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Posts Tagged ‘shine’

It’s time for all those end-of-the-year blog posts!  I admit, I kind of like this tradition.  It’s a nice way to look back on things from a larger perspective.  And I have a brand new DreamWorld image featuring Travis Weinand for those who want to just scroll to the bottom 🙂

I Felt It Was Glory, detail. Model: Travis Weinand. © Sarah Allegra

I Felt It Was Glory, detail. Model: Travis Weinand. © Sarah Allegra

* * * * *

2015 was a… challenging year, to say the least.  And it turns out I’m starting it with a fresh, new cold and fever.  It has been the worst year I’ve had, ME-wise, so far.  It didn’t help that the year began with a crunched-for-time move of houses which literally took me several months to recover from.  Medication changes gave me months of terrible headaches and migraines, which also meant that this year was the least photographically productive year I’ve had yet also.  Between feeling terrible physically and not having nearly as much access to my art therapy as I wanted, it was a very depressing, frustrating and emotionally trying year as well.  All said, I’m happy to leave 2015 behind me and have set my intentions to have a much more fulfilling 2016.

I made a short video about my experience living with ME for last year’s May 12th (ME Awareness Day).  I generally really dislike making videos, so you can see that this was important to me 😉

There was some drama in the larger world of ME as well.  The US officially changed its name from the very belittling “Chronic Fatigue Syndrome” to the vague and incredibly widely-defined “Systemic Exertion Intolerance Disease.”  Most patients and advocates were very unhappy about this and there was a big backlash, which the powers-that-be mostly ignored, as is their usual method of dealing with us.  I’m still calling it ME, which is what most of us wanted it to be changed to.

Silenced © Sarah Allegra - model: Travis Weinand

Silenced © Sarah Allegra – model: Travis Weinand

Then the Senate rubbed salt in the wound by proposing they slash ME’s funding to absolutely $0 per year.  The paltry amount we currently get is the same amount given to research hayfever, despite ME being as deadly and serious as congestive heart failure and HIV/AIDS.  I extolled people to write to their representatives in protest of this; we’ll see what comes of it.

Please save this graphic and send it to the email addresses above!

Please save this graphic and send it to the email addresses above!

I got to meet fan-turned-model-turned-friend Noemi Regalado and photograph her for DreamWorld.

Apprenticeship © Sarah Allegra, model Noemi Regalado

Apprenticeship © Sarah Allegra, model Noemi Regalado

I officially started a series dealing with mental health issues; Eternal Storms.  It seeks to help break down the stigma associated with these illnesses and show sufferers how they are not alone.

A Cry From The Darkness © Sarah Allegra - a self portrait

A Cry From The Darkness © Sarah Allegra – a self portrait

One of the first models I ever worked with, Dedeker Winston, who has continued modeling for me over the five years we’ve known each other, despite me forcing her to wake up early, pose laying in cold, slimy, creeks, regularly get naked in forests and once helping me discover what stinging nettles look like when I accidentally had her pose nude in a patch of them, left for an extended time abroad.  She is having a wonderful, life-expanding time and I’m able to keep in touch and follow her journey online and through social media and texts.  I was sad to see her leave, but glad that we’d gotten in as much shooting as we did before she left, such as the Pink Mother for DreamWorld.  Speaking unselfishly though, I’m really happy she had this chance to do so much traveling and is having such an incredible time!  But I won’t be sad when I have the chance to photograph her again 🙂

The Living Sepulcher © Sarah Allegra, model - Dedeker Winston

The Living Sepulcher © Sarah Allegra, model – Dedeker Winston

My dear friend Danica gave me a priceless chance to work with an incredible, stunning, cream-colored Gypsy Vanner stallion named Booger.  As soon as I discovered she was horse-sitting him, I began planning a shoot with Katie Johnson and him together, utilizing him in every way I could think of.  I have a LOT of his shots still on my hard drive waiting to be edited, but I did at least complete one image from that magical shoot!

Safely Through The Shadows © Sarah Allegra, model - Katie Johnson

Safely Through The Shadows © Sarah Allegra, model – Katie Johnson

I tried my hand at a more editorial style, which is fun, but not going to be the main thing I do any time soon.

Wall 8- model: Travis Weinand. © Sarah Allegra

Wall 8- model: Travis Weinand. © Sarah Allegra

Alabaster 1 - model Dedeker Winston. © Sarah Allegra SarahAllegra.com

Alabaster 1 – model Dedeker Winston. © Sarah Allegra
SarahAllegra.com

I was accepted into the online art gallery A Gallery, and also participated in a group show over the summer at the Creative Arts Group.

The summer show at the Creative Arts Group Gallery in Sierra Madre. This is how I want my work to be displayed, finished works alongside actual props and costumes.

The summer show at the Creative Arts Group Gallery in Sierra Madre. This is how I want my work to be displayed, finished works alongside actual props and costumes.

I FINALLY finished editing an image I started in 2013.

A Poisoned Sleep Of Kissless Dreams © Sarah Allegra - model: Katie Johnson

A Poisoned Sleep Of Kissless Dreams © Sarah Allegra – model: Katie Johnson

I was able to attend another screening of The Last Unicorn, which was absolutely delightful!  I dressed up as Amalthea and made a taco purse (get your own here!), which I think was the secret behind me winning the nightly costume contest.  I was also able to introduce my dear friends and ex-neighbors Donna and John to the movie for the first time (though I’d already made them fans of Peter’s writing) and they were appropriately impressed.

Taco purse available on Etsy :)

Taco purse available on Etsy 🙂

At the screening as Amalthea (with purse) and back at home.

At the screening as Amalthea (with purse) and back at home.

Sadly, shortly after this screening it became clear that Peter Beagle is not nearly as well as everyone had thought.  This is leading to a number of problems for him and his manager/publisher Conlan Press, which I’ll leave to them to discuss.  Regardless, it is sad to see him unwell and it makes the conversation I had with him at the screening last January all the more precious.

Speaking of illness, one of my favorite photographers, Ashley Lebedev, let us all know that she has struggled with a chronic illness for a long time.  It was beautiful to see people’s support and desire to help her gather funds for treatment.  I wish her a much better, healthier 2016 also!

The Weight of a Whistle Already Carved, @ Ashley Lebedev

I helped my husband (he helps me SO much with my shooting and projects, I more than owe him!) with a project that he’s been working on for a long time, which ended in his creating the dystopian, sci fi, 8-minute short film A Secret War.  You really should watch it!

My friend Jessi started an Etsy shop which has beautiful jewelry in it!  But it’s not simply pretty, much of it helps raise awareness about various invisible, chronic illnesses, such as ME.  As a spoonie herself, purchasing her jewelry is helping her support herself as well as getting something pretty 🙂

Jessi’s shop, The Hopeful Spoon

I discovered the wonder that is the film Unbroken, which is now one of my go-to stories to tell myself when I need some extra motivation to get through anything difficult.

Speaking of Peter S Beagle, Amazon released an exclusive Kindle offering of 13 of his most beloved titles for the first time in e-editions… and 6 of those titles were released with my images on their covers!  To say I was elated would be a huge understatement.  There may have been joyful tears when I first saw them in my browser window.  🙂

Go buy one of these titles! You'll thank me when you discover how magical Peter's writing is :)

Go buy one of these titles! You’ll thank me when you discover how magical Peter’s writing is 🙂

And, as always, I put out a calendar with a year’s worth of beautiful images to brighten up your walls every day!  Red Bubble does an excellent job at making beautiful, high-quality items and its calendars don’t disappoint.  Feel free to grab your own; I can promise that you’ll love it!

Sarah Allegra 2016 Calendar

Sarah Allegra 2016 Calendar

* * * * *

Since 2015 was so heavy with ME, migraines, frequent colds, injuries, deep ruts of depression and stress in ways I have seldom experienced it, an incredibly huge percentage of my physical energy was devoted to simply existing and not giving up.  It really underscored how precious my time and energy is and how I need to devote it to things that are worthwhile.  No, not just worthwhile, but things which I cannot live life without.  The things are dearest and most deeply important to me.

This has given me a lot to think about as I ponder how I’ll change my management of time and energy in 2016.  I will try and devote myself to not just ideas I like, but the ideas which I think are the best.  The most important.  I simply don’t have time to pursue anything less.  This is helping to bring my artistic goals into much sharper focus.  The dross will be burned away; the leftover gold burnished until it gleams.

I’m also making an effort to set aside more time for self-care activities, like short walks with Calantha or yoga when my body allows, meditation and reading for pleasure.  Few things enrich my life (both my actual and imaginary worlds) as much as reading does and I need to make sure I don’t let that slip away from me by being “too busy” for it.

But of course the most important things are the relationships I have with friends and loved ones.  Those will always be tended to, nurtured and cultivated as best as I can manage!  I am blessed to have many, wonderful friends in my life, online and off, who get me, support me and my art and are incredibly gracious about my health problem.  That’s something I should never forget to be grateful for or take for granted.

* * * * *

Now, as promised, here is my new DreamWorld image!

When I first met model and friend Travis Weinand, I was struck by how truly ethereal he looks.  Not simply in pictures or when in costume, he always looks like he stepped out of a comic book, collection of mythology or possibly Middle Earth.  With a quick stop-off for a dose of Viking and tattoos.  Anyway, I immediately wanted him to have wings.  I wasn’t sure how, but I knew he’d get them before we were done working together.

So at our next shoot, I asked him to sit in front of a dark backdrop and pose angelically.  He made looking strong, gentle, loving and bad-ass all at the same time look effortless.  Editing did take a while since I painted the wings myself and had to figure out exactly how I wanted these “wings made out of light” to look, but it was very worth the effort!

This character lives in DreamWorld, as you would probably guess, a centurion of sorts to DreamWorld’s Queen (whom you have not met yet, but hopefully you will soon).  He leads the Queen’s army, the Glorious Guard, but he’s more than just a devoted servant.  Part bodyguard, part lieutenant, part enforcer, part adviser, he is a dazzling embodiment of good.

The title of this image comes from one of my favorite poems of George Gordon Lord Byron, All For Love.  In it, Byron discusses love being the greatest glory one can receive, far greater than wreaths, trophies or other symbols of glory:

O Fame! if I e’er took delight in thy praises,
‘Twas less for the sake of thy high-sounding phrases,
Than to see the bright eyes of the dear one discover
She thought that I was not unworthy to love her.
 
There chiefly I sought thee, there only I found thee;
Her glance was the best of the rays that surround thee;
When it sparkled o’er aught that was bright in my story,
I knew it was love, and I felt it was glory.

That last line kept repeating and repeating through my head as I edited… thinking about the love he has for his Queen, those he protects and his glorious vestige, so I finally gave in and just used it as the title.

 

I Felt It Was Glory, detail. Model: Travis Weinand. © Sarah Allegra

I Felt It Was Glory, model: Travis Weinand. © Sarah Allegra

 

I Felt It Was Glory, detail. Model: Travis Weinand. © Sarah Allegra

I Felt It Was Glory, detail. Model: Travis Weinand. © Sarah Allegra

 

I Felt It Was Glory, detail. Model: Travis Weinand. © Sarah Allegra

I Felt It Was Glory, detail. Model: Travis Weinand. © Sarah Allegra

That’s it!  Everyone have a happy and meaningful 2016!  🙂

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A Cry From The Darkness

A self portrait that belongs to my Eternal Storm series, which explores depression, anxiety and other mental illnesses. A Cry From The Darkness © Sarah Allegra – a self portrait – detail

Wow, it feels like FOREVER since I finished my last piece!  This year has not been conducive to creating art.  I’ve done my best despite the circumstances which kept popping up (moving, medications, long ME flares, devoting a ton of time to the gallery show, stress from my recent battle among other things) but it’s felt like a very dry year creatively.  All I can do is my best though, and even when the ME really cramps my style, I still manage to get pieces finished… just much more slowly than I would like.

It was in this depressed feeling of “I haven’t created anything in the longest time imaginable” that today’s image was born.  When my regular creative outlets are blocked to me (by, say, solid weeks of migraines as I adjust to each new medication dosage), I become despondent and depressed.  Life slowly loses its flavor and color and if I’m not careful, I’ll sink into a pit of despair just like Artax in The Neverending Story.  Luckily, I have Geoff and my friends and family around to cheer me on and make sure I never sink too low, but much of it is outside of anyone’s control.

As I mentally pictured how I felt, this was it.  A big, ugly cloud of despair, depression, worthlessness, swirling around my head.  But this time, unlike my last self portrait which explored a similar theme, I wanted to show a bit of hope at the same time.  The cloud is surrounded, penetrated and pierced by beautiful, golden rays of light.  They stream in through the darkness, weaving through its thick blackness.  The darkness cannot survive in the light.  It will be broken up and dissipate.  And while I know this will probably not be my last battle with depression, I also know that each round will eventually be over… and once again, the light will have won.  That is the hope I cling to when the clouds cover me.

I’d like to mention my friend and very talented photographer Robert Cornelius’s Dust to Dust series as it provided some inspiration in my planning out of the darkness cloud.  Thanks, Robert!  🙂  He’s an incredible photographer and all-around cool dude, so check out his work if you’re not familiar with it!

A Cry From The Darkness © Sarah Allegra - a self portrait

A Cry From The Darkness © Sarah Allegra – a self portrait

This image belongs to my Eternal Storms series on depression, anxiety and other mental health issues.  These topics are still seen as quite taboo to discuss, something I hope to help with by portraying what living with them is like openly and honestly.  Silence and shame never helped a single illness get cured.  We need to be able to speak openly about our experiences, without judgement or fear, if we’re ever going to healed from them.

A Cry From The Darkness

A Cry From The Darkness © Sarah Allegra – a self portrait – detail

A Cry From The Darkness

A Cry From The Darkness © Sarah Allegra – a self portrait – detail

 

Do you have depression?  Try being a little more honest next time a trusted friend asks how you are.  You don’t have to go into excruciating detail, but try to avoid the temptation to simply answer “fine,” unless you actually are.  And if you have friends or family who you suspect or know suffer from any kind of mental ailment?  Invite them to tell you about it, ask some questions, assuring them that talking to you is safe and you will not judge them or call them crazy.  It is crucial that you answer whatever they tell you with love.  It is incredibly hard for people to open up and talk to others about these problems, so take their trust very seriously and treat it with the gentlest and greatest respect.

A Cry From The Darkness

A Cry From The Darkness © Sarah Allegra – a self portrait – detail

A Cry From The Darkness

A Cry From The Darkness © Sarah Allegra – a self portrait – detail

As we approach Thanksgiving, let’s be thankful for the help and support we have.  For the people dedicated to helping us win our fight.  For the people who will listen to us with only love and understanding in their hearts.  The people who give us hope.  The inner strength we are able to find when we think we’ve exhausted it all.  Those extra beams of light when we need them the most.  We need more people like this in the world.  Let’s try and all be them to each other.  The simple fact that there are people in the world who try to reach this goal is something I am very thankful for!

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**Before I get into the meat of this post, I am happy to announce that I will soon start holding mythic photography workshops!  We’ll go over techniques for drawing the magical and awe-inspiring out of the ordinary.  Email me at sarah@sarahallegra.com if you’re interested and I’ll keep you up to date!**

Closeups of both finished photos.

Closeups of both finished photos.

Oh my… this is one of those posts where I have so much to say I can hardly figure out where to start!

I think pretty much everyone reading this will already be familiar with my DreamWorld series, right?  The series portraying the characters and landscape of the world we visit in our sleep?   I have become quite obsessed with it, even though the photos usually demand so much more preparation and work than other photos do.  There is something incredibly therapeutic and wonderful about imagining an entire world and breathing life into it one photo at a time.

The very first character I imagined for DreamWorld was its queen (who we will meet in the future) and eventually I thought that if there is a queen, there probably should be a King  too.  And while I imagine that the queen is really the one in charge, the King is the ultimate father figure.  Warm, approachable, unfailingly kind and wise, but still powerful and majestic.  It’s a lot to ask of one person, and I mulled over who could play him for a long time.

While I contemplated that, I thought about what the King’s costume should be like.  I wanted it to be book-inspired, both literally and metaphorically.  Carl Jung’s and Joseph Campbell’s writings have had such a big influence on my life, and on this series in particular, I wanted the King to be an homage to them and their works.  So books, paper and writing would be the main themes of the costume… and as usual, I had no idea how I was going to pull it together.

While all that was happening in my head, I learned that Peter S. Beagle would be in town as part of his world-wide “The Last Unicorn” movie screenings tour (which I HIGHLY recommend!).  I suddenly pictured Peter as the King, and once I’d done that, I couldn’t imagine anyone else doing it.  He was absolutely perfect.  He is the King.  Every single time I’ve met him, he has exuded such warmth, wisdom and kindness that I wished I could adopt him as an uncle.  And given my recent partnership with his publisher, Conlan Press, I thought it would be the mutually beneficial to everyone.   I’m very happy that Connor, Peter’s publisher and manager, agreed and was able to loan me Peter for a few hours while they were in Los Angeles.

So, casting was settled, but that left me only about three weeks to build every prop and costume I’d be using.  Which was not nearly enough time.  I’d begun working on the King’s magic book before I even got a yes and had already spent over 30 hours just building it.  It was going to be an ugly three weeks, but very, very worth it, so I launched into creation mode.

You really have to see the book in person to understand why it took so long to make.  At this stage, it's just many, many subtle layers of paint.

You really have to see the book in person to understand why it took so long to make. At this stage, it’s just many, many subtle layers of paint.

Peter would be wearing long robes that would transition into paper scrolls at his feet, along with a crown made from folded paper.  His collar and cuffs were lace made from tissue paper, with crinkled paper accents.  A buckle portraying a tree of life would hold the robes closed, and the part I was perhaps most excited about was the collar of paper birds taking flight.  That was the end goal… how I’d get there, let alone in three weeks, I had no idea.  But I started with what I knew, making the tunic under his robe, and the fabric part of the robe itself.

sketches

Initial sketches

The tunic and robe themselves were pretty easy, standard pieces of DreamWorld wear, so they came together quickly.  The robe was made mostly from cotton muslin, since it’s inexpensive and takes tea-dying well (which I suspected would be in its future).   The yoke was made from the most beautiful metallic gold jacquard-type fabric (I purchased it as a remnant, so I’m not sure exactly what it is, other than gorgeous).  The first introduction of paper into the robe came by using long sheets of corrugated cardboard in the place of pin-tucked fabric.  I broke a needle on my sewing machine trying to get it on before finally locating my super-heavy-duty-heavier-than-duck-and-denim-together needle, which held up.

The robe with cardboard "pintucking."

The robe with cardboard “pin-tucking.”

I’ve never felt especially adept at sculpting, but I knew I was going to have to do at least some for the King, so I got some silicone clay which could be baked in an oven and a couple molds.  One mold featured different female faces on it, while another had branches, leaves and birds.  Leaves I though I could probably get away with on my own, but with the time I had, I didn’t want to have to try messing with making a beautiful face on my own.  Plus, the molds were on a 40% off sale, so I took it as a sign.  Most of the sculpting ended up on the cover of the book, which became quite symbolic all on its own, incorporating elements of Joseph Campbell, Peter Beagle and myself.

sarahallegra.com

Beginning to sculpt. You can see the shell of the unpainted book in the upper left-hand corner too.

The King’s costume incorporated keys and locks in numerous places, a metaphor for how Peter and Joseph Campbell’s writing had unlocked so much wisdom for me.  Around the large keyhole (obtained from a wonderful architectural salvage yard) I sculpted two pieces which could look like either paths or (bull’s) horns, nods to “The Last Unicorn” and the hero’s journey.  I made my own little cloven-hoof stamp by carving the end of an eraser and covered the “paths” with a smattering of hoof prints.  Between the paths/horns was a woman’s face with long white hair and a horn coming out of her forehead; an obvious reference to “The Last Unicorn,” but also to my own own identification with the story.

For added symbolism and a little more depth, I also crafted two small anatomical hearts, alluding to the “Two Hearts” story Peter wrote as a novella sequel to”The Last Unicorn.”  Though you could never accuse “The Last Unicorn” of being shallow, “Two Hearts” adds such richness and depth to it that I feel it’s really just a continuation of the same story and not two separate ones.

Stamp, hearts, unicorn girl and hoof prints.

Stamp, hearts, unicorn girl and hoof prints.

After the sculpting and baking came many coats of paint.

Painted pieces, along with a key I ended up not using for this photo (but which will be used eventually).

Painted pieces, along with a key I ended up not using for this photo (but which will be used eventually).

The keyhole and clay pieces were glued to the book cover and that prop, at least, was done!

At some point during the three weeks I was making all this, I pictured Peter with two ladies in waiting.  At first, I dismissed the idea since I already had more than enough work to do, but, to my annoyance, once I pictured it that way, I knew it would be lacking without them.  Damn.  I sighed and added two more costumes to my to-do list while I emailed frequent models Dedeker, Aly and Katie to see if they were available.  Unfortunately, Aly’s work schedule prevented her from joining us, but I was glad to have Katie and Dedeker along!

Turning my attention back to Peter’s robes, I used more of the corrugated cardboard t make wide cuffs.  I’d found some beautifully-dyed, crinkly paper, a little thicker than tissue paper, but not by much.  I had some in orange and some in purple, and I used the purple paper to edge the cuffs.  The inside of the cuffs was lined with an untold amount of tissue paper, cut to various widths and run through a paper punch on one side to create a look like lace.  I alternated white tissue paper with some beautiful, metallic silver tissue paper.  The white tissue paper went through the punch well, but the silver paper would utterly clog the punch up after 3-4 presses, no matter how few or how many pieces I put through at a time.  I even tried running it through at the same time as some nice, heavy cardstock, but the paper press just laughed at my attempts and clogged again.  In the end, I used less of the silver paper than I had planned, but was left with more of my sanity intact, so I thought it was a fair trade.

cuffs

Tissue papers, purple crinkle paper and the cuffs coming together.

I used the orange crinkle paper to make a lapel and more of it was used as a belt.  I’d wanted to give the robes a feeling of embroidery, so I used some metallic gold paint to create swirling, organic, art nouveau-like designs on the pin-tucking.

robe

Speaking of the belt, I wanted to have another Campbell reference, so I decided to use one of the most commonly recognized mythology symbols, the tree of life, on the buckle, quite literally bringing everything together.  The backing was made out of clay and painted with several layers of gold, green and bronze paints.  Some pretty green rafia made up the tree itself.  The untwisted ends made very convincing leaves, and the twisted ends made wonderful roots.  In the middle was another keyhole, continuing the motif.

Tree of life buckle.

Tree of life buckle above the paper belt.

Around this time, I started wondering how I would turn the robe ends into paper scrolls.  I spent several nights not sleeping while I contemplated it, and eventually came up with the following.  I sewed six long panels of muslin, each about two feet wide, and of varying lengths.  The sides were sewn with wire in them, and I covered both sides of the panels with torn-up paper mache.  The paper mache was made from countless pieces of tissue paper I had tea-dyed from a barely noticeable off-white to a dark cream.  I used the lightest pieces at the top and let it gradually darken toward the bottom.  I washed the panels with layers of thinned-out white glue (many, MANY thanks to my wonderful neighbor Donna for giving me a huge vat of glue!) until they were suitably stiff.  Applying paper, painting and letting them dry between took the better part of a week.  By the time they were done, it was nearly time to shoot and I didn’t know what I’d do if they didn’t work.  I breathlessly tried rolling one of them up… and it stayed.  It looked like paper!  It looked like a scroll!  I was so relieved!

I attached the panels to the end of the robe with some heavy-duty safety pins and hot glue, then added another layer of tea-dyed tissue paper, creating a gradual transition from a little below the belt of the robe with just a touch of paper, all the way to the bottom of the scrolls where it was thick paper.

scrolls

I’d had a very clear vision of how I wanted the King’s crown to look, formed primarily from folded paper, dotted with keys and old quill nibs, which I found a whole bunch of on Ebay!  While it wasn’t really hard to make, it did take a lot of trial and error.  I am not much for origami, so I ended up just cutting out different shapes and experimenting with what produced the best results.  I used a cream-colored cardstock for this, quite a relief to work with after the filmy, fragile tissue paper.

Trying out different objects as stencils.

Trying out different objects as stencils.

The crown ended up being my favorite part of the whole costume.  Geoff kindly took some BTS photos of me working on it.  The medallion in the middle of it was something I found in the jewelry-making section of the craft store, and it added the perfect finishing touch with the purple gem in the middle of it.

Making the crown.

Making the crown.

Around this time I realized I also needed to make a staff for the King.  I had actually found such a good stick while I was hiking one day that I brought it home, not even having a plan for it, just knowing it would be good for something, eventually.  I spray painted the stick bronze and gold, and used several thin washes of acrylic paint in green and gold tones on a glass Christmas tree ornament (which I have a large stock of for a future project).  A very, very thin spritz with some dazzlingly-silver spray paint finished off the ornament, which I flipped upside down and anchored to the stick with a big old blob of hot glue.  I had wanted to incorporate some more flowers into the costume anyway, and having a cluster of them under the ornament hid the transition beautifully.  A key under the ornament and flowers finished it off!

staff

Things get a little blurry as I think back on the days right before the shoot, and I honestly don’t remember the exact order of events anymore.  But in the last couple days, I sewed some easy, empire-waisted gray chiffon dresses for the girls, with long, matching chiffon sashes.  The dresses were decorated at the bustline with a fan-shaped piece of folded cardstock, tissue paper lace and flowers.

The big project for the girls, which bled over into the last of the King’s costume, were the paper birds.  Those damn, damn paper birds.  I printed untold sheets of cream and white cardstock with chains of birds (which I’d laid together in Photoshop) which then had to be cut out by hand, one by one.  I was so sick of seeing the pile of papers waiting to be cut out by the time I was done.  Days and days of cutting out birds.  So, so many birds of different sizes, shapes, angles and colors.

birds

Sheets of cardstock with birds cut out, a pile of cut birds, the king’s collar being assembled.

Obviously, many of the birds went to making the King’s bird-and-lace collar, but the majority ended up going to the two maiden’s headdresses and arm pieces.  I loved the symbolism of the birds; they were taking off from Peter’s throat (where words take flight as well), they landed and traveled down the girls’ heads, as they take the stories and information in, then they make their way down the girls’ arms to their hands as they put the lessons they have learned to work.  Just remembering it all gives me a headache, but I really loved how it turned out, even though it was nearly midnight the night before the shoot when I glued the last string of birds together, was finally done and went to bed.

Calantha helped whenever she could.

Calantha helped whenever she could.

The morning of the shoot came after not nearly enough sleep, and I knew it was going to be a very long, grueling day, but I was very excited!  Donna and John, my neighbors, had very kindly allowed me to use their dining room to shoot in, which gave me more room to move around.  I started hanging curtains and getting the set constructed while I groggily drank my tea.  Everyone helped me get the set ready, which I was very grateful for; I couldn’t have done it all on my own!  Then my lights decided they didn’t feel like working, and I had to troubleshoot that as it got closer and closer to the time of the shoot… it was quite stressful, but it all came together just in time!

Thank you, Dedeker for these adorable furbaby pics :)

Thank you, Dedeker, for these adorable furbaby pics 🙂  They are a friendly lot!

Connor pulled up and dropped off Peter and his assistant Cat, who was helping them with the tour, and then I had a most surreal moment when Peter Beagle, one of my two very favorite writers, author of “The Last Unicorn,” a story that has profoundly influenced my life, was standing in my living room.  He was just as warm and wonderful as all the other times I’d spoken to him, and he showed excellent taste in admiring Calantha and asking what kind of dog she is.

I caught Connor snuggling Maynard and made him stand there until I got a photo of it.

I caught Connor snuggling Maynard and made him stand there until I got a photo of it.

Peter told me he’d been instructed by Connor to be regal and majestic, which I agreed with, but also highlighted the King’s warmth and kindness.  Peter said, “So I should be regal and majestic, yet warm and approachable?”  I said yes, and he just said, “Got it,” and then he was all that, all at once.  I helped him get into his costume (with the help of Katie, Dedeker and Cat, it was really a several-person task).  I shot a few different setups; since this was not going to be a chance I’d have again, I wanted to cover all my bases.  And everything fit everyone, and it all worked and came together beautifully, and I knew that the last weeks had been more than worth it.  Katie very thoughtfully took some behind-the-scenes photos once her part in the shoot was over, which I’m so happy to have!

Thanks, Katie!  :)

Thanks, Katie! 🙂

Mei Mei photobomb

Mei Mei photobomb

Dedeker and Katie being beautiful.

Dedeker and Katie being beautiful.

Cat took this one for us; thanks, Cat!

Cat took this one for us; thanks, Cat!

My imagination hero.

My imagination hero and me.

After the shoot was over, we all helped Peter out of his costume and then I got to just chat with him and Cat and the girls until Connor got back from the errands he’d been running in preparation for the screening that night.  It was my first time meeting Cat; she was utterly delightful and I was honored to have them lounging in my living room.  Again I was overcome with the surreality of the situation.  Connor got back shortly, and we parted ways for the time being.  We’d all meet up again that night for the screening in Newport Beach.  The shoot was successfully checked on my list!

I have to say, though all my shoots are done on a budget, this was the most expensive one yet.  A lot of the expenses were things like the paper punch and a self-healing cutting mat (for all the damn birds) that I’ll be able to use again.  All in all, I think I spent between $100-$150; an amount that felt absolutely extravagant to me!  The total time I spent on this is really incalculable.  A couple hundred hours on pre-production, but I spent a good six weeks editing it… it’s easy to say that I spent hundreds and hundreds more on post-production.  There were many times I was cursing myself and why couldn’t I just take nice, pretty photos that edit up in an afternoon (not to mention don’t require hundreds of paper birds) but even in those moments I knew it would be worth it… and it was.  🙂

Katie was giving me a ride into Hollywood on her way home, so Geoff and I could meet up and travel in one car, so she helped me dismantle the set.  We got some lunch since we were ravenous after such an exciting morning and she left me with Geoff while she went home for a bit before also heading down to Newport Beach.

I was exhausted, but also completely wound up.  I attempted a nap in Geoff’s office, but it was pretty pointless.  It was going to be a long night though, so I thought I’d better try anyway.  With anxiety over the shoot done, I could now concentrate on being anxious about that evening.  Connor had specifically asked me to come to the Newport Beach showing and bring my portfolio with me so that he could introduce me to Peter’s fans as one of their new featured artists who will be working with them.  Gulp.

Connor under the marquee.

Connor under the marquee.

Geoff and I (and Katie, in her own car) battled the traffic from Los Angeles to Newport Beach and made it just in the nick of time.  I really wasn’t sure what “introducing” me meant, so I had lots of possible meanings to be worried about.  I was heartened when I got to the theater and was greeted as long-lost friends by Connor and Cat (Peter was somewhere else) and then entered the theater to find a bunch of my family there, which I was not expecting!  It was so sweet of them all to come out and support me.

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There was a great Q&A session before the movie started.  There were raffles, giveaways, and the mayor of Newport Beach showed up to present Peter with a plaque.  It was really quite an event; I would heartily recommend it, of course to any fan, but just to anyone in general 🙂

The mayor giving Peter his plaque.

The mayor giving Peter his plaque; thanks to my grandmother for taking this photo!

Just before the show started, Connor had some of the vendors who had come with their Unicorn wares stand up and pointed them out, and at the very end of all that, he had me stand up and introduced me to everyone, saying I’d be there after the show with my art.  Whew.  One hurdle down.

Then we all got to watch the movie itself in a theater, which no fans my age and younger have ever been able to do.  It was pretty amazing.  I cried, and not just because of what an emotional day I was having.  Seriously, if you get the chance to see it, GO.

After the movie, Peter was around to sign books, take photos with people and talk to them like they’re actual human beings and not just cattle being herded through a chute.  Cat and Connor set me up behind one of the tables where the wares were spread out, and I set out my portfolio and my cards.  Geoff and Katie both really stepped up and stayed the entire night with me.  It was so good having them both there with me since I’m so intensely uncomfortable a) in crowds, b) around strangers, and c) having attention drawn to me and people looking at me.  Hopefully this is something I will get more used to.  It was great having the two of them there to distract me and make me feel less alone.

Wearing Geoff's jacket over my pretty dress - it got quite cold!

Wearing Geoff’s jacket over my pretty dress – it got quite cold!

Peter was true to his word and stayed until every single fan who wanted to had a chance to say hello and have their book/DVD/whatever signed, then all the theater workers still there got their turn.  I’d told my mom I would have him sign a book for her (“The Rhinoceros Who Quoted Nietzsche And Other Odd Acquaintances,” which contains “Professor Gottesman and the Indian Rhinoceros,” the favorite short story of my mom’s, mine, Cat’s and Peter’s) and Katie and I wanted our own photos with him to cap the day off right.

Getting mom's book signed.

Getting mom’s book signed.

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Katie, Peter and me!

And then it was all over!  Months of mental planning, weeks of physical planning, all the crunching and sleepless nights and hard work… it was done.  I was relieved and disappointed, and also knew that it was going to be one of the highlights of my entire career, no matter what else happens.

We didn’t leave Newport Beach until 1:30am, and it was closer to 3 by the time I got home and went to bed.  Luckily I was so exhausted it overcame my nerves and I didn’t have too much trouble getting to sleep.  I knew the next day was going to be ugly, and it was.  You can’t throw that much work and lack of sleep at ME.  Not to mention the very long, emotional day it had been and how late I’d been up.  ME doesn’t let you get away with that kind of shit.  I planned on feeling pretty terrible, and I did.  But it was underscored by a feeling of deep satisfaction, and even more, an overwhelming sense of gratitude for everything that had happened.  I was a bit emotionally fragile by then, and I burst into tears more than once that day, just out of sheer joy and thankfulness.

I am so grateful that I get to partner with Conlan and Peter.  I am so thankful they not only agreed to let me do my photo, but were enthusiastic about it.  I am blown away by what amazing people everyone at Conlan, my friends, models, family and husband are.  They have all been so immensely supportive of me and my art and my journey…especially Geoff as I ignored him night after night in my struggle to complete everything.  I am very lucky to have wonderful neighbors who will let me conduct an entire photo shoot in their home at the drop of a hat,  Everyone who reads this, who emails me, who comments on photos, who encourages me to create, thank you all.

But most of all, thank you to Peter.  Not just for creating the measuring stick by which all other fantasy will always be compared.  Not only for ripping our hearts out with his words, and returning them back to us more whole and healed.  And not just for being willing to play the King, but for being the King.  Peter simply is all those qualities that make me love the King so much.  And I got to capture it forever in two photos in my favorite, most meaningful series.  That is unbelievably wonderful to me.  Thank you for all of it.

And with that, I present to you the DreamWorld King.  Detail shots are below each main image.  Click on them to see them larger!

Beloved Of The Crown

Beloved Of The Crown

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Aerie

Aerie

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

A very quick, thankful, somewhat tear-stained selfie the day after the shoot, wearing my beautiful horn from Firefly Path, which is going to be my every day wear now.  Click here to visit their Facebook page to get your own horn!

A very quick, thankful, somewhat tear-stained selfie the day after the shoot, wearing my beautiful horn from Firefly Path, which is going to be my every day wear now. Click here to visit their Facebook page to get your own horn!

Thank you to every single person who helped make this day happen.  I will never forget it.  🙂

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