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Posts Tagged ‘wise’

I have new images for you as well as some updates about my personal life!  Since most of my personal life ends up coloring my images in some way or another, I suppose that makes everything relevant, right?  🙂

Mountain Dweller teaser - © Sarah Allegra

Mountain Dweller series teaser – © Sarah Allegra

I recently had a shoot with a model who was new to me, the lovely Teri Wyble!  Sadly for me, she does not live in Los Angeles, but she does travel here now and then and we’ve already made plans to do more shooting next time she’s in town.  She was such a joy to work with; she’s not in modeling just to look pretty or puff up her ego, she’s interested in telling compelling stories.  She has a natural grace and beauty which lend themselves perfectly to my kind of photography.  On top of that, Teri is also just a really wonderful soul, full of love and kindness, and we share many of the same interests.  It was a perfect collaboration!

I’m also going to be sharing a bit of my spiritual journey with you guys here.  For anyone who’s curious, I am a lightworker, but I don’t define my spirituality much beyond that.  Organized religion does not work for me, but I know many people who love their branch of it.  If it’s a good fit for you, stick with it!  If not, you’re still ok and you can still be a spiritual person.

Mountain Dweller 1 - © Sarah Allegra. Model: Teri Wyble.

Mountain Dweller 1 – © Sarah Allegra. Model: Teri Wyble.

I believe in an unconditionally-loving higher power, which I like to refer to as Source.  “God” brings to mind all sorts of connotations which I personally find hindering.  I believe that everyone and everything is made up of energy, as physics teaches us, and since energy cannot be destroyed, it’s most logical to me that life continues beyond death.  I have no doubts about this.  I have spoken to and had contact with those who have passed over… which would have been enough on its own to convince me of our eternal life, but I do feel science supports this idea as well.

Toward the beginning of the year, I experienced an EXTREMELY powerful guided meditation with a lovely woman named Mojo.  If you’re interested in her services, you can find her page on Fiverr here!  She currently doesn’t advertise her guided meditations, which she does live over the phone with you, but if you contact her, she can arrange it for you.

Mountain Dweller 2 - © Sarah Allegra. Model: Teri Wyble.

Mountain Dweller 2 – © Sarah Allegra. Model: Teri Wyble.

During this guided meditation, I actually got to meet and speak with my two main guardian angels.  Prior to this, I had believed in angels in a vague sort of way, but despite how much I would have liked it, I never felt that I could successfully connect with any of them.  I have also done other guided meditations which are supposed to introduce you to your angel without much success other than feeling more centered afterward, like with any meditation.  My point is, the meditation with Mojo was very different.  I could actually feel and sense my angels; I could hear and even see them in my mind.  I know now that they have always been with me every second of my life, and they will for the rest of my time on earth.  I am never alone and they are a great comfort to me.

This new connection with my angels led me to buy a handful of books about angels; I wanted to learn EVERYTHING that I POSSIBLY could about them!  As I’m sure you all know, my passions are all-consuming.  When a new one ignites, my life becomes focused on that and only that until I feel I have a grasp on it.  For anyone else interested in learning more about angels, I recommend Angels In My Hair by Lorna Byrne, and The Angel Therapy Handbook by Doreen Viture.  Both are fascinating, well-written and impart excellent knowledge.  Angels In My Hair is more of a memoir while the Angel Therapy Handbook is more of a textbook.  I feel they compliment each other well.

Mountain Dweller 3 - © Sarah Allegra. Model: Teri Wyble.

Mountain Dweller 3 – © Sarah Allegra. Model: Teri Wyble.

I mentioned being a lightworker a little bit ago.  What I mean by that is that I am certified at level 2 in Reiki.  I do energy work, sending positive energy to people, animals, places, situations, objects, whatever you want.  It’s healing and can never be used to harm.  I also began meditating much more regularly this year.  In the past, when I’d try meditating, I would always enjoy the effects of it, but I had a lot of trouble making myself do it with any consistency.  I’m not sure what changed, but for some reason, this year I was able to push past that.  Once I got over that initial block, I discovered that I LOVE meditating!  It’s incredibly healing and healthy for your body, mind and soul.  I found it was a bit like starting to work out.  At first, you don’t really want to do it, but after a little while of making yourself stick with it, you like it and actually begin craving it.  I now have meditation (guided and not) as a regular part of my life and I’d highly recommend it to absolutely everyone!  One thing I discovered are the millions of meditation tracks on YouTube; literally something for absolutely everyone and every interest.  There are also long tracks of nature sounds and/or music, some with binaural beats in them, some lasting up to eight hours, so you could listen to them all night while you sleep.  I’ve been learning a great deal about crystals as well from my dear friend Jessi who owns the shop Mineralism Crystals.  I HIGHLY recommend her if you’re in the market for anything!  Even if you don’t see something in her online shop, chances are, she has it.  I’ve placed numerous orders with her and they always exceed my expectations!  Also, she is a fellow spoonie, so your money goes to help support her as she’s unable to work a “regular” job; win-win!

As all these new revelations were opening up to me, meditation, angels, being able to “hear” animals more clearly when I contacted them energetically (for example, I was able to help one very special cat overcome his abandonment fears when he was newly adopted, something I was honored to have been a part of), Teri came along and we had our shoot.  I knew that I wanted some of this deeper spirituality to be reflected in something we shot, but I wasn’t really sure how.  However, I did know that I wanted to photograph Teri in a beautiful lace dress I had… that combined with feeling inspired by some images Geoff shot recently with a back-lit model that made me decide I would shoot an “angelic” look with the gauzy white fabric and light behind her.  (Although really, just try and make her NOT look angelic; that would be a far more difficult job.)

Mountain Dweller 4 - © Sarah Allegra. Model: Teri Wyble.

Mountain Dweller 4 – © Sarah Allegra. Model: Teri Wyble.

As I suspected, Teri made the perfect angel.  Sorting through the images later, I realized that I was creating a new race of DreamWorld beings.  The Aethereans, as I called them, are DreamWorld’s angels.  They live high in the mountains, away from the more populated areas so they can be focus on devoting themselves to spiritual studies.  They are very wise from their decades of pursuing the truth in every facet of life, as well as skilled and compassionate healers.  Many of the other DreamWorld inhabitants send their young to train with the Aethereans for several years, where they are taught empathy, love, plant and animal care, healing, sacred geometry and the mysteries of the universe.  I thought that the Aethereans needed some kind of uniform or mark that visually informed everyone of who they are and the spiritual life they have chosen for themselves, so I decided they would all have a flower of life symbol on their foreheads.  I wish I’d thought to actually apply this in real life to Teri, but this idea only came later.  Thankfully, Photoshop made it possible to add it to all the images!

Teri did such a spectacular job modeling, she made it so very difficult to choose which images to work up!  I ended up editing quite a few more photos than I typically would pick because I simply could not narrow my selections down any more.  It took a bit longer to finish these because of the volume I had to work through, but also because of a couple other wonderful new journeys I was taking…

Mountain Dweller 5 - © Sarah Allegra. Model: Teri Wyble.

Mountain Dweller 5 – © Sarah Allegra. Model: Teri Wyble.

Through a very miraculous series of events, I discovered Calista Ascension.  Calista is one of those very rare spiritual teachers who actually embodies and lives everything she preaches; I have met very few more accepting, genuinely loving and wise people in my life.  She offers numerous classes which I was lusting after, but when I saw that she created her own Unicorn Healing System which I could take online from the comfort of my home, I was hooked.  I had to take it.  Immediately.

unicorncourse_logo-500x500

I’ll let Calista explain the course in her own words:

Unicorn Healing™ is a hands-on healing modality for empowerment and wellness, but also a development tool that can awaken your Souls’ gifts and purpose. It can be used as a stand-alone therapy or complemented with other energy practices.

Brought forward in 2009, direct from the Unicorn realm via Calista, it is a very sacred modality that can provide all that you are ready to receive.This is a course for those who are ready to step-up, break-through and arise in their POWER!

Just as you have a Guardian Angel that walks with you so to you have a Guardian Unicorn. Once regarded as the fabric of fairytales, Unicorns are very much real. They have walked with us since the times of Atlantis and are now returning to our awareness to help us awaken to love and the infinite potential we hold within.

As this is a distant learning course, you can set your own pace and progression. A commitment is required however as this course is deeply transformational – the more you put in, the more you will receive. The Unicorns are ever-present to those who wish to better themselves and assist Mother Earth to ascend with grace. 

Yes.  Unicorns.  REAL Unicorns.  As I mentioned earlier, I am well-versed with Reiki energy, which, I learned, is apparently an earth-based energy.  The Unicorns however hail from another planet (bear with me here) so their energy is cosmically-based.  (For those interested, Calista recorded an excellent podcast all about who and what the Unicorns are, where they come from, etc, with much more detail than I’m giving in this post, which you can listen to here.)  I hadn’t expected their energies to feel particularly different from each other; I just hadn’t thought about it.  You may believe that these Unicorns are simply a pretty fantasy I’m escaping to in my imagination (which I’ll freely admit is an escape I would likely pick!) but OH MY GOD – once you’ve felt their energy, there is NO mistaking them.  They are every bit as real as we are, and their energy is incredibly powerful… yet also full of the most unconditional love I’ve ever experienced.  It’s nearly impossible to describe how energy feels in words, but the ones that keep coming to mind when I think about my Unicorns are high, clear, clean, bright, powerful, silvery, shimmery, penetrating, deep, beautiful, wise, loving, celestial, ethereal, and immense.  I love Reiki, but the Unicorns really kicked things up a huge notch for me.

Mountain Dweller 6 - © Sarah Allegra. Model: Teri Wyble.

Mountain Dweller 6 – © Sarah Allegra. Model: Teri Wyble.

As part of my studying, I went through an attunement with their energy, where I met my three guardian Unicorns, who all serve different roles, and who are all equally exquisitely beautiful.  I spent 30 consecutive days meditating and communing with them every day in different ways so we could really get to know each other.  And I also practiced doing healings with the Unicorn energy, both in person and across distance, much like you do with Reiki.  The Unicorn healings I’ve done so far have been the most powerful I’ve yet witnessed in my life.  Problems that have bothered people for very long times suddenly lose their sting, allowing the people to let go of them.  Hurts are overcome, trauma is healed.  They are truly miraculous.  And my guides assure me that I will become physically healthy myself in time.

My guides… yes, I should mention the other guides too.  Meeting the Unicorns as well as my angels has opened my mind up to the idea of there being more spiritual guides for us in the universe than I had previously realized.  Currently, in addition to my guardian angels and Unicorns, I also have a dragon guide, a pegasus guide and a mermaid guide, although I have not worked with them nearly as long or as deeply as the Unicorns.  I’ve also started to sense and sometimes communicate with the elementals all around me.  The trees in my yard, for example, will remind me if the bird feeder has gotten low or the plants need watering.  I’m becoming a MUCH better gardener with their help!  🙂

Mountain Dweller 7 - © Sarah Allegra. Model: Teri Wyble.

Mountain Dweller 7 – © Sarah Allegra. Model: Teri Wyble.

Then, right on the heels on my finishing up my Unicorn Healing course, I began taking Doreen Virtue’s Fairyologist course!  This is more or less what it sounds like; you learn all about the various fairies that exist, what they’re about (the fairies are mostly concerned with environmental and animal issues, but certain groups emphasize different causes), how to communicate and work with them.  At the end, you take a quiz and, assuming you pass, you become a certified Fairyologist.  As I’m also in the process of having all my Unicorn work reviewed by Calista as we speak, I’m on the cusp of becoming both a certified Unicorn Healer and a certified Fairyologist… both are NOT things I expected that I’d be saying if you’d asked me at the beginning of this year!

I’m telling you guys about all this for several reasons.  One, working with my guides and walking my spiritual journey is becoming an ever-more-present, ever-larger part of my life.  I wanted to just lay it all out there in one go and not feel like I had to tiptoe around it on my own blog.  Two, everything in my personal life effects my art.  Case in point, the images I’m releasing today.  I probably wouldn’t have even shot them if I hadn’t met my guardian angels, and I certainly wouldn’t have added the Flower of Life symbol to the Aethereans (who would not exist) without having learned more about sacred geometry in my studies.  In my life, there is very little separation between the real world and my art.  It’s all one big pot of stew where each ingredient enhances all the others.

Mountain Dweller 8 - © Sarah Allegra. Model: Teri Wyble.

Mountain Dweller 8 – © Sarah Allegra. Model: Teri Wyble.

And lastly, I’d like to invite all of you to explore your own spirituality.  When you find what works for you, there is very, very little in life that is as rewarding!  There are many charlatans both online and off, so you must be discerning in who you choose to listen to.  A strong connection to your intuition and sense of truth will help you navigate the waters.  Any of the people or authors I’ve mentioned in this post have gotten the thumb’s up from me if you’d like to start there!

Mountain Dweller 9 - © Sarah Allegra. Model: Teri Wyble.

Mountain Dweller 9 – © Sarah Allegra. Model: Teri Wyble.

I am an energy worker.  I work with Unicorns and angels.  I talk to animals, fairies and elementals.  I am a creator.  I collect crystals.  I am an empath.  I am a photographer.  I am clairvoyant and clairsentient.  I am a fulltime student of truth.  I am a healer.  I am a woman.  I am an artist.  I am Sarah.  I am me.  I don’t apologize for any of that.  You go be you, and don’t apologize for any of it either.  🙂

Mountain Dweller 10 - © Sarah Allegra. Model: Teri Wyble.

Mountain Dweller 10 – © Sarah Allegra. Model: Teri Wyble.

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**Before I get into the meat of this post, I am happy to announce that I will soon start holding mythic photography workshops!  We’ll go over techniques for drawing the magical and awe-inspiring out of the ordinary.  Email me at sarah@sarahallegra.com if you’re interested and I’ll keep you up to date!**

Closeups of both finished photos.

Closeups of both finished photos.

Oh my… this is one of those posts where I have so much to say I can hardly figure out where to start!

I think pretty much everyone reading this will already be familiar with my DreamWorld series, right?  The series portraying the characters and landscape of the world we visit in our sleep?   I have become quite obsessed with it, even though the photos usually demand so much more preparation and work than other photos do.  There is something incredibly therapeutic and wonderful about imagining an entire world and breathing life into it one photo at a time.

The very first character I imagined for DreamWorld was its queen (who we will meet in the future) and eventually I thought that if there is a queen, there probably should be a King  too.  And while I imagine that the queen is really the one in charge, the King is the ultimate father figure.  Warm, approachable, unfailingly kind and wise, but still powerful and majestic.  It’s a lot to ask of one person, and I mulled over who could play him for a long time.

While I contemplated that, I thought about what the King’s costume should be like.  I wanted it to be book-inspired, both literally and metaphorically.  Carl Jung’s and Joseph Campbell’s writings have had such a big influence on my life, and on this series in particular, I wanted the King to be an homage to them and their works.  So books, paper and writing would be the main themes of the costume… and as usual, I had no idea how I was going to pull it together.

While all that was happening in my head, I learned that Peter S. Beagle would be in town as part of his world-wide “The Last Unicorn” movie screenings tour (which I HIGHLY recommend!).  I suddenly pictured Peter as the King, and once I’d done that, I couldn’t imagine anyone else doing it.  He was absolutely perfect.  He is the King.  Every single time I’ve met him, he has exuded such warmth, wisdom and kindness that I wished I could adopt him as an uncle.  And given my recent partnership with his publisher, Conlan Press, I thought it would be the mutually beneficial to everyone.   I’m very happy that Connor, Peter’s publisher and manager, agreed and was able to loan me Peter for a few hours while they were in Los Angeles.

So, casting was settled, but that left me only about three weeks to build every prop and costume I’d be using.  Which was not nearly enough time.  I’d begun working on the King’s magic book before I even got a yes and had already spent over 30 hours just building it.  It was going to be an ugly three weeks, but very, very worth it, so I launched into creation mode.

You really have to see the book in person to understand why it took so long to make.  At this stage, it's just many, many subtle layers of paint.

You really have to see the book in person to understand why it took so long to make. At this stage, it’s just many, many subtle layers of paint.

Peter would be wearing long robes that would transition into paper scrolls at his feet, along with a crown made from folded paper.  His collar and cuffs were lace made from tissue paper, with crinkled paper accents.  A buckle portraying a tree of life would hold the robes closed, and the part I was perhaps most excited about was the collar of paper birds taking flight.  That was the end goal… how I’d get there, let alone in three weeks, I had no idea.  But I started with what I knew, making the tunic under his robe, and the fabric part of the robe itself.

sketches

Initial sketches

The tunic and robe themselves were pretty easy, standard pieces of DreamWorld wear, so they came together quickly.  The robe was made mostly from cotton muslin, since it’s inexpensive and takes tea-dying well (which I suspected would be in its future).   The yoke was made from the most beautiful metallic gold jacquard-type fabric (I purchased it as a remnant, so I’m not sure exactly what it is, other than gorgeous).  The first introduction of paper into the robe came by using long sheets of corrugated cardboard in the place of pin-tucked fabric.  I broke a needle on my sewing machine trying to get it on before finally locating my super-heavy-duty-heavier-than-duck-and-denim-together needle, which held up.

The robe with cardboard "pintucking."

The robe with cardboard “pin-tucking.”

I’ve never felt especially adept at sculpting, but I knew I was going to have to do at least some for the King, so I got some silicone clay which could be baked in an oven and a couple molds.  One mold featured different female faces on it, while another had branches, leaves and birds.  Leaves I though I could probably get away with on my own, but with the time I had, I didn’t want to have to try messing with making a beautiful face on my own.  Plus, the molds were on a 40% off sale, so I took it as a sign.  Most of the sculpting ended up on the cover of the book, which became quite symbolic all on its own, incorporating elements of Joseph Campbell, Peter Beagle and myself.

sarahallegra.com

Beginning to sculpt. You can see the shell of the unpainted book in the upper left-hand corner too.

The King’s costume incorporated keys and locks in numerous places, a metaphor for how Peter and Joseph Campbell’s writing had unlocked so much wisdom for me.  Around the large keyhole (obtained from a wonderful architectural salvage yard) I sculpted two pieces which could look like either paths or (bull’s) horns, nods to “The Last Unicorn” and the hero’s journey.  I made my own little cloven-hoof stamp by carving the end of an eraser and covered the “paths” with a smattering of hoof prints.  Between the paths/horns was a woman’s face with long white hair and a horn coming out of her forehead; an obvious reference to “The Last Unicorn,” but also to my own own identification with the story.

For added symbolism and a little more depth, I also crafted two small anatomical hearts, alluding to the “Two Hearts” story Peter wrote as a novella sequel to”The Last Unicorn.”  Though you could never accuse “The Last Unicorn” of being shallow, “Two Hearts” adds such richness and depth to it that I feel it’s really just a continuation of the same story and not two separate ones.

Stamp, hearts, unicorn girl and hoof prints.

Stamp, hearts, unicorn girl and hoof prints.

After the sculpting and baking came many coats of paint.

Painted pieces, along with a key I ended up not using for this photo (but which will be used eventually).

Painted pieces, along with a key I ended up not using for this photo (but which will be used eventually).

The keyhole and clay pieces were glued to the book cover and that prop, at least, was done!

At some point during the three weeks I was making all this, I pictured Peter with two ladies in waiting.  At first, I dismissed the idea since I already had more than enough work to do, but, to my annoyance, once I pictured it that way, I knew it would be lacking without them.  Damn.  I sighed and added two more costumes to my to-do list while I emailed frequent models Dedeker, Aly and Katie to see if they were available.  Unfortunately, Aly’s work schedule prevented her from joining us, but I was glad to have Katie and Dedeker along!

Turning my attention back to Peter’s robes, I used more of the corrugated cardboard t make wide cuffs.  I’d found some beautifully-dyed, crinkly paper, a little thicker than tissue paper, but not by much.  I had some in orange and some in purple, and I used the purple paper to edge the cuffs.  The inside of the cuffs was lined with an untold amount of tissue paper, cut to various widths and run through a paper punch on one side to create a look like lace.  I alternated white tissue paper with some beautiful, metallic silver tissue paper.  The white tissue paper went through the punch well, but the silver paper would utterly clog the punch up after 3-4 presses, no matter how few or how many pieces I put through at a time.  I even tried running it through at the same time as some nice, heavy cardstock, but the paper press just laughed at my attempts and clogged again.  In the end, I used less of the silver paper than I had planned, but was left with more of my sanity intact, so I thought it was a fair trade.

cuffs

Tissue papers, purple crinkle paper and the cuffs coming together.

I used the orange crinkle paper to make a lapel and more of it was used as a belt.  I’d wanted to give the robes a feeling of embroidery, so I used some metallic gold paint to create swirling, organic, art nouveau-like designs on the pin-tucking.

robe

Speaking of the belt, I wanted to have another Campbell reference, so I decided to use one of the most commonly recognized mythology symbols, the tree of life, on the buckle, quite literally bringing everything together.  The backing was made out of clay and painted with several layers of gold, green and bronze paints.  Some pretty green rafia made up the tree itself.  The untwisted ends made very convincing leaves, and the twisted ends made wonderful roots.  In the middle was another keyhole, continuing the motif.

Tree of life buckle.

Tree of life buckle above the paper belt.

Around this time, I started wondering how I would turn the robe ends into paper scrolls.  I spent several nights not sleeping while I contemplated it, and eventually came up with the following.  I sewed six long panels of muslin, each about two feet wide, and of varying lengths.  The sides were sewn with wire in them, and I covered both sides of the panels with torn-up paper mache.  The paper mache was made from countless pieces of tissue paper I had tea-dyed from a barely noticeable off-white to a dark cream.  I used the lightest pieces at the top and let it gradually darken toward the bottom.  I washed the panels with layers of thinned-out white glue (many, MANY thanks to my wonderful neighbor Donna for giving me a huge vat of glue!) until they were suitably stiff.  Applying paper, painting and letting them dry between took the better part of a week.  By the time they were done, it was nearly time to shoot and I didn’t know what I’d do if they didn’t work.  I breathlessly tried rolling one of them up… and it stayed.  It looked like paper!  It looked like a scroll!  I was so relieved!

I attached the panels to the end of the robe with some heavy-duty safety pins and hot glue, then added another layer of tea-dyed tissue paper, creating a gradual transition from a little below the belt of the robe with just a touch of paper, all the way to the bottom of the scrolls where it was thick paper.

scrolls

I’d had a very clear vision of how I wanted the King’s crown to look, formed primarily from folded paper, dotted with keys and old quill nibs, which I found a whole bunch of on Ebay!  While it wasn’t really hard to make, it did take a lot of trial and error.  I am not much for origami, so I ended up just cutting out different shapes and experimenting with what produced the best results.  I used a cream-colored cardstock for this, quite a relief to work with after the filmy, fragile tissue paper.

Trying out different objects as stencils.

Trying out different objects as stencils.

The crown ended up being my favorite part of the whole costume.  Geoff kindly took some BTS photos of me working on it.  The medallion in the middle of it was something I found in the jewelry-making section of the craft store, and it added the perfect finishing touch with the purple gem in the middle of it.

Making the crown.

Making the crown.

Around this time I realized I also needed to make a staff for the King.  I had actually found such a good stick while I was hiking one day that I brought it home, not even having a plan for it, just knowing it would be good for something, eventually.  I spray painted the stick bronze and gold, and used several thin washes of acrylic paint in green and gold tones on a glass Christmas tree ornament (which I have a large stock of for a future project).  A very, very thin spritz with some dazzlingly-silver spray paint finished off the ornament, which I flipped upside down and anchored to the stick with a big old blob of hot glue.  I had wanted to incorporate some more flowers into the costume anyway, and having a cluster of them under the ornament hid the transition beautifully.  A key under the ornament and flowers finished it off!

staff

Things get a little blurry as I think back on the days right before the shoot, and I honestly don’t remember the exact order of events anymore.  But in the last couple days, I sewed some easy, empire-waisted gray chiffon dresses for the girls, with long, matching chiffon sashes.  The dresses were decorated at the bustline with a fan-shaped piece of folded cardstock, tissue paper lace and flowers.

The big project for the girls, which bled over into the last of the King’s costume, were the paper birds.  Those damn, damn paper birds.  I printed untold sheets of cream and white cardstock with chains of birds (which I’d laid together in Photoshop) which then had to be cut out by hand, one by one.  I was so sick of seeing the pile of papers waiting to be cut out by the time I was done.  Days and days of cutting out birds.  So, so many birds of different sizes, shapes, angles and colors.

birds

Sheets of cardstock with birds cut out, a pile of cut birds, the king’s collar being assembled.

Obviously, many of the birds went to making the King’s bird-and-lace collar, but the majority ended up going to the two maiden’s headdresses and arm pieces.  I loved the symbolism of the birds; they were taking off from Peter’s throat (where words take flight as well), they landed and traveled down the girls’ heads, as they take the stories and information in, then they make their way down the girls’ arms to their hands as they put the lessons they have learned to work.  Just remembering it all gives me a headache, but I really loved how it turned out, even though it was nearly midnight the night before the shoot when I glued the last string of birds together, was finally done and went to bed.

Calantha helped whenever she could.

Calantha helped whenever she could.

The morning of the shoot came after not nearly enough sleep, and I knew it was going to be a very long, grueling day, but I was very excited!  Donna and John, my neighbors, had very kindly allowed me to use their dining room to shoot in, which gave me more room to move around.  I started hanging curtains and getting the set constructed while I groggily drank my tea.  Everyone helped me get the set ready, which I was very grateful for; I couldn’t have done it all on my own!  Then my lights decided they didn’t feel like working, and I had to troubleshoot that as it got closer and closer to the time of the shoot… it was quite stressful, but it all came together just in time!

Thank you, Dedeker for these adorable furbaby pics :)

Thank you, Dedeker, for these adorable furbaby pics 🙂  They are a friendly lot!

Connor pulled up and dropped off Peter and his assistant Cat, who was helping them with the tour, and then I had a most surreal moment when Peter Beagle, one of my two very favorite writers, author of “The Last Unicorn,” a story that has profoundly influenced my life, was standing in my living room.  He was just as warm and wonderful as all the other times I’d spoken to him, and he showed excellent taste in admiring Calantha and asking what kind of dog she is.

I caught Connor snuggling Maynard and made him stand there until I got a photo of it.

I caught Connor snuggling Maynard and made him stand there until I got a photo of it.

Peter told me he’d been instructed by Connor to be regal and majestic, which I agreed with, but also highlighted the King’s warmth and kindness.  Peter said, “So I should be regal and majestic, yet warm and approachable?”  I said yes, and he just said, “Got it,” and then he was all that, all at once.  I helped him get into his costume (with the help of Katie, Dedeker and Cat, it was really a several-person task).  I shot a few different setups; since this was not going to be a chance I’d have again, I wanted to cover all my bases.  And everything fit everyone, and it all worked and came together beautifully, and I knew that the last weeks had been more than worth it.  Katie very thoughtfully took some behind-the-scenes photos once her part in the shoot was over, which I’m so happy to have!

Thanks, Katie!  :)

Thanks, Katie! 🙂

Mei Mei photobomb

Mei Mei photobomb

Dedeker and Katie being beautiful.

Dedeker and Katie being beautiful.

Cat took this one for us; thanks, Cat!

Cat took this one for us; thanks, Cat!

My imagination hero.

My imagination hero and me.

After the shoot was over, we all helped Peter out of his costume and then I got to just chat with him and Cat and the girls until Connor got back from the errands he’d been running in preparation for the screening that night.  It was my first time meeting Cat; she was utterly delightful and I was honored to have them lounging in my living room.  Again I was overcome with the surreality of the situation.  Connor got back shortly, and we parted ways for the time being.  We’d all meet up again that night for the screening in Newport Beach.  The shoot was successfully checked on my list!

I have to say, though all my shoots are done on a budget, this was the most expensive one yet.  A lot of the expenses were things like the paper punch and a self-healing cutting mat (for all the damn birds) that I’ll be able to use again.  All in all, I think I spent between $100-$150; an amount that felt absolutely extravagant to me!  The total time I spent on this is really incalculable.  A couple hundred hours on pre-production, but I spent a good six weeks editing it… it’s easy to say that I spent hundreds and hundreds more on post-production.  There were many times I was cursing myself and why couldn’t I just take nice, pretty photos that edit up in an afternoon (not to mention don’t require hundreds of paper birds) but even in those moments I knew it would be worth it… and it was.  🙂

Katie was giving me a ride into Hollywood on her way home, so Geoff and I could meet up and travel in one car, so she helped me dismantle the set.  We got some lunch since we were ravenous after such an exciting morning and she left me with Geoff while she went home for a bit before also heading down to Newport Beach.

I was exhausted, but also completely wound up.  I attempted a nap in Geoff’s office, but it was pretty pointless.  It was going to be a long night though, so I thought I’d better try anyway.  With anxiety over the shoot done, I could now concentrate on being anxious about that evening.  Connor had specifically asked me to come to the Newport Beach showing and bring my portfolio with me so that he could introduce me to Peter’s fans as one of their new featured artists who will be working with them.  Gulp.

Connor under the marquee.

Connor under the marquee.

Geoff and I (and Katie, in her own car) battled the traffic from Los Angeles to Newport Beach and made it just in the nick of time.  I really wasn’t sure what “introducing” me meant, so I had lots of possible meanings to be worried about.  I was heartened when I got to the theater and was greeted as long-lost friends by Connor and Cat (Peter was somewhere else) and then entered the theater to find a bunch of my family there, which I was not expecting!  It was so sweet of them all to come out and support me.

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There was a great Q&A session before the movie started.  There were raffles, giveaways, and the mayor of Newport Beach showed up to present Peter with a plaque.  It was really quite an event; I would heartily recommend it, of course to any fan, but just to anyone in general 🙂

The mayor giving Peter his plaque.

The mayor giving Peter his plaque; thanks to my grandmother for taking this photo!

Just before the show started, Connor had some of the vendors who had come with their Unicorn wares stand up and pointed them out, and at the very end of all that, he had me stand up and introduced me to everyone, saying I’d be there after the show with my art.  Whew.  One hurdle down.

Then we all got to watch the movie itself in a theater, which no fans my age and younger have ever been able to do.  It was pretty amazing.  I cried, and not just because of what an emotional day I was having.  Seriously, if you get the chance to see it, GO.

After the movie, Peter was around to sign books, take photos with people and talk to them like they’re actual human beings and not just cattle being herded through a chute.  Cat and Connor set me up behind one of the tables where the wares were spread out, and I set out my portfolio and my cards.  Geoff and Katie both really stepped up and stayed the entire night with me.  It was so good having them both there with me since I’m so intensely uncomfortable a) in crowds, b) around strangers, and c) having attention drawn to me and people looking at me.  Hopefully this is something I will get more used to.  It was great having the two of them there to distract me and make me feel less alone.

Wearing Geoff's jacket over my pretty dress - it got quite cold!

Wearing Geoff’s jacket over my pretty dress – it got quite cold!

Peter was true to his word and stayed until every single fan who wanted to had a chance to say hello and have their book/DVD/whatever signed, then all the theater workers still there got their turn.  I’d told my mom I would have him sign a book for her (“The Rhinoceros Who Quoted Nietzsche And Other Odd Acquaintances,” which contains “Professor Gottesman and the Indian Rhinoceros,” the favorite short story of my mom’s, mine, Cat’s and Peter’s) and Katie and I wanted our own photos with him to cap the day off right.

Getting mom's book signed.

Getting mom’s book signed.

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Katie, Peter and me!

And then it was all over!  Months of mental planning, weeks of physical planning, all the crunching and sleepless nights and hard work… it was done.  I was relieved and disappointed, and also knew that it was going to be one of the highlights of my entire career, no matter what else happens.

We didn’t leave Newport Beach until 1:30am, and it was closer to 3 by the time I got home and went to bed.  Luckily I was so exhausted it overcame my nerves and I didn’t have too much trouble getting to sleep.  I knew the next day was going to be ugly, and it was.  You can’t throw that much work and lack of sleep at ME.  Not to mention the very long, emotional day it had been and how late I’d been up.  ME doesn’t let you get away with that kind of shit.  I planned on feeling pretty terrible, and I did.  But it was underscored by a feeling of deep satisfaction, and even more, an overwhelming sense of gratitude for everything that had happened.  I was a bit emotionally fragile by then, and I burst into tears more than once that day, just out of sheer joy and thankfulness.

I am so grateful that I get to partner with Conlan and Peter.  I am so thankful they not only agreed to let me do my photo, but were enthusiastic about it.  I am blown away by what amazing people everyone at Conlan, my friends, models, family and husband are.  They have all been so immensely supportive of me and my art and my journey…especially Geoff as I ignored him night after night in my struggle to complete everything.  I am very lucky to have wonderful neighbors who will let me conduct an entire photo shoot in their home at the drop of a hat,  Everyone who reads this, who emails me, who comments on photos, who encourages me to create, thank you all.

But most of all, thank you to Peter.  Not just for creating the measuring stick by which all other fantasy will always be compared.  Not only for ripping our hearts out with his words, and returning them back to us more whole and healed.  And not just for being willing to play the King, but for being the King.  Peter simply is all those qualities that make me love the King so much.  And I got to capture it forever in two photos in my favorite, most meaningful series.  That is unbelievably wonderful to me.  Thank you for all of it.

And with that, I present to you the DreamWorld King.  Detail shots are below each main image.  Click on them to see them larger!

Beloved Of The Crown

Beloved Of The Crown

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Beloved Of The Crown - detail

Beloved Of The Crown – detail

Aerie

Aerie

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

Aerie - detail

Aerie – detail

A very quick, thankful, somewhat tear-stained selfie the day after the shoot, wearing my beautiful horn from Firefly Path, which is going to be my every day wear now.  Click here to visit their Facebook page to get your own horn!

A very quick, thankful, somewhat tear-stained selfie the day after the shoot, wearing my beautiful horn from Firefly Path, which is going to be my every day wear now. Click here to visit their Facebook page to get your own horn!

Thank you to every single person who helped make this day happen.  I will never forget it.  🙂

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