Feeds:
Posts
Comments

Posts Tagged ‘texture’

It’s been quite busy in my life since I last posted!  It seems that’s always the way though, isn’t it?  Part of what I’ve been so busy working on is what I’d like to show you in this post: three whole new product lines!

Well, to be strictly honest, one is brand new and the other has been around for a bit but I’m just getting around to blogging about it.  I’ll start with the one I’m most excited about and I think you guys will be excited about too!

Header

I have a new Etsy shop!  I’m sure you guys know about the one I use to sell my prints through; this shop is for completely different kinds of things.  I’m calling it “Spiritual Skincare!”  Let me tell you how this came about.

I have long been on the quest for the perfect skin serum; something completely natural, vegan, with ingredients which not only help my skin in the short term, which prevents premature signs of aging, but is also extremely gentle, healing and will only make your skin healthier and healthier the longer you use it!  I’d narrowed in on several key oils that I knew my skin responded to well so I decided to create my own custom blend!  And, as it turns out, the oils are all incredibly good for your hair, nails; basically every single part of your body!

In addition to all that, you also have the option of having vitamin C serum added to your oil blend!  Vitamin C acts something like a bouncer for your skin; it keeps all the bad stuff out.  Anything that might try to sneak it, it finds and throws it out on its ass!  I have not been able to find reliable information on what vitamin C serum might do for your hair; until I do, I can’t recommend its use in hair, but it’s fabulous for your skin!

1_4 oz 4

Artos The Bear’s Wares: Spiritual Skin Care Products and More – All images © Sarah Allegra

My exact blend is proprietary, but I can tell you that my blend contains vegan squalene oil, argan oil and rosehip seed oil (and vitamin C serum if you choose).  I won’t bog this post down even more highlighting exactly what INCREDIBLE things each of these oils do, but I’ll give you a brief highlight!  My serum:

  • Is all natural, vegan, completely cruelty-free, fragrance-free and pure, with no fillers.
  • Is extremely gentle, suitable for all skin types and (despite it being an oil) actually fights acne!
  • Fights virtually ALL signs of aging – lines, crows feet, sun damage and stimulates cellular membrane and tissue regeneration.
  • Heals scars and stretch marks, dark circles, under-eye bags and acne.
  • Is extremely moisturizing, penetrates deeply, yet absorbs quickly and feels light, not heavy.
  • Is incredibly good for your hair and scalp!  It can be used as a flyaway-tamer, added to your conditioner or styling product, or a few drops can be used on their own for a light hold (I love using it this way myself).
  • Comes in three sizes so you can try a little before you stock up.

In addition, to make it really my kind of serum, each and every bottle is infused with the divine, healing energy of the angels and Unicorns.  Every time you apply your serum, you are getting a little dose of unconditionally-loving, magical, ethereal angelic and Unicorn energy absorbed straight into your being!  Geoff even asks me to apply it to him every night!  I utterly adore it, I’ve gotten wonderful feedback from it and I think you’ll love it too.  🙂

my header

I think you all know that I’m a big fan of the site Fiverr!  It’s a wonderful site where people sell products (mostly digital) and services of ALL kinds – all starting at, you guessed it, $5.  What you probably don’t know is that I have several of my own gigs on Fiverr!

Do you like the textures I use in my images?  I sell my own grunge-style textures in this gig.  For the base order, you get a total of 10 textures, perfect for adding atmosphere and mood to any image!

Fiverr header

One secret trick of mine is using layers of light textures!  I use them in almost every single image I create these days.  They can be a bold or subtle wash of color, which helps lend a dreamy, ethereal, beautiful look to your photos!  I have a LOT of these textures which I have all shot myself, so while the base gig starts at $5, if you want more, you can get up to 25 at a time!

 

I’ve been a Reiki practitioner for a number of years now.  It’s a really beautiful and powerful energy healing modality which does not even require the person I’m working on to be in the same room as me.  Pure, healing energy knows no boundaries of time and space!  I’ve had wonderful results from this as you can see by the reviews, and I can also attest to having had incredible feedback from people not on Fiverr!  I offer Reiki sessions for people (yourself, a friend, a child, anyone whose permission I have to send energy to), or I can send it to the animal (wild or domestic) of your choosing.  Animals respond very well to energy healing!reiki5r

 

Now that I am an officially certified Unicorn Healing™ Practitioner, I can also offer Unicorn healings, again for yourself (or any person who has given permission) or animals, wild or domestic.  Unicorn healing is like nothing else I’ve worked with or done before.  It has a very different feel than Reiki energy; neither is better than the other, they’re just different.  The best way to describe it is that Reiki feels more earthy and grounded, while Unicorn energy feels much more celestial and divine.  I have been COMPLETELY blown away by the incredible changes I’ve seen in myself and others, often after just one treatment!

Unicorn Healing Header

Both kinds of energy healing work to restore balance and vitality to every part of you; mind, body, emotion and soul.  By its own nature, it can never harm and will always work for the recipients’ highest good.  I highly, highly recommend trying one of them, it can be an absolutely life-changing experience!

Last for my Fiverr gigs, I now have an oracle card reading gig!  I tested this with both friends and strangers before I decided to start charging, even just $5, to make sure it would be worth peoples’ money.  Boy, was that an overwhelming success!  I really enjoy doing oracle card readings, especially with the beautiful deck my sweet friend Andrea gave me!  Got a question?  It doesn’t matter what kind of question it is, the cards will help reveal the answer to you!

Card header

Lastly, this is not a new product, but it has a whole new price!  My online self-discovery-through-photography course Introspective: An Online Quest is currently hosted on Udemy.com.  Udemy recently changed its pricing structure and capped all its classes at $40, which is WELL below what Introspective is worth.  However, until I figure out a better way to deal with a host for the class, I’m happy to let people get in on this deal!  Prior to this, Introspective was priced at $75 for the entire 8-week course, so enjoy getting almost 50% off until I have time to deal with this!  🙂

Here’s a brief description of what Introspective is all about: Introspective is an eight-week, on-line course in which you will use your camera to explore your inner self.  Each week, you will receive assignments challenging you to delve into your secrets, fears and joys.  This is not a class about camera basics such as f-stops, apertures and shutter speeds…although links to helpful technical articles will be provided.  This class is about digging deep into your core and capturing what you find there in photographs.

Introspective

So there you guys go!  Enjoy, and please feel free to leave feedback on any of these!

Advertisements

Read Full Post »

I believe I’ve mentioned before that I have a rather, uh, active dream life.  My nights are often filled with deeply archetypal storylines, heavy with symbolism and metaphor, which, I suppose, is probably part of why I’m drawn to creating images along the same lines.

Hold The Gate © Sarah Allegra - detail

Hold The Gate © Sarah Allegra – detail

Sometimes my dreams are quite silly upon waking, like the dream I had where I was aboard Star Trek’s Enterprise (the original show) and Spock and I had to beam down to an alien planet so I could find my gold bikini (ah la Leia, in Return of the Jedi) which we needed in order to defeat the attacking alien army (different aliens than the ones who lived on the planet my bikini was on) and save the world.  I don’t think I was ever clear on how my gold bikini would do this, but it made sense in the dream.

Sometimes my dreams are very serious and are clearly working through problems and fears, current or past.  I had a whopper of a dream a week or two ago which I’m going to tell you about, as it relates to my most recent image.

This dream was set in the world of The Hero And The Crown, by Robin McKinley, one of my very favorite books; one of those comfort-food books I turn to again and again, especially in times of trouble.  If you haven’t read it, go and do so.  I’ll wait.

I was Aerin, the heroine of the story.  Geoff was Tor, whom I was betrothed to.  We lived in Tor’s parent’s castle (which doesn’t make sense with the book, but never mind) and nobody in the entire kingdom liked or understood me.  My only friends were Tor and Talat, my horse, along with the rest of the castle’s horses.  They had an entire army of war horses who would fight in formation on their own, without the aid of any human riders.  I took great comfort in visiting the stables frequently to get away from the nastiness of all the people and be with creatures who loved me.

The great dragon Maur, easily as big as the castle and made of pure evil, had come back and was laying siege to the castle along with numerous other giant, pure-evil dragon friends of his.  We were hopelessly outnumbered and everyone knew there was really no chance of winning this battle, but we had to try.  The dragons could only attack us at night, but in this world it became fully dark at about 1 in the afternoon and stayed dark until the regular sunrise of 5-6 in the morning.  This meant each night was very long.

Interestingly, Tor already possessed the Hero’s Crown, which ought to have given him the ability to fight the dragons off, but it wasn’t working.  It held them off a little, just barely, but it wouldn’t survive another night.

I visited the stables after the first night, thanking the horses, some of whom had been greatly wounded or killed, for their bravery in battle.  Quite a lot of them were also pregnant and foals kept popping out every time I turned around.  We had a good talk and I felt encouraged after I left them.

I found Tor and told him that I had to travel back to my family’s castle to retrieve two magic rings.  If we both wore them, then we would be strong enough to vanquish the dragons.  The thing was, I could only tell Tor where I was going and why.  I had to keep it a secret from absolutely everyone else.  At the end of the dream, I was riding off on Talat to my castle to get the rings, knowing that everyone hated me because they thought I’d just deserted them when they were most in need.  Dusk was falling as Talat and I galloped along and I knew I had to really hurry to get the rings and return to Tor’s castle in time to help everyone survive.

A couple things I should point out right away; Tor’s family in the dream is NOTHING like Geoff’s actual family.  His family embodies that friendly, easy-going, pull-up-a-chair sort of Midwestern charm you always hear about.  They’re truly all wonderful people, so don’t think that that part of the dream had any resemblance to reality!  Also, as far as I know, there aren’t any large groups of people who hate me.  I suppose I could be wrong about this, but again, the dream is not representing real life in this way.

After mulling it over a lot, talking to my mom (who is especially gifted at dream interpretation), Geoff and my therapist, I came to a few conclusions.

The dragons = ME.  Now, to be fair, I actually like dragons, but my brain often uses them as a symbol for big, bad, evil things.  (It also often uses Calantha to represent my inner child in dreams, which is just full of Freudian symbolism.)  Fighting ME every day often really does feel like you’re besieged by dragons.  You’re trapped in your castle (house/body) while an unrelenting assault of badness attacks (all of my ME symptoms; pain, fatigue, etc).

I was confused about the nights being so long until I remembered something I’d said to Geoff a few days before the dream.  I had realized that most days I spend 11-12 hours a day in bed sleeping, or at least trying to sleep.  If I can get a solid 11 regularly, I feel much better, but since my sleep is so poor, I’m often trying to make up for the bad sleep, so the time spent in bed creeps up higher.  I was startled when I realized just how much time I spent every day just trying to sleep.  I’d been getting frustrated, feeling like my days were so short and there were never enough hours… and while I know that pretty much everyone feels like there aren’t enough hours in a day, I suddenly knew why it seemed like my days really were getting much shorter.

ME also really messes up your sleep.  And if you do find yourself up at 4 am, watching TV, taking a cocktail of pills to try and get back to sleep, as I often do, nights can feel especially long and lonely.

I think that the Hero’s Crown was all the stuff I’ve tried already to feel better, all of which promise to work and cure you, but none ever has.  The rings were a hope of future treatments or cures.  Going off to get them while things were most dire represented the typical path of trying a treatment, which usually involves over-exerting yourself in some way first (going to the doctor’s office, my several-times-a-year nerve-blocking injections).

I suspect that the crowd of people who disliked and misunderstood me is my fear of people not understanding that I actually am sick, even if I don’t look like it outwardly.  This is an extremely common worry from anyone with an “invisible illness;” any sort of sickness which does not manifest in outward signs.  I often feel the need to make sure new people in my life know that I have ME and have a basic understanding of what it is so that they don’t think I’m lazy, or that I just didn’t want to go to their party, or have dinner with them.  It’s a pretty big fear, to be honest.  Almost without exception, everyone who is in my life knows what my deal is and while they invite me to things, they’re all very understanding if I can’t make it, especially if I have to cancel last minute.  I really, really hate to cancel at the last minute, but sometimes your body leaves you no other choices.  The secrecy of my mission to get the rings was mirroring the invisibility of my case of ME.

As for the more pleasant things about the dream, Geoff as Tor believed me, and he also supported me even though the entire rest of the kingdom wished he wouldn’t.  That’s 100% Geoff.  He will love and support me, in a fantasy battle with dragons, or in the real world battling insurance companies.  He is a fearless protector and someone I can always count on.  I also liked that for the magic rings to work, we both needed to wear them.  I think that speaks to the importance of having someone caring for and supporting you through this stupid disease.  I can fight it on my own, but it’s a million times better to have an ally.

And lastly, the animals will always be with me.  I have had a special kinship with animals of all kinds, since before I can remember.  My dad likes to tell the story of how there used to be a couple of huge Great Danes in a house behind ours and how they would bark and bay and snarl ferociously through the small gap in the fence if they saw you.  One day I came inside and said, “You know those big dogs out there?  They’re really friendly!”  Alarmed, my dad checked to make sure I still had all my fingers, then came outside with me where he realized that the Danes were causing a fuss because they wanted attention, not because they were aggressive.  Then for a while I collected snails in a bucket and kept them as “pets,” which I believe led my parents to get my first dog because it was just so pathetic that I was gathering snails to be my friends.  Animals have always been a big part of my life, creatures I can trust and rely on, who are as unchanging and solid as a mountain.

As I was meditating on the dream, I kept being reminded of a few big scenes from the biggest battle in last season’s Game Of Thrones.  You don’t really need a lot of context for it, just that the good guys are trying to keep the very bad guys out, and they’re horribly outnumbered and outmatched.

(Sorry, YouTube won’t let you play the videos here, but if you click the little “YouTube” button near the bottom of the video screen, it will take you directly to the videos.)

It may seem silly to those who have never experienced ME, but this is what it feels like to me.  Like you’re outnumbered 1000 to 1, the other side has mammoths and giants and all you’ve got is a fairly useless sword to try and fight them all off.  There is no end in sight, and barely any hope that you’ll succeed.  This is also the way a lot of The Hero and the Crown goes, which is part of why it’s one of my favorite books.

It may sound silly to those who have never know chronic illness’s cruel touch, but I’m willing to bet that everyone who has dealt with it will understand at once.  It’s exhausting to fight an enemy every day, who you can’t see or touch.  And even more so when some people don’t believe the enemy exists.

So, as I do, I had to take a self portrait to work through my feelings on this dream.  What could be more DreamWorldy than an image inspired by an actual dream?  I can imagine this being a snippet of DreamWorld’s rich history, perhaps during the Yellow King’s grab for the throne.  I edited it with both The Hero and the Crown and Game of Thrones in mind, lending visual inspiration.

We sick will keep fighting.  We will hold the gate.

I’ll hold the gate.

Hold The Gate © Sarah Allegra

Hold The Gate © Sarah Allegra

My lighting setup for Hold The Gate:

Hold The Gate lighting setup

Hold The Gate lighting setup

My tripod it balanced on the mattress and the camera would shift slightly whenever Calantha, also on the mattress, moved.  There was just enough room between my bed, the closet and all the other things in that part of the bedroom to make this work.  Who needs a studio??  😉

Read Full Post »

“She twines her spine up slowly

Toward the boiling sun

And when I touched her skin

My fingers ran with blood”

-True Detective’s Theme Song “Far From Any Road,” by The Handsome Family

Toward The Boiling Sun - detail- © Sarah Allegra

Toward The Boiling Sun – detail- © Sarah Allegra

It occurs to me that Cacti and Sinuses sounds like a weird band name 🙂

Here we have another True Detective-inspired image for my Pop Culture set of images.  This one was inspired more directly by the song used in the show’s title sequence, Far From Any Road, by The Handsome Family.  The song’s lyrics tell the story of a cactus which blooms once every thousand years.  Anyone who witnesses the rare event is driven mad by it.  Which, considering how much inspiration the show took from Robert W. Chambers’ The King In Yellow, a short story collection about a fictitious play which will drive any viewers or readers  insane, feels perfectly fitting.  It also is a brilliant pairing in mood and style for the show; the images and beautiful double exposures all work in such harmony… it’s the most beautiful pairing of music and television.

I don’t think my imagination is anywhere near being done inspired by True Detective though!  It’s the show that just keeps giving and giving 🙂

I’d like to clarify that I did not actually force Katie Johnson to sit nude in the middle of a cactus pile.  No models were harmed in the making of this image!  I composited an image I shot of Katie from a high angle with images I shot of my neighbor Donna’s cacti and blended them together in Photoshop.  Thanks to Geoff for steadying the ladder I was on shooting the cacti and helping to make sure I didn’t get stuck by any of their needles!

Changing the subject; at this point, I’ve had eight colds since the end of July, one of one which lasted for 3 weeks, two ear infections with the colds and strep throat another time, so I am having sinus surgery tomorrow.  Apparently my sinuses aren’t draining like they’re supposed to, the germs are never really leaving and they keep taking over my body again and again.  Despite my generally poor health with the fibro and ME, my sinuses haven’t really ever been an issue up till now, so I’m hopeful that the surgery will clear things out and this will stop being an issue.  On average, I’ve only had about two to three weeks between colds for the last three and a half months and I can’t tell you how VERY TIRED I am of having colds.  Lots of acute illnesses of top of chronic illness feels terribly unfair.

The last couple months have been rough health-wise, but I’m very eager to let the doctor clean me out and hopefully set me down headed the right direction!  I’ve been told to expect to feel extra crappy for a while after the surgery, and I was able to get a few simpler images edited before today in case I’m feeling really terrible for a while, so there shouldn’t be any big break in images being posted.  I will also have my wonderful husband Geoff to help me through my recovery; he has had this exact surgery before, which I’m sure will be very handy to help me figure out how to best deal with whatever negative effects I feel from it.  He’ll be with me the whole day of my surgery and the next, and after that I should be ok to be on my own.  But I’ve got my wonderful neighbors right next door in case anything comes up!

I’m chomping at the bit to get the surgery over with so I can start actually feeling better, but of course I’m also a little nervous about it.  So wish me luck; your good thoughts and energy will be very welcome!  I’ll try and update the blog when I’m feeling up to it.

Anyone else here on Instagram?  I just joined recently; let me know if you’re on there!  Also, if you missed it, please see my last post about the near extinction of wild lions, as portrayed through Travis Weinand in DreamWorld; a cause very important to me!

One of the things I love about working with Katie is how her heavy dance background translates so beautifully into her modeling.  She is just always so graceful and effortlessly aware of every part of her body, able to emote even through her fingers and toes.  With that said, please enjoy Katie’s beautiful work in this latest image of her!

Toward The Boiling Sun © Sarah Allegra

Toward The Boiling Sun © Sarah Allegra

Toward The Boiling Sun - detail- © Sarah Allegra

Toward The Boiling Sun – detail- © Sarah Allegra

Toward The Boiling Sun - detail- © Sarah Allegra

Toward The Boiling Sun – detail- © Sarah Allegra

Toward The Boiling Sun - detail- © Sarah Allegra

Toward The Boiling Sun – detail- © Sarah Allegra

Thanks, Katie!  You’re always beautiful!  And thanks to everyone in advance for your well wishes!

Read Full Post »

Lady Death is another DreamWorld character I’ve had in my head for a long time before I had the chance to photograph her.  Sometimes that can be frustrating to postpone your idea for so long, but in this case, I’d imagined the image for so long and in such detail that it made for an extremely easy shoot!  I knew exactly where everything should go, how to light it, the pose I wanted; it was all in my head and I just had to get it shot.

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

Let me tell you a little bit about the inspiration of her character.  Lady Death is, as her name suggests, the incarnation of death within DreamWorld, but I didn’t want her to be the common, dark, grim-reaper version of death we see portrayed frequently.  The concept of how she would appear came from a mix of Deerskin, by Robin McKinley, Come Lady Death, by Peter S. Beagle and a dash of my own attitudes and ideas about death.

I’m going to quote from Robin McKinley’s Deerskin and not give you the context which this passage is happening in, for one because if you get me started talking about Deerskin, it will take up more than this entire post, and also because it’s not incredibly important for my point and I want you to be intrigued to read it for yourself.  I will simply say that this all happens in the first quarter of the book, so it is not the end it sounds like.

“Lissar went on breathing as she looked, because she did not know how to stop; but as time passed she felt the cold upon her [naked] body, feeling it like a soft inquisitive touch, like the feet of tiny animals.  She did not recognize pain as present experience, for such distinction was too subtle for her now; rather it was that was what there was left of her, as screaming had been her existence some time before.  The creeping cold was a change, or further refinement, upon her existence.  But the cold was not content to pat at her skin and then grasp her feet, her hands, her belly and thighs and face.  It wormed its way inside her; but [she could not resit it].  Nor, she found, did she now want to, for the cold brought oblivion, the cessation of pain.

And then she saw its face, and it was not an animal at all, but Death, and then she welcomed it.  Almost she made her split lips work to give it greeting; but her voice had fled away some time before.

I am dying, she thought, in the guttering of consciousness, I am dying, she thought, in the encroaching stillness.  I am dying, and I am glad, for Ash is already dead, and it will all be over soon.”

I will quickly say that while there are some very, very dark moments in Deerskin, it has been one of my two favorite books for well over a decade.  Where there is darkness, the light shines more brightly, as in the case with this book.

Inspiration part 2 came, as I stated, from a short story Peter S. Beagle wrote called Come Lady Death.  In it, the grand Lady Neville, famous for her grand, opulent balls, has grown bored with her own parties.  In looking for a way to up the excitement factor, she decides to invite Death to her next party.  An invitation is sent out… and a positive reply comes quickly.  The guests nervously await Death, wondering what he’ll look like and are surprised when “a lovely young girl in a white dress stepped gracefully into the ballroom doorway and stood there smiling.

She could not have been more than nineteen.  Her hair was yellow, and she wore it long.  It fell thickly upon her bare shoulders that gleamed warmly through it, two limestone islands rising out of a dark golden sea…  She smiled, and Lady Neville tried to smile back, but her mouth seemed stiff.  ‘Welcome,’ she said.  ‘Welcome, my lady Death.’

A sigh rustled among the lords and ladies as the girl took the old woman’s hand and curtsied to her, sinking and rising in one motion, like a wave.  ‘You are Lady Neville,’ she said.  ‘Thank you so much for inviting me.’  Her accent was as faint and almost familiar as her perfume.”

While the two stories don’t seem to have a lot in common on the surface, and especially not in the small fragments you’ve seen here, there were a couple main points I took away from them both.  Death was a being or person who was a) not frightening in appearance b) not male,  as expected, and c) more warm and welcoming than anything else.  This fits in nicely with my own views on death and the afterlife.  Everyone has their own thoughts and views on the subject, which is fine, but I don’t view either as a scary thing, nor the end.  Of course, we grieve when death separates us from those we love, but I know that I will be reunited with them some day.  I suspect that the first batch of “people” I’ll see when I pass the threshold to heaven will be a menagerie of furry, feathered, barking, purring, squeaking, singing creatures I have loved 😉

Drawing from all these sources, Lady Death emerged in my head.  She should be warm, inviting, welcoming, maternal.  She should not be frightening, but soothing.  She should be connected with nature, because death is a natural part of life.  Her clothing would be dark, but there would be no black allowed anywhere in her costume.  And most importantly, when you look into her eyes, you need to know that all is well, all was well, and all would forever be well.  I knew I needed to bring my dear friend and mostly-retired model Aly Darling into this image to embody all these qualities.

What should Lady Death’s clothing look like?  The story Come, Lady Death is set in a slightly unspecific time; several hundred years ago at least.  People throw balls, wear gorgeous gowns, ride in carriages… it brings to mind the 17th-18th century for me, though I have not confirmed this with Peter Beagle to see if that was his intention.  I didn’t want to make her clothing especially period-specific, but it definitely needed to have an old-fashioned feel to it.  How silly would it look if Lady Death was wearing the latest looks from this season’s runways?  I settled on a semi-Victorian feel, which felt both old-fashioned and classic at the same time.

Since I wanted to stay far away from the typical associations with the standard Death figure, black was not allowed anywhere in her costume.  I chose a beautiful purple dress with bell sleeves (purchased on Ebay for a few dollars) and went to work creating a cape for her out of some gorgeous teal satin I found.

I based the construction of the cape off of an actual Victorian cape I own (also purchased through Ebay, but as a wrap at my wedding, not for a costume).

Victorian cape draped over a laundry basket so I could assess its shape and drape.

Victorian cape draped over a laundry basket so I could assess its shape and drape.  Note the multiple layers of ruffles around the collar.

I reverse engineered a pattern from the cape and cut the pieces out of the teal satin.  I gave my cape several ruffled layers of fabric around the collar also, which were then copiously covered in flowers, each one hand-glued in place.  I spent months slowly gathering the appropriately colored flowers in the amount I needed.  Many of these were repurposed from previous DreamWorld costumes, like Perennial Parasol, Efflorescence and In The Lilac Wood, but this will be their final spot.  I love the costume too much to take it apart!  But I have to say, Icertainly got my money’s worth from the flowers!

Lady Death cape from start to finish

Lady Death cape from start to finish, complete with flower-festooned collars

 

Next came construction of Lady Death’s bonnet.  I didn’t want her to have the standard hooded cloak, but I liked the idea of having her face framed in the way a cloak hood would.  Given the Victorian-ish look I was going for, I built a bonnet somewhere in between a Regency bonnet and a Victorian one.  When it’s your world, you get to pick and choose clothing details you like and use them however you want!

The base of the bonnet was some sheets of cardstock glued together into the general shape I wanted.  I tried it on a few times and refined the shape.  Next, I used spray adhesive to glue the teal satin to one side of the bonnet.  This ended up leaving unexpected streaks of glue when dried (see the photo in the lower left corner below) so I quickly decided that side was the inside of the bonnet.  I used a regular glue gun to edge the satin to the other side of the cardstock and the hem on the underside.  I happened to have a small amount of very sparkly purple mesh which I added to the inside of the bonnet.  This had the dual benefit of covering the glue streaks and adding some dimension and light within the darkness of the bonnet’s underside.

Bonnet construction

Bonnet construction

 

Next came the fun and slightly tedious task of decking out the bonnet!  Multiple layers of ribbons, trims and flowers were added to it.  And because someone already asked this, yes, I did glue those teeny tiny individual little flowers to the top and underside of the brim one by one.  I was not excited to do that, but it was well worth it.  You can see Maynard wanting to help in the last couple photos.  A beautiful, wide, dark blue satin ribbon finished the bonnet off and looked beautiful tied under Aly’s chin!

Bonnet decorating

Bonnet decorating – Maynard offering to help

 

I seem to have not taken any images of the staff construction, sorry about that.  I must have been rushed.  I’ll tell you about it though, it was pretty easy.  With the abundance of sticks of all sizes within my yard, I found a good staff-sized one.  I spray painted it a dark brown and kissed it gently with some metallic bronze spray paint.  I already had a string of small, battery-operated LEDs which I’d stuck through the middle of some small flowers.  The LEDs and flowers were taped rather roughly to the staff with masking tape, which I knew I could edit out later.  I knew it would add work in post, but it seemed the best solution at the time.

The bird skeleton is an actual bird skeleton and was incredibly delicate to work with.  I tried to be reverent and ask the bird’s spirit for permission to use it before I did, and so far the house doesn’t seem to be haunted by any bird ghosts, so I’m hoping that means the bird was ok with my use of it.  It was attached using a mixture of masking tape and fine wire.  I made a small wreath for it with the same tiny purple flowers I’d edged the bonnet with to take away a little of the creepy factor of a bird skeleton while also tying it in more directly with the overall costume.

Lady Death

Bird skeleton

Since Aly and I both have health problems and don’t live especially near each other, it took a while for us to find a time when we could actually shoot this image.  Eventually though, the stars aligned and everything went perfectly!  I absolutely loved the images straight out of camera and knew they wouldn’t need much editing.  However, I forgot to take detail shots of the costume while it was on Aly… so Calantha came to the rescue!  She actually enjoys it when I dress her up since she knows it means copious praise and treats.

Calantha modeling Lady Death's cape

Calantha modeling Lady Death’s cape

You can see how little she cares about the cape, she didn’t even move after I draped in on her.  She didn’t like the bonnet when it flopped over her face and couldn’t see, but as long as I kept it adjusted, she was really pretty cool about it.

Such a pretty girl!  She looks right at home in it.

Such a pretty girl! She looks right at home in it.

Calantha models the bonnet

Calantha models the bonnet, showing off the details you can’t see so well in the finished image

After all that, let’s check out the final image!  Scroll down for detail shots 🙂

Lady Death, by Sarah Allegra

Lady Death © Sarah Allegra

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

 

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

Lady Death © Sarah Allegra - detail

Lady Death © Sarah Allegra – detail

That closeup of Lady Death’s face makes the whole image for me.  The gentleness, the kindness, the love shining out of her face shows exactly who the character is.  Thank you very much to Aly for portraying her so perfectly, and to Calantha for modeling the costume after the shoot 🙂

Thanks to you for reading!  What do you guys think about the afterlife?  Would you find it comforting to find Lady Death escorting you to the rest of eternity?

Read Full Post »

%d bloggers like this: