife where he encountered his father’s and daughter’s spirits, and moreover, he encountered their love.  Love which continued beyond death.  Which wiped away any disappointments his father may have had for him in life, any guilt he may have felt over his daughter’s death.  He was wrapped in pure love, something he had never experienced before.

It profoundly effected him.  When Marty, looking up at the night sky observes that the dark seems to have a lot more territory, Rust responds with “Yeah, you’re right about that… But you’re looking at it wrong… Once, there was only dark.  If you ask me, the light’s winning.”

Twist two.  The entire show wasn’t about them catching the Yellow King.  The entire thing led up to this moment, when Marty and Rust are reconciled, the healing has begun, and Rust has his first moment of optimism.  Healing and redemption.  Light verses dark.  That’s what we’d been watching this whole time.

 

So how does my self portrait tie in?  In a lot of ways actually.  Most obviously, it’s a reference to the starry night Marty and Rust philosophize under, the hope and beauty they were able to find.  The yellow is obvious as well, and since purple is yellow’s complimentary color, that seemed like a good direction to go in.  What’s hard to see in the shrunken, internet-appropriate version of the image is how the yellow fabric is sliding off my face; the mask is coming off.  And most importantly,  I wanted to portray the optimism Rust found there at the very end.  Maybe life isn’t all shit and misery.  Maybe it’s full of beauty and wonder too.  I’ll do my part to try and make that second part more and more true.

The Light Is Winning

The Light Is Winning

 

The Light Is Winning

The Light Is Winning – detail

The Light Is Winning

The Light Is Winning – detail

The Light Is Winning

The Light Is Winning – detail

The Light Is Winning - detail

The Light Is Winning – detail

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